The will o' the wisp is
displayed on the screen of
conventions. There are those
who pretend to decipher it;
by borrowing philosophical speculations from the great
thinkers, they formulate a
critical reading, justifying the
poverty of the lexicon.
They dare to do so.
On the other hand there is
Poetry, sat on a bench
in a park somewhere, on a
rock nearby the ocean, on
an old chair in a remote room
without any other furniture,
on the pillow made with papers
of a clochard,
on the cover of an unabridged
book nobody wants.
On the trembling hand of a
young lover who picks flowers
for her, that remain forever
between the pages of a diary.
Poetry is in the multiplicity of life,
in the thousands layers, either
red or grey, that compound the
variety of the existence. It can't
escape feelings, love, roses,
tears, grief, graveyards and
gardens. And, even when it turns
to be redundant with naivety, it
keeps the greatness of its end
which is nothing else but itself.
Oct 4, 2018
Oct 4, 2018 at 10:40 AM UTC
The will o' the wisp is
displayed on the screen of
conventions. There are those
who pretend to decipher it;
by borrowing philosophical speculations from the great
thinkers, they formulate a
critical reading, justifying the
poverty of the lexicon.
They dare to do so.
On the other hand there is
Poetry, sat on a bench
in a park somewhere, on a
rock nearby the ocean, on
an old chair in a remote room
without any other furniture,
on the pillow made with papers
of a clochard,
on the cover of an unabridged
book nobody wants.
On the trembling hand of a
young lover who picks flowers
for her, that remain forever
between the pages of a diary.
Poetry is in the multiplicity of life,
in the thousands layers, either
red or grey, that compound the
variety of the existence. It can't
escape feelings, love, roses,
tears, grief, graveyards and
gardens. And, even when it turns
to be redundant with naivety, it
keeps the greatness of its end
which is nothing else but itself.
