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Nat Lipstadt Mar 2023
walking daily during my diurnal preamble ramble,
my city-street-eyes are well trained to tread careful,
for numerous are the hazards, but fewer the delights

always on the lookout for the itinerant penny,
I skip a heartbeat and a step, when eyeing a
shiny penny brightness lying in a concrete crack

no longer wonder how came it to be discarded,
who would willing part with such man made beauty,
a shiny penny, methinks, omen for a shiny, brighter day.

but let me share.a secret, relying on your honest discretion,
such pennies collected never ever abide for long in my pocket,
honor bound to redistribute direct, lest I deem myself the lesser

for shiny things unshared, become dulled, outcasts, unbecoming,
‘tis in the shining, value lying,
the things we share,  shine best, including ourselves…
8:53am
Thu Feb 2
2023
Nat Lipstadt Mar 2023
1:38pm Sabbath Mar 25 2023


it was in no vast eternal plan, no signed signal,
that this day, this moment, this infusion of
a hymn would I compose, lyrics praiseworthy,
to my god, my creator…my single life-long companion.


mine hymn of tribute, hymn of mystery,
words of uplift suffusing, abundant abide within,
music straightens my back, eyes tear-glisten,
how come this joy unconstrained, so affecting?


the wonder of this mystery, the wander of soul,
how be it all that troubles retreats, a waving-bye tide taken,
both emptied and fulfilled, in simultaneous simplicity,
I am confirmed, ascertained, relieved, even revived!


at the intersection of rising divinity, insistent human frailty,
at the crossroads of pure perfection, permanent imperfection,
the impermanence of this meeting quickens, gladdens, knowing
a glancing touch of god’s finger both enlivens and yet blankets.


my entire substance, composition, neath a comforter of good,
in a calming restfulness, with the knowing grace that this will pass,
my hymn marks my forehead permanent, that just once I moved in a place, not twixt, not tween, but a perfect firmament nearer my god

Nat Lipstadt Mar 2023
Fri Feb 10
8:12 AM


“As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1)

<>

guilty. as charged.
so, incorporating new words,
differing styles.
do what does not come naturally.

“detach from what looks good,
moving in a way that feels good”

make radicalization your ethos
make new-for-you your eponym.
give your name to what you create,
a mere signature insufficient, it is not part of the work!

taste the wet words upon tongue and lips,
let the saliva linkage be to the following morseling phrase,
the mouth sac moist be where verbal embryos are birthed.

hear them spoke in your voice, but,
silently, in your mind, and yet, speak-say them inside
with the shocking thunderous force of a newborn’s first cry.

and when you read them assembled,
weep with pleasure, relieved, this, your child,
looks exactly like no one, with but trace elemental traits of you.

but it is all yours, sinew and cell, fiber and skin,
drawn unformed, ejected from the intramural hollows of the body,
then and only then, mark them at last as truly

*mine..
(1) https://www.nycballet.com/discover/stories/dancers-on-keerati-jinakunwiphats-fortuitous-ash?utmsource=wordf­ly&utmmedium=email&utmcampaign=FY23MKTRELBalletBriefing-February&utmcontent=version_A&uid=1075607&promo=58231
  Mar 2023 Nat Lipstadt
Stephen E Yocum
The older we grow
the faster life goes,
priorities change
quality of living
and loving takes
precedent, over
self-indulgence
and material things.
Nothing as important
as family and friends.

It is racing now,
these fleeting days
and years, reflected
most in my grandsons
growing too soon from
children to young men.

Along with Steller parents
our little farm provides
a learning ground for the
kids, teaching life lessons
that inspire character and
self-discipline, with Cows
and pigs to show at fairs,
pride earned with accomplishments
and Blue Ribbons to share.

So lucky am I having a ringside
seat, watching yet another family
generation grow and ascend,
Football and basketball
games to attend, Christmas
morns of excited children
clamoring down the stairs,  
many birthday celebrations
with ever more candles aglow.
Memories all, retained and shared.

Perhaps the best part is,
these grandsons of mine,
still are up for hugs and
good night kisses, genuine
affection received and given.

Families are a true blessing
and a privilege, the only
real reason we are here.

All these things, remain the
sweet frosting on my aging
Grandfather's cake of life.
I sometimes wonder where
I would be without all these,  
my reasons for being?
Nat Lipstadt Feb 2023
we have each lost a child

in our own way,
some by irreversible mortality,
some by the sea rocks wreckage
of finality of mental disease, disbarment

I have no grave to visit,
if only! a palace to mourn
and celebrate the memories,
might it grant a sorted, seminal healing?

my memories are double bitter real,
still sweet, but biter dark chocolate
encasing bitter almonds casted my
aging doubling regret, my chiefest failure

send an email to someone today,
who refuses my existence, triggered,
heard a U2 song, him, ago, he was an
early discoverer, sharer, of their music

the song provocation was shaking, words,
ripping, words, rent, refreshing, scars uncovered,
decades long, I’m whipped sawed
by ragged teeth deepest cutting irony:

”And you give yourself away
And you give yourself away
And you give
And you give
And you give yourself away
With or without you
With or without you, oh
I can't live
With or without you
Oh, oh
Oh, oh
With or without you
With or without you, oh
I can't live
With or without you
With or without you”


2:39 PM Sun Feb 29
Nat Lipstadt Feb 2023
Compare and Contrast (the foliage of the heart)



<>

My work is loving the world.
 Here the sunflowers, there the hummingbird - 
equal seekers of sweetness.
 Here the quickening yeast; there the blue plums.
 Here the clam deep in the speckled sand.
Are my boots old? Is my coat torn?
 Am I no longer young and still not half-perfect? Let me
 keep my mind on what matters,
which is my work, which is mostly standing still and learning to be astonished.
The phoebe, the delphinium.
 The sheep in the pasture, and the pasture.
 Which is mostly rejoicing, since all ingredients are here,
Which is gratitude, to be given a mind and a heart
and these body-clothes,
 a mouth with which to give shouts of joy
 to the moth and the wren, to the sleepy dug-up clam,
 telling them all, over and over,
how it is
 that we live forever.


This is the first poem in Mary Oliver's collection Thirst, titled,
“The Messenger."

<>

Ruler of the Universe, grant me the ability to be alone; may it be my custom to go outdoors each day among the trees and grass among all growing things - and there may I be alone, and enter into prayer, to talk with the One to whom I belong.

May I express there everything in my heart, and may all the foliage of the field - all grasses, trees, and plants - awake at my coming, to send the powers of their life into the words of my prayer so that my prayer and speech are made whole through the life and spirit of all growing things, which are made as one by their transcendent Source. May I then pour out the words of my heart before Your presence like water, O L-rd, and lift up my hands to You in worship, on my behalf, and that of my children!


-Rebbe Nachman of Bratslav

<>

too early on a Sunday morning for a trick or treat question,
still bed-bound @ Nine AM, browsing the internet state of the world,
it’s pre-my-walk on First Ave., in my Manhattan
concrete habitat pasture, where it’s gray and grayer
reveals of raggedy grass, certainly no sheep, and the only flowers
arrayed will be those with price tags fronting the bodegas
that are busy preparing breakfast for thousands of New Yorkers

trick question?

indeed! there is NO contrast, save the compare the kinetic similitude
of three kinfolk prayers, amidst frightfully unchanging headlines of
the dreary state of the world - weather report prototypical,
war, death & destruction, whiny celebrities and sports “heroes,”
editorials preaching, a vast quietude of no one’s mind changed,

but, always the but…

my work is loving the world, the grimy solitary blades of grass, true survivors, hosted & sprouting in dirt cracks miraculously,
letting the foliage of my heart blossoming in early morn warmth within my body’s extremities, clothed coverings of wintery wool,
confess my facts (“no longer young and still not half perfect?”),
filling the styrofoam cups of begging, wretched yearning refuse,
planting sprigs of mint green dollars in blanched froze hands,
wondering to myself, which one is
the masked messiah?

these are the growing things in my fields, 70 years familiar,
the fruits and flowers of my life, are street crated>corners,
a panoply of vest corner garden-parks,
and the people!
people of every color and shade, what variety hath man wrought?


my eyes lack
not for anything, plenty the stimuli joyous within the astonishing spirit and life of all things blooming in hostile soil and you
may yet see the mark of
Abel joy upon my forehead, in my eyes, and see lips whispering this prayer~poem while being birthed, but in a word, a single word,
a pouring, best summarizing of a rebbe’s blessing
shouting out, anointing, appointing:


~Hallelujah~


Sun Feb 19 2023 9:15 AM
NYC
lipstadt
Nat Lipstadt Feb 2023
In a resounding answer to the abiding question of whether genius is born or made, Emerson writes:

There is no choice to genius. A great man does not wake up on some fine morning, and say, “I am full of life, I will go to sea, and find an Antarctic continent: to-day I will square the circle: I will ransack botany, and find a new food for man: I have a new architecture in my mind: I foresee a new mechanic power:” no, but he finds himself in the river of the thoughts and events, forced onward by the ideas and necessities of his contemporaries.
In a sentiment James Baldwin would echo in his own superb meditation on Shakespeare, in which he observed that “the greatest poet in the English language found his poetry where poetry is found: in the lives of the people,”
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