I have not injected myself, felt the pulse
of illegal things under the bonnet of my skin
or swallowed a pill and let the room swirl
in colours from the mid-sixties.
I have not guzzled ugly orange drinks
until my liver aches to talk
and I erupt pints and shots
against sex-coated cubicle walls.
I have not had the awkward first
with one of my teeth knocking on hers
or a line of saliva in my stubble
that I perhaps should have trimmed.
Instead I drink tea with two sugars
and whizz through each channel
rather than absorbing stories for class
as best I can like a square of kitchen roll.
Instead I see streams of people from 20-whatever
take pictures with berries and apples
to remind themselves who they are
and remind me they still breathe.
And instead I write what I don't know
for if not every word burns black then dies
and so I continue to fight the other me
who will not turn, walk back the way I just came.
Dec 27, 2013
Dec 27, 2013 at 5:41 PM UTC
I have not injected myself, felt the pulse
of illegal things under the bonnet of my skin
or swallowed a pill and let the room swirl
in colours from the mid-sixties.
I have not guzzled ugly orange drinks
until my liver aches to talk
and I erupt pints and shots
against sex-coated cubicle walls.
I have not had the awkward first
with one of my teeth knocking on hers
or a line of saliva in my stubble
that I perhaps should have trimmed.
Instead I drink tea with two sugars
and whizz through each channel
rather than absorbing stories for class
as best I can like a square of kitchen roll.
Instead I see streams of people from 20-whatever
take pictures with berries and apples
to remind themselves who they are
and remind me they still breathe.
And instead I write what I don't know
for if not every word burns black then dies
and so I continue to fight the other me
who will not turn, walk back the way I just came.
Written: December 2013.
Explanation: A poem written in my own time inspired by Simon Armitage's 'It Ain't What You Do It's What It Does To You.'
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