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This was once all that we knew. A world in parts before we knew      it as such subdivisions as this, that and more beneath that still: there was once good and evil, god and them, the rest of us, and Jesus, simply looking upwards after he flung himself forth from the dust to the sky and the light was bleached off and the colours leaked from our eyes to our canvases. What more can I say before we take more of ourselves away from each other? What more before you implant me into some other's body, and the prayer completed, and I am finally a computer? In the meanwhile my eyes will look and my neck will strain as the sun sets and so does my little life: how long have I wanted to see you again, o lord, since my first scream of myself all so long ago when I left my mother's salt and was flashed into the flood of your       world? How long, o lord, will you have me here to see your work through these ceiling songs, such sonorous ringings, fleshy twists and turns of paint as muscle and what's that behind the cloud?      Your finger appareled in such golden rays? Endless. When your ships brought such dark skin as mine across these times and spaces, what?, where you surprised of my dreams to see it,      this, all engulfed in flames?  And yet here you are and here I am and here is the quiet my birth your glory your joy the brushstrokes the colours and the full fleshy taste of my non-belief, leaking into my fingers, sticky, frisk, and always.     When I leave these, they will fall and crumble. It will all go. In the hallways, as I walk away: several big windows:      Rome, sunset.     When I leave these, they will go and disappear. Into salt. Those large windows: blue-shadowed branches begin some small slow dance.      When I leave these temples they will dust and return to dust the soil of our hands. And the trees remain beautiful.
0
Jul 23, 2018
Jul 23, 2018 at 3:49 AM UTC
Poem (the Sistine Chapel ceiling paintings, Michelangelo).
This was once all that we knew. A world in parts before we knew      it as such subdivisions as this, that and more beneath that still: there was once good and evil, god and them, the rest of us, and Jesus, simply looking upwards after he flung himself forth from the dust to the sky and the light was bleached off and the colours leaked from our eyes to our canvases. What more can I say before we take more of ourselves away from each other? What more before you implant me into some other's body, and the prayer completed, and I am finally a computer? In the meanwhile my eyes will look and my neck will strain as the sun sets and so does my little life: how long have I wanted to see you again, o lord, since my first scream of myself all so long ago when I left my mother's salt and was flashed into the flood of your       world? How long, o lord, will you have me here to see your work through these ceiling songs, such sonorous ringings, fleshy twists and turns of paint as muscle and what's that behind the cloud?      Your finger appareled in such golden rays? Endless. When your ships brought such dark skin as mine across these times and spaces, what?, where you surprised of my dreams to see it,      this, all engulfed in flames?  And yet here you are and here I am and here is the quiet my birth your glory your joy the brushstrokes the colours and the full fleshy taste of my non-belief, leaking into my fingers, sticky, frisk, and always.     When I leave these, they will fall and crumble. It will all go. In the hallways, as I walk away: several big windows:      Rome, sunset.     When I leave these, they will go and disappear. Into salt. Those large windows: blue-shadowed branches begin some small slow dance.      When I leave these temples they will dust and return to dust the soil of our hands. And the trees remain beautiful.
https://en.wikipedia.org/wiki/Libyan_Sibyl
tawandamulalu
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Jul 23, 2018
Jul 23, 2018 at 3:49 AM UTC
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