every moment
is continually shedding itself;
sloughing off the skin of time,
dying, into the past,
to freshen in exposure,
this moment.
to live, really
to breathe, by
impermanence.
constantly transforming,
the body is never solid,
here, there, as atomic flashes,
electrons popping in and out
of existence,
an appearance made,
to depart, in a flicker.
all turns off, like this,
always, eventually,
momentarily.
threshed and stripping
bare chaos
voraciously burns,
returning through extinguish
on smokey black horizons.
sinking, into
tendrils weaving,
knitting by fray,
tapestries engendered
by enveloping decease.
you feel this
don’t you?
unconscious
as much of it may be.
it is the nearest of near,
and dearly intimate,
passions corrosive kiss,
oscillating, opening,
to retract, in flow,
pushing in
to pull away,
thanatos is eros
together, apart again,
together-apart,
here-going.
the heart is aware,
supremely aware of this happening,
even when the mind is fooled
by apparent stability,
and the soul surrenders to
it's inevitability,
even hungering for
divine destruction,
as basic an urge
as the creative impulse.
to be composed
is to be subject to decompose,
fertilizing compositions
in cosmic chasms.
our lungs darkly shining
with every fall of the chest
mirroring,
each breath
one breath closer
to the final breath,
each exhale
a letting go
of what can’t be held
forever,
the expelled
foreshadows annihilation,
on the fading road, towards
this mortal coils entropic end;
a preparation.
to live, surely, is to meet loss
over and over,
to love, fully, is to grieve
again and again,
there is a deep
melancholic knowing
that exists in all living things,
water drops
tears like rain,
leaves fall
like sighs,
everyone,
and everything
dies.
our melancholy
might be sacred
could we truly embrace,
and feel, this reality:
death is the ever present condition.
Apr 4, 2014
Apr 4, 2014 at 9:04 PM UTC
every moment
is continually shedding itself;
sloughing off the skin of time,
dying, into the past,
to freshen in exposure,
this moment.
to live, really
to breathe, by
impermanence.
constantly transforming,
the body is never solid,
here, there, as atomic flashes,
electrons popping in and out
of existence,
an appearance made,
to depart, in a flicker.
all turns off, like this,
always, eventually,
momentarily.
threshed and stripping
bare chaos
voraciously burns,
returning through extinguish
on smokey black horizons.
sinking, into
tendrils weaving,
knitting by fray,
tapestries engendered
by enveloping decease.
you feel this
don’t you?
unconscious
as much of it may be.
it is the nearest of near,
and dearly intimate,
passions corrosive kiss,
oscillating, opening,
to retract, in flow,
pushing in
to pull away,
thanatos is eros
together, apart again,
together-apart,
here-going.
the heart is aware,
supremely aware of this happening,
even when the mind is fooled
by apparent stability,
and the soul surrenders to
it's inevitability,
even hungering for
divine destruction,
as basic an urge
as the creative impulse.
to be composed
is to be subject to decompose,
fertilizing compositions
in cosmic chasms.
our lungs darkly shining
with every fall of the chest
mirroring,
each breath
one breath closer
to the final breath,
each exhale
a letting go
of what can’t be held
forever,
the expelled
foreshadows annihilation,
on the fading road, towards
this mortal coils entropic end;
a preparation.
to live, surely, is to meet loss
over and over,
to love, fully, is to grieve
again and again,
there is a deep
melancholic knowing
that exists in all living things,
water drops
tears like rain,
leaves fall
like sighs,
everyone,
and everything
dies.
our melancholy
might be sacred
could we truly embrace,
and feel, this reality:
death is the ever present condition.
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