Nothing has ever been built this completely by a single creator with dedication, focus.
The visual, auditory, and literary elements connect. Every stroke of paint, every musical note, every line of dialogue belongs to the same coherent, cohesive, living universe.
And yes, characters actually die and stay dead. (Star Wars: Bletch. I was a lifelong fan of the original trilogy until that nonsense.)
I talked previously about the irreplaceable nature of my actual combat experience — the fact that I’ve actually done martial arts, ring fighting, boxing, wrestling, sword training. I’ve put on the armor. I’ve ridden the horses. I know it at a level that no one else who has ever written about it knows. I am an active-duty combat veteran.
Okay, setting all that aside: even if I didn’t have that, it would still be better, because the plot is better, the individual motives of the characters are better, the character arcs themselves are better, the plot arc is stronger, more exciting, and better. The characters are deeper, as well as more relatable. There’s more to the whole body of the work — how and where it most counts.
Consider this: I not only wrote the books, edited them, and published them myself, but I also created drawings, paintings, digital renderings, sculptures, and animations of all the characters. I also created a full-length symphony and choral soundtrack of all original music compositions.
Nobody else has done that. All they did was create a manuscript, get it to an editor and a publisher, and then get the funding behind the project.
The only thing I’m lacking is the one major thing all those so-called greats had: financial backing and a foot in the door or a silver spoon in the mouth. The hype machine is the only thing I’m lacking. I’ve done more than all of them combined by the first half of book one, hands down. Don’t believe me? Buy it and read it. The only thing I don’t have is the hype.
I’m winning the case for Worlds of Within being the greatest and best universe ever created, and I’m proving it the best way possible — by putting in the real blood, sweat, and tears. Why is it so much better, and how? On every single level. The time, the care, the patience, the love that went into it is greater than any other author who’s ever even attempted it.
No universe, not Star Wars, not Marvel, not Tolkien’s name-list walkabout, not Martin’s unfinished mid-tier burnout, not Herbert’s eighty-three repetitive, useless, unwanted rehashes. Rowling, with her more-than-borderline plagiarism and theft — no original ideas, no original concepts, nothing from Hogwarts to the wands to witches on brooms. It’s all from older material.
This work does not have a single chosen one in it. No worn-out tropes, ever. It’s not a lame “magic fixes everything” cop-out either. Nor is it a dressed-up rip-off of known myths or folklore. Definitely not a horrendous, unreadable, punishing, inane slog of boring Tolkien and Martin-style phone book lists of bad fantasy names.
I mean really? A name? That’s your whole character? One name, once, filler space — why should I care?
Nothing has ever been built this completely, with this much intelligence, planning, skill, and care. Not by any other single creator in all of recorded history. Nothing comes close to my dedication and focus. And all of it from someone with class, style, and a high standard. But the best part? Zero compromises.
Give it a try and tell me if you didn’t enjoy it more than all those other versions of “Barney with a sword.”
Oct 8, 2025
Oct 8, 2025 at 4:28 PM UTC
Nothing has ever been built this completely by a single creator with dedication, focus.
The visual, auditory, and literary elements connect. Every stroke of paint, every musical note, every line of dialogue belongs to the same coherent, cohesive, living universe.
And yes, characters actually die and stay dead. (Star Wars: Bletch. I was a lifelong fan of the original trilogy until that nonsense.)
I talked previously about the irreplaceable nature of my actual combat experience — the fact that I’ve actually done martial arts, ring fighting, boxing, wrestling, sword training. I’ve put on the armor. I’ve ridden the horses. I know it at a level that no one else who has ever written about it knows. I am an active-duty combat veteran.
Okay, setting all that aside: even if I didn’t have that, it would still be better, because the plot is better, the individual motives of the characters are better, the character arcs themselves are better, the plot arc is stronger, more exciting, and better. The characters are deeper, as well as more relatable. There’s more to the whole body of the work — how and where it most counts.
Consider this: I not only wrote the books, edited them, and published them myself, but I also created drawings, paintings, digital renderings, sculptures, and animations of all the characters. I also created a full-length symphony and choral soundtrack of all original music compositions.
Nobody else has done that. All they did was create a manuscript, get it to an editor and a publisher, and then get the funding behind the project.
The only thing I’m lacking is the one major thing all those so-called greats had: financial backing and a foot in the door or a silver spoon in the mouth. The hype machine is the only thing I’m lacking. I’ve done more than all of them combined by the first half of book one, hands down. Don’t believe me? Buy it and read it. The only thing I don’t have is the hype.
I’m winning the case for Worlds of Within being the greatest and best universe ever created, and I’m proving it the best way possible — by putting in the real blood, sweat, and tears. Why is it so much better, and how? On every single level. The time, the care, the patience, the love that went into it is greater than any other author who’s ever even attempted it.
No universe, not Star Wars, not Marvel, not Tolkien’s name-list walkabout, not Martin’s unfinished mid-tier burnout, not Herbert’s eighty-three repetitive, useless, unwanted rehashes. Rowling, with her more-than-borderline plagiarism and theft — no original ideas, no original concepts, nothing from Hogwarts to the wands to witches on brooms. It’s all from older material.
This work does not have a single chosen one in it. No worn-out tropes, ever. It’s not a lame “magic fixes everything” cop-out either. Nor is it a dressed-up rip-off of known myths or folklore. Definitely not a horrendous, unreadable, punishing, inane slog of boring Tolkien and Martin-style phone book lists of bad fantasy names.
I mean really? A name? That’s your whole character? One name, once, filler space — why should I care?
Nothing has ever been built this completely, with this much intelligence, planning, skill, and care. Not by any other single creator in all of recorded history. Nothing comes close to my dedication and focus. And all of it from someone with class, style, and a high standard. But the best part? Zero compromises.
Give it a try and tell me if you didn’t enjoy it more than all those other versions of “Barney with a sword.”
Buy the Book on Barnes or anywhere you get eBooks, Apple Kobo, etc. ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ꧁⎝ 𓆩༺☠︎︎༻𓆪 ⎠꧂,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
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