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The tragedy in the irony of No Child Left Behind was never the inadequacy of the policy but rather, the assumption that it’s possible to have no losers in a finite game. * * * Each year, less than two and a half inches of rainwater nourish Death Valley— the hottest and driest place in North America. * * * We play this game all the way through. “And what do you want to do with that [major]?” they almost always ask, with an unpretentious curiosity that never quite pangs me the way I think it should. Reassured by the familiarity of the ritual, of asking and answering this question for most of my educated life. * * * The Valley, marked by steady drought, boasting record heat for days on end, and devoid of visible life, is remarkable in it’s uniform emptiness. * * * “How are your grades?” “What are your extracurriculars?” “Why do you want to go to a liberal arts college?” They ask, and I answer. Across the hall they might ask “Wouldn’t it make your family proud if you went to college?” (Like expectations, some rungs must sit lower on finite ladders) But the question is always the same— it’s always a question of ends. * * * In the Winter of 2005 three times the normal amount of rain wet the dry floor of Death Valley, seeping into the scorched, thirsty cracks, parched from praying all summer. * * * These ends surface again and again in our language. Yet to escape the international contest since A Nation at Risk, investments and ends at every level are (naturally) presumed economic. * * * That Spring saw the coaxing of waxy seeds, after decades of unbroken slumber, realized into a singular, infinite bloom. The sleepy desert lupine and hearty, golden poppies felt sunlight for the first time in 50 years. * * * The second tragedy, greater than the first, is the alienation of millions of young beings. The slow death wrought by living a bounded life of the caterpillar never set to feel the sky. The passions we mask and confuse and cement ever more deeply, hardened, at every step by the conformity in our expectations. The means to which we grasp at these apparent ends. * * * A sudden rush of caterpillars fed by blue, purple and yellow blossoms grew until they saw from above, the spontaneous gathering of birds, rodents, foxes, and snakes, renewed again to life by the tender hands of rain. * * * In a world where we stop asking engineers to build plants, I imagine the organic explosion of latent seeds everywhere.
0
Nov 1, 2016
Nov 1, 2016 at 3:12 PM UTC
The Winter of Rain
The tragedy in the irony of No Child Left Behind was never the inadequacy of the policy but rather, the assumption that it’s possible to have no losers in a finite game. * * * Each year, less than two and a half inches of rainwater nourish Death Valley— the hottest and driest place in North America. * * * We play this game all the way through. “And what do you want to do with that [major]?” they almost always ask, with an unpretentious curiosity that never quite pangs me the way I think it should. Reassured by the familiarity of the ritual, of asking and answering this question for most of my educated life. * * * The Valley, marked by steady drought, boasting record heat for days on end, and devoid of visible life, is remarkable in it’s uniform emptiness. * * * “How are your grades?” “What are your extracurriculars?” “Why do you want to go to a liberal arts college?” They ask, and I answer. Across the hall they might ask “Wouldn’t it make your family proud if you went to college?” (Like expectations, some rungs must sit lower on finite ladders) But the question is always the same— it’s always a question of ends. * * * In the Winter of 2005 three times the normal amount of rain wet the dry floor of Death Valley, seeping into the scorched, thirsty cracks, parched from praying all summer. * * * These ends surface again and again in our language. Yet to escape the international contest since A Nation at Risk, investments and ends at every level are (naturally) presumed economic. * * * That Spring saw the coaxing of waxy seeds, after decades of unbroken slumber, realized into a singular, infinite bloom. The sleepy desert lupine and hearty, golden poppies felt sunlight for the first time in 50 years. * * * The second tragedy, greater than the first, is the alienation of millions of young beings. The slow death wrought by living a bounded life of the caterpillar never set to feel the sky. The passions we mask and confuse and cement ever more deeply, hardened, at every step by the conformity in our expectations. The means to which we grasp at these apparent ends. * * * A sudden rush of caterpillars fed by blue, purple and yellow blossoms grew until they saw from above, the spontaneous gathering of birds, rodents, foxes, and snakes, renewed again to life by the tender hands of rain. * * * In a world where we stop asking engineers to build plants, I imagine the organic explosion of latent seeds everywhere.
rachel-keyser
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Nov 1, 2016
Nov 1, 2016 at 3:12 PM UTC
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