<•>
For A:
The Pleasure of Infection
10:53 pm
our all about
is to be the whittler of our personage,
to both hold the knife with care,
but with risky, reckless artistry,
as we shape of what raw materials we are possessed,
into our own reshaped, reformed
most prized bejeweled possession
never mind the shavings and cutaways fallen,
they are fast away, castaway choices made and cannot be retrieved,
for when we whittle, whether our shape desired
which may be prior envisioned or a vision
from the discovery of performing,
they matter no more,
let them go, in their absence too,
they are part and a whit of you,
but not of you, no longer
our commonality in this: everything,
in everything else, so little
but your honesty and crafted, almost dishonesty both ring true,
and infect us with pleasure of recalling
when we
being cut designed and preparing our statue for
an unveiling, but with no date yet set,
and the loveliness of our mistakes,
were precious do-over opportunities
seek out the infection, the infection of discovery,
the risk of pleasure exposed and
your poetry may be either
the antibiotics
when the result is red and unpleasant,
or a celebration,
an invitation to us to be a
semi-silent beholder of your artistry
infections heal after pain and discoloration
but new skin always forms,
but at a different pace for each of us
I see the faces in my carpet nodding agreement,
"always new skin"
oh boy. time to go to bed
go seek out the pleasure of infection,
sadly, happily, it is the only way
good night
from an old man who dreams and schemes of
new skin nightly
but never mind me,
my piece long ago writ
and in need of just a tweak here and there,
call it one too many close shavings,
his poem's treasure trove,
a list
of life's minor irritations
and major lifts
<•>
11:16pm
Jul 17, 2017
Jul 17, 2017 at 11:36 PM UTC
<•>
For A:
The Pleasure of Infection
10:53 pm
our all about
is to be the whittler of our personage,
to both hold the knife with care,
but with risky, reckless artistry,
as we shape of what raw materials we are possessed,
into our own reshaped, reformed
most prized bejeweled possession
never mind the shavings and cutaways fallen,
they are fast away, castaway choices made and cannot be retrieved,
for when we whittle, whether our shape desired
which may be prior envisioned or a vision
from the discovery of performing,
they matter no more,
let them go, in their absence too,
they are part and a whit of you,
but not of you, no longer
our commonality in this: everything,
in everything else, so little
but your honesty and crafted, almost dishonesty both ring true,
and infect us with pleasure of recalling
when we
being cut designed and preparing our statue for
an unveiling, but with no date yet set,
and the loveliness of our mistakes,
were precious do-over opportunities
seek out the infection, the infection of discovery,
the risk of pleasure exposed and
your poetry may be either
the antibiotics
when the result is red and unpleasant,
or a celebration,
an invitation to us to be a
semi-silent beholder of your artistry
infections heal after pain and discoloration
but new skin always forms,
but at a different pace for each of us
I see the faces in my carpet nodding agreement,
"always new skin"
oh boy. time to go to bed
go seek out the pleasure of infection,
sadly, happily, it is the only way
good night
from an old man who dreams and schemes of
new skin nightly
but never mind me,
my piece long ago writ
and in need of just a tweak here and there,
call it one too many close shavings,
his poem's treasure trove,
a list
of life's minor irritations
and major lifts
<•>
11:16pm
sanuel barber and aaron copeland
are calling ne to bed
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