painting when being bilingual, the naked phonetics of the english alphabet, and the diacritics on the polish one, for example -sh- of the former and -sz- of the latter, but the painting is still entitled: trying to capture what was being said without lip-reading but by optics encoding the sounds, so that someone bilingual might decipher; and yes, dependent of aesthetics / orthography the -rz- versus the ż.
azog
szak gaum'dasz!
blog
kruto, goniś... gunwondersmargen'ś.
azog
mor'rzyrljisz?
blog
golumdo, sza zu lisz sza za duh.
azog
jam dysz! *** da kurz nak krza rzuk;
arz ga bejark gundabadul,
mar kam narm karszrz.
mulgaj! a'naj! ursdraj! tu pu nam - ah me c!
Mar 21, 2016
Mar 21, 2016 at 10:03 PM UTC
painting when being bilingual, the naked phonetics of the english alphabet, and the diacritics on the polish one, for example -sh- of the former and -sz- of the latter, but the painting is still entitled: trying to capture what was being said without lip-reading but by optics encoding the sounds, so that someone bilingual might decipher; and yes, dependent of aesthetics / orthography the -rz- versus the ż.
azog
szak gaum'dasz!
blog
kruto, goniś... gunwondersmargen'ś.
azog
mor'rzyrljisz?
blog
golumdo, sza zu lisz sza za duh.
azog
jam dysz! *** da kurz nak krza rzuk;
arz ga bejark gundabadul,
mar kam narm karszrz.
mulgaj! a'naj! ursdraj! tu pu nam - ah me c!