a tiny woman
has hips
with a thousand mouths to feed.
her little feet
are
acetylane-based
and her philosophy
is
a
by-product
of a lack of faith.
"It's going to be a good night, for a little while,
but let's not spoil a night
by thinking about it,"
her hips
say
to your fingers.
The thousand tongues
lap at your fingerprints.
Her tongues
make rollers
of passion,
and bury love
deep beneath the ruined sand
of a nimbus-warped beach
blackened by pain,
x-rayed by fingernails of lightning.
She makes you think
of such a beach.
The tiny woman
wraps her long, lean
arms
around your tiny
hairless neck.
Her breath singes
your uncovered Adam's apple.
Little man,
she calls you,
this old cougar
with rat teeth
and **** eyes.
"Little man,"
she says,
"I know how men
get down these days,"
Her body is verve,
electric skin
and loose, vibrating fabric.
Her legs are muscle
only,
as tight as a horse's quad,
you can see all the veins
and their tributaries
in her thighs,
and how they wiggle
against olive muscle.
"Little man,"
she says,
beer like a Titan
on her breath,
"I'm hungry."
And you are too,
and she will lead you,
holding your arm
by the drunken,
half-holding,
half-forgotten
vice
of her fingers
and you and her
will eat at Waffle House.
At 2 a.m.
She will dry out,
and become salty.
You will dry out and finally be hungry.
Eat,
Little Man,
she thinks,
because you're walking home
tonight.
Jul 1, 2012
Jul 1, 2012 at 1:10 AM UTC
a tiny woman
has hips
with a thousand mouths to feed.
her little feet
are
acetylane-based
and her philosophy
is
a
by-product
of a lack of faith.
"It's going to be a good night, for a little while,
but let's not spoil a night
by thinking about it,"
her hips
say
to your fingers.
The thousand tongues
lap at your fingerprints.
Her tongues
make rollers
of passion,
and bury love
deep beneath the ruined sand
of a nimbus-warped beach
blackened by pain,
x-rayed by fingernails of lightning.
She makes you think
of such a beach.
The tiny woman
wraps her long, lean
arms
around your tiny
hairless neck.
Her breath singes
your uncovered Adam's apple.
Little man,
she calls you,
this old cougar
with rat teeth
and **** eyes.
"Little man,"
she says,
"I know how men
get down these days,"
Her body is verve,
electric skin
and loose, vibrating fabric.
Her legs are muscle
only,
as tight as a horse's quad,
you can see all the veins
and their tributaries
in her thighs,
and how they wiggle
against olive muscle.
"Little man,"
she says,
beer like a Titan
on her breath,
"I'm hungry."
And you are too,
and she will lead you,
holding your arm
by the drunken,
half-holding,
half-forgotten
vice
of her fingers
and you and her
will eat at Waffle House.
At 2 a.m.
She will dry out,
and become salty.
You will dry out and finally be hungry.
Eat,
Little Man,
she thinks,
because you're walking home
tonight.
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