I stitch myself into your solar plexus,
red stringed within the
overlapping archways and
runaway buttresses of the body.
It runs white and gray
along the plain of the corporeal,
spires and towers reaching out to form
the webbing of white.
Wandering through the ruins
of the body collapsed,
could you hold me down and
could I make it last?
As a speck I pass
beneath the gates
of aggressive,
bony spears--
fangs ready for the ****
The teeth frame the horror
that hearts often belie,
the nervous flutterings and out of chest poundings
that grab the floor out from under you and
plummet you into a beatless abyss.
The heart is a special kind of stomach,
a power plant ready for digestion
of rolled eyes and recycled emotions
to power the city of the body
and the spires of the soul.
If we carved into that untouched ivory,
that still-hidden treasure
that cowers beneath the flesh
would it be as satisfying
to sew myself to you
and create one of two?
A frosted, glassy figure
encased in a glassy shell,
suspended in its prison,
its home,
its island and
its Hell.
Are they questions only when
pronounced without the period?
Its the subtlety of language
that always tricks me up.
It always starts with
hurried statements and
broken glances
but ends up being
up to chances.
How well do we stack up
when there were never any odds to pile?
Dec 31, 2012
Dec 31, 2012 at 5:03 AM UTC
I stitch myself into your solar plexus,
red stringed within the
overlapping archways and
runaway buttresses of the body.
It runs white and gray
along the plain of the corporeal,
spires and towers reaching out to form
the webbing of white.
Wandering through the ruins
of the body collapsed,
could you hold me down and
could I make it last?
As a speck I pass
beneath the gates
of aggressive,
bony spears--
fangs ready for the ****
The teeth frame the horror
that hearts often belie,
the nervous flutterings and out of chest poundings
that grab the floor out from under you and
plummet you into a beatless abyss.
The heart is a special kind of stomach,
a power plant ready for digestion
of rolled eyes and recycled emotions
to power the city of the body
and the spires of the soul.
If we carved into that untouched ivory,
that still-hidden treasure
that cowers beneath the flesh
would it be as satisfying
to sew myself to you
and create one of two?
A frosted, glassy figure
encased in a glassy shell,
suspended in its prison,
its home,
its island and
its Hell.
Are they questions only when
pronounced without the period?
Its the subtlety of language
that always tricks me up.
It always starts with
hurried statements and
broken glances
but ends up being
up to chances.
How well do we stack up
when there were never any odds to pile?
spires of the soul
