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and noticing that much is enough to remind me that all of this only amounts to meteoric chances and happenstances, so even the worst of it will come to its end— and maybe that just has to do with the optimistic sap in me. But even then, you greet me “Good morning,” and I hear you, and you sound like you're of the Sun touching through the barricades of Woodbury, where the undead ******* can't touch us. And you buffer the cold of the wind and the wet of the rain when the kindling is too soaked to start a fire big enough to counter the draft coming from under the doors, or dry our jackets by the fireplace. Which probably sounds like naivety, but even after Woodbury rots from the inside out, and we lose the car and our last can of beets somewhere during our escape, and the rest of the way, we're joking about the way things were before they got worse, while hypothesizing about the fall of man, epidemics and expiration dates to forget the endless hills aching our feet, I could tell you: “Sure, I mean, there are ten-thousand ways the world can go to **** (and it probably has,) and I might not live to one-hundred-three, but if the world's gonna burn on me now, it's always better watching with you.”
0
Mar 22, 2017
Mar 22, 2017 at 9:56 PM UTC
The dead are walking, but I still see the Sun.
and noticing that much is enough to remind me that all of this only amounts to meteoric chances and happenstances, so even the worst of it will come to its end— and maybe that just has to do with the optimistic sap in me. But even then, you greet me “Good morning,” and I hear you, and you sound like you're of the Sun touching through the barricades of Woodbury, where the undead ******* can't touch us. And you buffer the cold of the wind and the wet of the rain when the kindling is too soaked to start a fire big enough to counter the draft coming from under the doors, or dry our jackets by the fireplace. Which probably sounds like naivety, but even after Woodbury rots from the inside out, and we lose the car and our last can of beets somewhere during our escape, and the rest of the way, we're joking about the way things were before they got worse, while hypothesizing about the fall of man, epidemics and expiration dates to forget the endless hills aching our feet, I could tell you: “Sure, I mean, there are ten-thousand ways the world can go to **** (and it probably has,) and I might not live to one-hundred-three, but if the world's gonna burn on me now, it's always better watching with you.”
This poem, like a few that came after it, was heavily influenced by the nature of a post-apocalyptic world (thanks, The Walking Dead,) and dreams that I had relating to it. I seldom have nightmares about zombie apocalypses; usually they end up capturing this moment of tranquility in the midst of a decaying wasteland that is an effigy of what the world once was. It's an element to that world that intrigues me; the idea of anything that could possibly go wrong, being likely to go wrong, but you have these moments where the shitshow slows down just long enough for you to remember that there's always something, or someone, that's worth laughing at all the bad luck, licking your wounds and doing what you can to scrape by.
stoop-kid
Written by
American
Mar 22, 2017
Mar 22, 2017 at 9:56 PM UTC
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