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 May 2017 Norman dePlume
mike
the past is a lover I have lost.
I can only fantasize about her
while I try to make love
to the moment.
Just think how perfect it all seems.
Examine, if you will, Plants.
If you won’t, “****-You.”
I am not your Cabaret floorshow.
Shall we begin again?
Examine the Plant Kingdom.
And let’s focus on Water—H2O for
You of the Walking/Talking Chemistry Set—
Water: a precise, covalent compound.
And what does it take?
A ***** molecule of hydrogen,
Pulling a 3-way with some pathetic,
Starved for affection,
Me-so-lonely
Me-so-***** atom of
Oxygen.
The rest—as they say--is History.
(CUE my readers—
My sweet, effervescent readers—
They come chiming in,
Avenging my Line 3 *******:
“No, Joe, the rest is actually Chemistry.”)
Although I may lack respect for my readers,
I am certainly not dealing with idiots.
This is Interactive Poetry, Kemosabe:
Life lyrics for the Chorus,
Of thee I sing.
Of thee I am one.
But I digress.

The subject was Water.
Water gets ****** up—&
That has got to feel really good—
Into a vast & elaborate network,
Dispensing itself, climbing to
Leaf-height by mid-morning,
Given that big, white-hot bocce ball in the sky
First warming, then igniting a thousand-million
Stoma/Stomata: Choose One.

Difference Between Stoma & Stomata: Stoma and stomata are similar words, so it's easy to get the two confused. The difference between them is easy to remember, however, as stomata is  just the plural for stoma. A plant uses its stomata to take in and release gases, according to EOEarth.org.... More »

Verdant Stomata?
Sounds like an Italian Pizza Queen,
As defined by Rhode Islanders,
According to Ronnie Conheim,
A crony of my early 20s,
Who has dis-appeared off the
****-cheeks of our planet.
Again, I digress.

LEAVES: the passion pit of our
Randy **** atmosphere.
Manufacturing oxygen for those
On the CO2 side of the equation,
Whatever that means.
Leaves: a reciprocal source & target.
For those of us in these parts who
Exhale carbon dioxide.
And just so we get this straight:
We are the Plant Kingdom’s archenemy,
Their bête noire, their Lex Luther incarnate,
Anathema, slugging & wheezing its way,
Through an eternally ebonic Worm Hole.

Plants & Animals:
These two would **** us both off.
So an ecological truce gets hammered out,
“The Paris Agreement on Climate Change,”
They are calling it, perhaps the most profound
Meeting of the Earth’s collected minds.
EV-VAH, in History or Chemistry . . .
(CUE BRANDO, Sky Masterson,
Guys & Dolls: “YEAH, CHEMISTRY!”
A shrewdly negotiated fairy tale,
With fine print out the yin-yang,
Explaining why only 144 of the 197
Parties to the convention have
Ratified (what rats do when organized?)
Ratified a document fatter than Manhattan’s
White page telephone book:
Behold BTW a species of literature,
Beginning to resemble a dead carcass,
Nearly an anachronism for a once
Vast & potent paper publishing industry.

Plant & Animals: these two
Will **** each other.
The Peace: a fragile trip wire.
The Accord?
A case of hyped ecological stagecraft,
The threshold celebration
Staged in--of all places—
Marrakech, Morocco:
The Hashish Capital of the Eastern Hemisphere.

Marrakesh Express - Wikipedia
https://en.wikipedia.org/wiki/Marrakesh_Express“Marrakesh Express” is a song written by Graham Nash and Performed by the band Crosby, Stills and Nash (CSN). It was first released in May of 1969 on the...

C.S.N Marrakech Express-YouTube/www.youtube.com/watch?
v=0AkYLtegF1MDec 14, 2009 ... Crosby, Stills, Nash & Young – Marrakesh Express (Live at Farm Aid 2000) - Duration: 3:56. Farm Aid 36,976 views · 3:56. CSN - Crosby, Stills...
(www.ads-right-in-******* poem.com)

That’s right! The poet finally figuring out
What it takes to avoid dying diseased &
Psychotic in the gutter.)
THAT’S RIGHT: $$$$ SELL ADS $$$$
RIGHT IN THE $KA-CHING$
MIDDLE OF THE ******* POEM!)

The Big Picture?
Plants & Animals:
These two will **** us all off.
And we'll watch the whole thing on Reality TV.
 May 2017 Norman dePlume
Akemi
my body is filled with cavities
little pockets of rot

it’s an open frame
where you stick your hand through
to feel nothing

i think i caught the plague
the doctor gave me pills i
spat out the window

you can’t trust anybody these days.
i had a dream of ducks swimming in ponds
little mass fabricated numbing agents
with mangled heads.
 May 2017 Norman dePlume
Akemi
Lily marked the gravestone. A white streak across grey cobble, the crumbling visage of a turning sky reflected in the puddle beside her. New dusk brimmed grey gold, a heady dust galloped with the rising easterly winds, a white streak across grey skies. Lily marked the edge of her notebook, nine-past-ten, the end of second period, a break in consciousness, then a tang of blood from her swollen gums. Lenin rose above the rooftops, a hand brushed her forehead as the paramedics left, a black bag.

The answer was heat death, compartmentalised energy, like fireworks falling into darkness. Burning rice, spilt coffee, Ain’s smile. Nights on counter, pad paper, day old rain. Lily fell into a nightmare, smooth black, a single light dissipating as the universe died. She spat blood, missed the bus and collapsed on the walk to school.

It was the anniversary. Setting sun, plumes of white, the exit sigh of a wasted day. Lily woke hours later. She returned to an empty home, suffocated in a dream and rose four hours too early for school. Climbing the roof, she watched the sun rise, grey and formless.

There was ash in the hallway to class, the remnants of the incense from yesterday’s memorial, pencil shavings from the forest, fingers blurring out of definition like the trees around her, the soft empty breath of loose soil. Ain came to the store on a night like this, wind gathered silent around her frame. They found themselves atop a bus shelter, lights rising from a sea of nothingness.

Eight-forty-five, the chalk felt heavy in Lily’s hand, white dash across infinity, city blackout. Everyone went to see the dam, cracked pavement, Ain dripping blood, Lily wreathed in ravens. Below the river, forest spirits wove among power lines, bird bones cracked beneath the soles of children, motes rose. Lily lost sight of Ain, the dam broke and children cheered.

Time passed. Ceaseless time.

Lily drifted through petroleum smoke, dashi, the burning husks of gods. She watched the river ryū sweep through her street, turbid with the broken heads of graves, mad with phantoms. She visited memories yet to form, nurseries of dust, cosmic return of the infinite perceiving itself. She cried, remembering everything, the smell Ain’s wet hair, ricochet of a glass bottle, Lenin’s dirt-smeared skin, the birth and death of the universe; mother unable to afford pad paper, sakura bursting the sky pink, couples riding past on too expensive bikes, father drunk on sake. Ribbons of light danced around Lily, a playful susurration, feeding her more and more memories.

Isn’t it beautiful? Existence burning through itself? A departure with no ending, no beginning, no becoming? Haven’t you lived a full life? Won’t you live it again?

Lily screamed. Split dam flooded the empty grave. The same smell of soy, dust and sweat every day. Lack birthed in the space between, like teeth, lacuna bleeding. Nightmares and old memories pouring out like a knife. Ryū stiffened, red streak across the sky, tail burying into the earth. Rice steam filled the air, a passing train carried Ain and Lily into the city, crowds of smoke, her crescent eyes reflected in a storefront, the eyes her mother loved. April awakening of the forest gods, cool spring rustled the hair around her neck, a humid breath descended from the mountain to the lake. Warm rain fell in sheets, city smudged out of focus, bokeh lights departing, Ain’s wet skin—

The city retracted; a whimper escaped her mouth; her fingers passed through power lines, wood smoke, pavement; seasons collapsed, superimposed like holograms, snow and humus; gyoza steamed, air sirens blared beneath the shadow of foreign planes; kodama rose as ancient trees reclaimed the land; volcanic blasts shook the ocean, AI sped to singularity; reality vanished like light falling off a mirror and Lily ceased to feel.

Space is illusory.

Lily.

It travels ceaselessly through itself.

Lily, stop.

And we don’t exist.

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, squirming on the ground. “Lily, stop!”

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, squirming on the ground. “Lily, stop!”

Lily grinned, rising from the reeds, a cattail in each hand. She sped towards a screaming Ain, who tripped on a willow root, and began bopping relentlessly.

“Lily!” Ain cried, grabbing Lily’s wrists. “Haven’t we done this enough?”
[3] time is a flat circle perceiving itself
/
[1] hellopoetry.com/poem/1554623/the-end-came-a-long-time-ago
/
[2] hellopoetry.com/poem/1798516/an-echo-of-ain
/
bleached
beneath
a 10 kilowatt
moon
anticipating
geometry
the smell
of soap
that same
instant
calling into
question
bisexuality
without flesh
or
the vibration
of blood
heartbreak
parallel to eye
without razor

sobbing

wet leaves
pressed in
a book
will not
dry

next

tears
do not
outlive
themselves

discovery

for another
generation

still

when in doubt
quote rimbaud
no verbs
no more

choosing the vowel “o”

that
i’m not
going to
remember
again
I am an apologetic dictator.
My feet are in the sand
And my head is in the water.
What do you want from this?
For the night
I will find my levitating woman.
I am a frozen time period.

For the night
I will find my levitating woman.
I am a frozen time period.

For the night
I will find my levitating woman.
I am a frozen time period.

For the night
I will find my levitating woman.
I am a frozen time period.
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