Orange in spring,
pinkish-brown,
yellow into deep green
through summer,
and finally to crimson
in autumn when they fall,
these leaves of the acer griseum,
the Chinese paperbark maple.
On the tree its leaves are opposite,
not alternate, two leafstalks arising
from the same point on the twig.
This is how it must be, she thought.
She had waited for the first frost
and, gathered in a fold of her cloak,
let seven leaves fall
to scatter on her desk.
One leaf holds her gaze;
her fingers touch,
and turning it over
she places it ready
in the hand’s left palm,
Picking up her finest brush,
with sad and slight but heavy
emphasis required, she inscribes
the subtle downward strokes of
the kanji characters for crimson -
makka, the blood’s red,
the true essence of life.
*crimson leaves
fallen now scattered
one is chosen.
my heart longs for love*
So to the garden stream
she goes, and kneeling
beside its moving water
launches this leaf
from her cupped hand.
Mar 23, 2014
Mar 23, 2014 at 8:24 AM UTC
Orange in spring,
pinkish-brown,
yellow into deep green
through summer,
and finally to crimson
in autumn when they fall,
these leaves of the acer griseum,
the Chinese paperbark maple.
On the tree its leaves are opposite,
not alternate, two leafstalks arising
from the same point on the twig.
This is how it must be, she thought.
She had waited for the first frost
and, gathered in a fold of her cloak,
let seven leaves fall
to scatter on her desk.
One leaf holds her gaze;
her fingers touch,
and turning it over
she places it ready
in the hand’s left palm,
Picking up her finest brush,
with sad and slight but heavy
emphasis required, she inscribes
the subtle downward strokes of
the kanji characters for crimson -
makka, the blood’s red,
the true essence of life.
*crimson leaves
fallen now scattered
one is chosen.
my heart longs for love*
So to the garden stream
she goes, and kneeling
beside its moving water
launches this leaf
from her cupped hand.
Request permission to use this poem