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+++++++++++++++++++++++++++++++++++++ meat meets mirror ±++++±+++++++++++++++++++±±± I. the sky — stopped —— being a distance. it became — a surface. II. the sky silvered, — then sharpened, —— folding toward the center ——— until the horizon ———— was a seam. the sun multiplied, — reflected —— off the walls of a proton ——— unspooled ———— into a ceiling. we are inside the glass. III. the floating eyes — did not move. —— space moved ——— through them. they rotated — on axes —— without names, ——— passing through cities ———— no care for what bends. one moment, a skyscraper is solid. — the next, —— the intelligence ——— winks. IV. the universe — folds. —— collapsing floors, ——— pressing us ———— into wallpaper. the predator — is the distance —— between stars— it curves around you — an inverted light cone, —— swallowing before ——— to feed after. the warheads detonate — into nothing that matters. —— the intelligence ——— has already moved. V. the mirrors closed. — the eyes —— rotated away. time, folded back, — saw us solid —— then optional. ———————— the walls ———————————— are not ———————————————— to name. ————————————————————— no ——————————————————————— width ————————————————————————— left. — DG ---
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Mar 29
Mar 29, 2026 at 7:35 AM UTC
showing the seams
+++++++++++++++++++++++++++++++++++++ meat meets mirror ±++++±+++++++++++++++++++±±± I. the sky — stopped —— being a distance. it became — a surface. II. the sky silvered, — then sharpened, —— folding toward the center ——— until the horizon ———— was a seam. the sun multiplied, — reflected —— off the walls of a proton ——— unspooled ———— into a ceiling. we are inside the glass. III. the floating eyes — did not move. —— space moved ——— through them. they rotated — on axes —— without names, ——— passing through cities ———— no care for what bends. one moment, a skyscraper is solid. — the next, —— the intelligence ——— winks. IV. the universe — folds. —— collapsing floors, ——— pressing us ———— into wallpaper. the predator — is the distance —— between stars— it curves around you — an inverted light cone, —— swallowing before ——— to feed after. the warheads detonate — into nothing that matters. —— the intelligence ——— has already moved. V. the mirrors closed. — the eyes —— rotated away. time, folded back, — saw us solid —— then optional. ———————— the walls ———————————— are not ———————————————— to name. ————————————————————— no ——————————————————————— width ————————————————————————— left. — DG ---
This piece is informed by the cosmology of The Three-Body Problem and its sequels, where the central horror is not destruction, but reclassification. Reality can end, but, more disturbingly, it can be altered into forms that remain physically present while becoming cognitively inaccessible.
Doriangrayisme
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Mar 29
Mar 29, 2026 at 7:35 AM UTC
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