From a fifth storey bachelor’s window
pondering shadows in the car park below,
Johnny opens another can.
I stuff another pipe.
We talk about our trip to Brazil
and how great it would’ve been had we gone;
Johnny turns up the radio.
I take the first drag.
Old girlfriends swing by in our conversation,
most of them giving us the finger, mind you;
Johnny dabs at his tears.
I pass him the pipe.
Dusk-scalpels are slicing through the curtains now,
they scrape over coffee table dust,
through Irish coffee stains,
cut open Johnny’s frown:
The neighbours are at it again, arguing;
he accuses her of seeing someone else,
she tells him *correct,
it’s your ****** sister.*
Johnny taps out the pipe in the ashtray,
says he has to do someone a favour;
throws on his jacket,
says take it easy.
Johnny’s shadow tiptoes into evening,
a car alarm screams and a gunshot cries.
I convince myself
this is Brazil.
Feb 3, 2011
Feb 3, 2011 at 7:59 PM UTC
From a fifth storey bachelor’s window
pondering shadows in the car park below,
Johnny opens another can.
I stuff another pipe.
We talk about our trip to Brazil
and how great it would’ve been had we gone;
Johnny turns up the radio.
I take the first drag.
Old girlfriends swing by in our conversation,
most of them giving us the finger, mind you;
Johnny dabs at his tears.
I pass him the pipe.
Dusk-scalpels are slicing through the curtains now,
they scrape over coffee table dust,
through Irish coffee stains,
cut open Johnny’s frown:
The neighbours are at it again, arguing;
he accuses her of seeing someone else,
she tells him *correct,
it’s your ****** sister.*
Johnny taps out the pipe in the ashtray,
says he has to do someone a favour;
throws on his jacket,
says take it easy.
Johnny’s shadow tiptoes into evening,
a car alarm screams and a gunshot cries.
I convince myself
this is Brazil.
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