*Clinton in Harlem, Obama in Dubai... shop at Watergate Mall till you drool on the lives of others! in sequence the N.S.A. archives, meaning you'd be safer off ************ in Siberia than in New York; oi! i'm shooting a documentary with David Attenborough! get your own Jurassic Park of artificial mosquito insemination!*
and with a Nobel prize winner
you'd think the racial tensions
would be left a dying count of
surprises by giving five donkey tails
to five blindfolded children
pinning it on the ***** dozen
of the new testament, starting off
with st. matthew in Ethiopia
and the king's daughter trying ****
in the shadow of the crucifix for
the first time to feel both pleasure and guilt;
hence the lacerations in the Philippines
and would-be philistines when interest rates
came about from chiselling-in faces of people
into raw materials:
write poetry within a canvas of permanent
employment,
otherwise jukebox that ****
come on, let's write mediocre and let's write
without a hint of desperation,
let's fear death... let's fear writing on the fringe,
non-oratory, just there, poetry like
a penny on the pave, a Frank Sinatra sing-along,
raining coppers and dimes...
let's just keep poetry on the knee readied
for the smack for disobedience juggling two
professions, one prog the other pop,
poetry like a penny on the pavement,
rather than an ingredient list for a curry
memorised for a lass a'coming home
for sheer and sweat.
Jun 2, 2016
Jun 2, 2016 at 9:26 PM UTC
*Clinton in Harlem, Obama in Dubai... shop at Watergate Mall till you drool on the lives of others! in sequence the N.S.A. archives, meaning you'd be safer off ************ in Siberia than in New York; oi! i'm shooting a documentary with David Attenborough! get your own Jurassic Park of artificial mosquito insemination!*
and with a Nobel prize winner
you'd think the racial tensions
would be left a dying count of
surprises by giving five donkey tails
to five blindfolded children
pinning it on the ***** dozen
of the new testament, starting off
with st. matthew in Ethiopia
and the king's daughter trying ****
in the shadow of the crucifix for
the first time to feel both pleasure and guilt;
hence the lacerations in the Philippines
and would-be philistines when interest rates
came about from chiselling-in faces of people
into raw materials:
write poetry within a canvas of permanent
employment,
otherwise jukebox that ****
come on, let's write mediocre and let's write
without a hint of desperation,
let's fear death... let's fear writing on the fringe,
non-oratory, just there, poetry like
a penny on the pave, a Frank Sinatra sing-along,
raining coppers and dimes...
let's just keep poetry on the knee readied
for the smack for disobedience juggling two
professions, one prog the other pop,
poetry like a penny on the pavement,
rather than an ingredient list for a curry
memorised for a lass a'coming home
for sheer and sweat.