At six in the morning when the inches
of snow are still holding the sunshine
off with their vacant swelling hills
and troughs, I hear the passing traffic
a block east. Will the traffic stop?
When I say traffic, I mean the rumble of coal
cars two miles distant. I mean garbage
trucks full of yawning men I don't know
and garbage I've known for a week.
I mean the women leaving hospitals
bound for sunbathed sleep habits
and more long days of night. When I say
traffic, I mean the adolescent fox foraging
through the Baptist churchyard. I mean
the line of metal carriages trailing
from checkout line 10. I mean the blood
racing to my arm after we spent the night
holding each other.
When I say blood racing I mean the multiplying
and dividing of cells, beats in a symphony built
up, crumbling down by an ancient arithmetic
pulling us in, broken gravity we fight by holding
onto it, clutching it to our hearts as we step into
the earth.
When I say blood racing, I mean the tiny
blind lives bustling under flesh overpasses,
blood cells commuting perpetually even after
years of smoking cigarettes, lungs an oil spill
butterfly resting in the chest. When I say
six in the morning, I mean the dark hour,
my second wind, when I rise to clear our
tables and stack the dishes in the sink.
I mean the hour you finally went to bed
after we fell asleep on the couch, again.
I mean the hour I crept into the hall
to take out the trash, tight hand-rolled cigarette
patient on my lip.
When I say six in the morning, I mean the time
between the milk man and the sunrise, I mean
the minutes falling around the decaying beauty
of gold and scarlet leaves prostrate on cold
sidewalks.
When I say decaying beauty, I mean the wizened
grey tree, standing naked, no, stooping
over the fence by your road.
When I say stooping, I mean the man draped
in a scarlet vest and goldenrod button-down
wincing himself upright on the stool, unconcerned
with the dark pub behind him or the faces bent
through his glass in the dim refractions of the Open sign,
faces bent over mostly empty glasses, empty faces.
Mar 2, 2012
Mar 2, 2012 at 3:06 PM UTC
At six in the morning when the inches
of snow are still holding the sunshine
off with their vacant swelling hills
and troughs, I hear the passing traffic
a block east. Will the traffic stop?
When I say traffic, I mean the rumble of coal
cars two miles distant. I mean garbage
trucks full of yawning men I don't know
and garbage I've known for a week.
I mean the women leaving hospitals
bound for sunbathed sleep habits
and more long days of night. When I say
traffic, I mean the adolescent fox foraging
through the Baptist churchyard. I mean
the line of metal carriages trailing
from checkout line 10. I mean the blood
racing to my arm after we spent the night
holding each other.
When I say blood racing I mean the multiplying
and dividing of cells, beats in a symphony built
up, crumbling down by an ancient arithmetic
pulling us in, broken gravity we fight by holding
onto it, clutching it to our hearts as we step into
the earth.
When I say blood racing, I mean the tiny
blind lives bustling under flesh overpasses,
blood cells commuting perpetually even after
years of smoking cigarettes, lungs an oil spill
butterfly resting in the chest. When I say
six in the morning, I mean the dark hour,
my second wind, when I rise to clear our
tables and stack the dishes in the sink.
I mean the hour you finally went to bed
after we fell asleep on the couch, again.
I mean the hour I crept into the hall
to take out the trash, tight hand-rolled cigarette
patient on my lip.
When I say six in the morning, I mean the time
between the milk man and the sunrise, I mean
the minutes falling around the decaying beauty
of gold and scarlet leaves prostrate on cold
sidewalks.
When I say decaying beauty, I mean the wizened
grey tree, standing naked, no, stooping
over the fence by your road.
When I say stooping, I mean the man draped
in a scarlet vest and goldenrod button-down
wincing himself upright on the stool, unconcerned
with the dark pub behind him or the faces bent
through his glass in the dim refractions of the Open sign,
faces bent over mostly empty glasses, empty faces.
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