You cut a dashing figure
between em and en and
oh, by the way
Your abbreviated smile
has me wondering what
it stands for
as I place my finger on
your ellipsis … you lead me on,
there is no doubt
I feel left out
But as we track and kern
our forms, ascending,
make ligatures to avoid
an overlap of strokes
a diphthong doth emerge
o’er our line o’ type
and what was once
paragraphed into separateness,
our thoughts juxtaposed
begins to merge
(bind in parentheses)
you’n’me make syncope
and, once the story forms,
the digraphs make shapes
with our mouths.
Oct 22, 2020
Oct 22, 2020 at 4:53 PM UTC
You cut a dashing figure
between em and en and
oh, by the way
Your abbreviated smile
has me wondering what
it stands for
as I place my finger on
your ellipsis … you lead me on,
there is no doubt
I feel left out
But as we track and kern
our forms, ascending,
make ligatures to avoid
an overlap of strokes
a diphthong doth emerge
o’er our line o’ type
and what was once
paragraphed into separateness,
our thoughts juxtaposed
begins to merge
(bind in parentheses)
you’n’me make syncope
and, once the story forms,
the digraphs make shapes
with our mouths.
A poem set in the font of love.