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PSI #1

*for Daniel,

and anyone else who cares*

 

I'm relatively new at this,

if you consider that I've

never done this before.

 

And this is the only time I'll read this;

this is the cherry

exploding in your mouth,

between your hungry teeth

digging into the skin.

 

You are a window pane,

but you are not stained glass.

You are less clear than that.

 

You make less sense than

the spider veins of a kiss imprinted

on a bus window.

 

You make less sense than kissing a bus window,

arching and aching for that semi-perfect,

seventy percent reflection of yourself

as you float above and before

birds picking at beetles in the grass.

 

You make more sense than a thousand

kisses on a bus window

the driver has to keep cleaning off because

who really wants to kiss a bus window, anyway?

 

And still they're there, the oils and grease

immortalized for a few months,

the impression of imagined romance

pressed against the scratched glass on which someone tried to write,

**** you," backwards with a safety pin.

 

This is my first time reading this,

and the last time I will say it,

though it sounds much better when

the man inside my head so charismatically reads it aloud

to his audience

kind of like a dry comedian would tell a joke.

 

This is my first time standing before you,

and let me say that sometimes

I might offend you,

preachers, and speakers, and pew sitters;

evangelists and full blooded, God-fearing sinners alike.

And maybe you can forgive me

if I occasionally step on your closed-minded toes

in your sensible shoes.

 

Or perhaps they aren't so sensible.

 

And I got a haircut recently--

and here I'm expected to say something profound.

Something that perhaps sounds like,

"I got a haircut recently

while you stood in the bathroom with an electric razor

and shaved ten months of memories from your scalp."

 

Scalp.

The word makes me think of natives,

and it makes me wonder how long it takes

to collect the bleeding wigs from

the hairless children you left in the street.

 

Street.

That word makes me think of--

and here again I must choose my words carefully,

because the next thing I say will expose myself

poetically and psychologically--

spinal injuries.

 

All the careless children walking down sidewalks

not thinking of their mothers as they step

on every single crack in the pavement.

 

But what if everything we were superstitious about

were real?

 

Would we repave the world every week

so that there would be no chance of breaking

an innocent woman's back through carelessness?

There will be no cracks for thoughtless children

in their sneakers

they are too young to tie on their own.

 

Or perhaps the world would be covered in grass,

and every day mother would wrap the scarf

tightly about her son's ears and whisper,

"Don't step on any rocks today, my love.

I'm still recovering from last week."

 

But that's ridiculous.

 

I suppose it's surprising to me how many words

the man in my head can say while staring at a

Manhattan Morning in black and white

hung on your wall by three thumb tacks.

The lower right corner hangs idly where I took

the fourth one out to make this poem sound better.

 

There is a solar system in your ceiling,

did you know that, my love?

It is not in the asymmetrically placed

glow in the dark stars you placed at random,

nor is it in that one dolphin that seems to

swim amongst the Saturns and galaxies

that make no sense in context.

It isn't the seahorse, either.

 

Would you say that the Milky Way is made of wishes?

When I lie next to you in the darkness

uttering soft lullabies, I make wishes to your ceiling

that my voice doesn't crack

and you don't wake up again.

And also that perhaps one of us is wrong about God

and maybe he is out there after all

and mass-delusion doesn't exist.

 

I still think I'm right, though.

 

You make less sense than a kiss that means nothing.

 

But you, my love, you are more than a thousand kisses.

You are more than the thousand words

a picture may be worth.

And if I were better at saying things

maybe I could preserve you in a poem.

 

But I don't think anyone can.

No one can shape words and pages to your figure,

the fullness of your lips and

the strength of your nose;

the holes in your ears and

the life between your legs.

 

I got a haircut the other day

and cut twenty months of memories from my scalp.

It feels nice to not remember,

anymore.

Request permission to use this poem
Written by
heather-butler
American
Published
Aug 17, 2012
Lines·Words
118·784
Notes

Thoughts on maybe doing a poetry slam one day.

Permission

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