(For Thomas Davis)
A reptile carved, a breath of language, one
That one imagines to be real, like
A lizard given life, pretend for fun,
Perhaps, a supervening thought, so like
A kite, but not airborne at all: We hold
Its substance in our hands and come to think
That this is all there is. We even hold
It in our thoughts, still nameless, and we think
That its vital beauty make it a part
Of God. Soft, small, patina-rich, handmade
From stone or bone, rhinoceros horn: its art
Is in its existence, perfection paid
For by its half-life in our hearts and hands.
So reptilian, what poetry demands.
© Jim Kleinhenz
May 10, 2012
May 10, 2012 at 9:56 PM UTC
(For Thomas Davis)
A reptile carved, a breath of language, one
That one imagines to be real, like
A lizard given life, pretend for fun,
Perhaps, a supervening thought, so like
A kite, but not airborne at all: We hold
Its substance in our hands and come to think
That this is all there is. We even hold
It in our thoughts, still nameless, and we think
That its vital beauty make it a part
Of God. Soft, small, patina-rich, handmade
From stone or bone, rhinoceros horn: its art
Is in its existence, perfection paid
For by its half-life in our hearts and hands.
So reptilian, what poetry demands.
© Jim Kleinhenz