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Agnes in London (part 1)

Café for Cats

 

Take your shoes off

and close the child-gate

we don’t want the cats

out in the street please

thank you : our cats

your pleasure their purrs

together

make for a blissful moment

in a hectic world

on this busy street

don’t leave without

taking a cat on your lap

stroking their pedigree fur

all for you and coffee too

 

 

Street Art

 

Prevalent in these parts

the impromptu sketch

the wildly alternative mark

on arches grand designs on

construction-site hoardings

and take this side of a building

here untouched by windows

a canvas blank of brick where

Gulliver’s sister lies gagged

and bound in a Lilliput house

her knees poking through

the upstairs floor

 

 

tokyobike

 

in pastel-green apricot-pink

a lithe machine of delicate frame

and slim-line wheels

would look well in the hall

and out on the street

if properly socked with

your oh so short skirt

the gym-honed thighs

the custom rucksack

tight on your back

 

 

Whirl of Leaves

 

The breath that blows

these notes across the page

the murmuration of fingers

against those resonant strings

up and down to and fro

on music’s path go

the flute and the harp

pursuing the ground

into the autumn air

chasing the wind

until . . .

at a passing wall

they are stilled

into motionless

their rise and swirl

emptied of breath

no more to blow

or pluck these dancing

murmuring

wind-driven notes

but into fermata’s

grasp

 

(where despite

a futile final flurry

a long bar’s rest

takes hold

till Spring)

 

 

St Paul’s by Night

 

From across the river

an unexpected view

not just that gracious dome

but the building below

substantially whole complete

for once not hidden by proximity

or an errant developer’s whim

the progress to the great south door

unimpeded when we walked

the well-tempered bridge

as high on the lofty cranes

bright red stars guided

our journey home

 

 

Askam Square

 

In this London square

the trees hold still

as sculptures in

the nothing air

no breeze to animate

their leaves except

a steady gaze might catch

a gentle oscillation

here and there

 

La Maison vert foncé

 

So very green this perfect Hoxton house

it could be in a petite ville Française

incongruous here – but such a treasure

geranium-filled window boxes

lace curtained attic rooms

just-have-to-have-a-look inside and see

the dress-maker’s table the library of books

the posters artists’ prints and all

a purposeful lady sits typing at her desk

costume directions for a Pirandello play

 

 

Daughter

 

Last year she’d bought a boat on the river

this year she’s in New York for the week

Keeping tabs on daughters can be wearisome

you hope for hug and to hear that certain voice

see eyes that haven’t changed their depth

since a child when you marvelled at their colour

so - it seems you won’t be seeing her this time around

but she’ll be in touch when she gets back she says

and ‘we’ll talk’ . . . she says.

 

Urban Fox

 

dogs don’t have such a brush of a tail

a flattened skull or triangle-like ears

one was about to cross our path

thought better of it and retreated

behind a bush content to wait

till we’d passed on by

I

writing just the other day

about the fox of Chinese lore

remembered this celestial dog

had nine tails, four legs and a golden coat

served the Palace of Sun and Moon

transcended both the yin and yang

Request permission to use this poem
Written by
nigel-morgan
Welsh
Published
Oct 11, 2015
Lines·Words
126·575
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