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1 Late afternoon leaving the city the bus route intersects the terraced houses, row upon row: right to the valley floor, left to wooded heights. In a bay-windowed room a child sits at a table beachcombing the net. Tea is past and there is gentle talk of volcanoes , the Verungas, and gorillas in the midst. Outside, and a floor below, a garden nestles into the dusk, a blackbird settles itself with song. Later, at the same table. there is a silent grace. A shy five year old in scary pyjamas comes to say goodnight. For supper: a goat’s cheese flan, a simple salad, pink wine, strong coffee. On the mantelpiece: the familiar jumble of cards and photos, a collage of family faces distant shores. On the walls: grandmother’s woven rug, her grand-daughter’s textiled strata, an embroidered geology. 2 The next day, so bright and clear, the garden bench is warm by ten. We sit surrounded by the evidence of this growing season: emergent plants, the possibility of fruit, even declarations of vegetables. As ideas flow across cake and coffee so the shadows move, shaping depths, enriching tones on greys, within greens. In the midday sun, the garden becomes a wild tracery of lines as perspectives distort, corrupt, thicken . . . and space opens everywhere: foliage as yet transparent no shelter to stalk and stem. Their very arteries revealed, plants bask in the fragile heat of ‘just’ Spring.
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Jan 6, 2013
Jan 6, 2013 at 4:58 AM UTC
Sense of Place: Spring
1 Late afternoon leaving the city the bus route intersects the terraced houses, row upon row: right to the valley floor, left to wooded heights. In a bay-windowed room a child sits at a table beachcombing the net. Tea is past and there is gentle talk of volcanoes , the Verungas, and gorillas in the midst. Outside, and a floor below, a garden nestles into the dusk, a blackbird settles itself with song. Later, at the same table. there is a silent grace. A shy five year old in scary pyjamas comes to say goodnight. For supper: a goat’s cheese flan, a simple salad, pink wine, strong coffee. On the mantelpiece: the familiar jumble of cards and photos, a collage of family faces distant shores. On the walls: grandmother’s woven rug, her grand-daughter’s textiled strata, an embroidered geology. 2 The next day, so bright and clear, the garden bench is warm by ten. We sit surrounded by the evidence of this growing season: emergent plants, the possibility of fruit, even declarations of vegetables. As ideas flow across cake and coffee so the shadows move, shaping depths, enriching tones on greys, within greens. In the midday sun, the garden becomes a wild tracery of lines as perspectives distort, corrupt, thicken . . . and space opens everywhere: foliage as yet transparent no shelter to stalk and stem. Their very arteries revealed, plants bask in the fragile heat of ‘just’ Spring.
nigel-morgan
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Jan 6, 2013
Jan 6, 2013 at 4:58 AM UTC
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