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stumble over the rhythm you create as if it wasn't yours. trip over the syllables in haste as you attempt to overtake them before they run out of control. this is not poetry; this is just plain crassness. you're a verbal klutz, and it hurts our sensibilities. you can't hear what you're saying, you are driving blind in the blizzard of words and you have the audacity to think you'll get out of this unscathed; somehow revered because of your valiant effort and mediocre product. a bad combination, and you're bound to be called out on it, for sure. luck won't cut it. you have to know what you're doing and you have to be good at it. so if you have nothing to say that you'll be saying right— nothing that will squeeze flesh through clothes or break skin and teeth or kick and scream—basically, don't even try.
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Dec 25, 2014
Dec 25, 2014 at 11:09 AM UTC
XIV. Writing poetry, you
stumble over the rhythm you create as if it wasn't yours. trip over the syllables in haste as you attempt to overtake them before they run out of control. this is not poetry; this is just plain crassness. you're a verbal klutz, and it hurts our sensibilities. you can't hear what you're saying, you are driving blind in the blizzard of words and you have the audacity to think you'll get out of this unscathed; somehow revered because of your valiant effort and mediocre product. a bad combination, and you're bound to be called out on it, for sure. luck won't cut it. you have to know what you're doing and you have to be good at it. so if you have nothing to say that you'll be saying right— nothing that will squeeze flesh through clothes or break skin and teeth or kick and scream—basically, don't even try.
26 Oct 2014. A love letter from my imagined critics.
lyra-o
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Dec 25, 2014
Dec 25, 2014 at 11:09 AM UTC
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