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Sep 2012 · 1.5k
water colour unbound - 1
murari sinha Sep 2012
on the grass-land
in-between

cast their shadows

once the folk-song
once the rare cotton

so much sky-kissing blue
are the horses of sunday

with glittering sunshine
on its white sail  

the bird
that has flown from the corn-field
with a rosy balloon on its back

now in the evening of the girl
having her husband alive
the smell of salted turmeric
engrosses the cloth-end

not from so far-end
not in so much noise

coming nearer
in a more whispering voice

the mushroom of the lips
sees its face
in the green of rain-drops
Oct 2010 · 1.1k
the earthy habitat 9
murari sinha Oct 2010
the last tram passes away

the boy
who is the owner of  every parted-kite
sits lonely on the empty bench of the park

and makes it enlightened

in one pocket
he has few pieces of dry breads

in another
the air to play on bamboo-flute

the night is filled with
mushroom

all the shout within the dialogues
gradually becomes weak
and vanishes  

there is no tangle in the
hair

the bier of the hindu-satkar-samiti
runs away
causing a quake in the locality

some needles
small medium and big
are doing their morning-walk

on the thread-line
that is the secret of a phoenix
Oct 2010 · 1.2k
the earthy habitat 8
murari sinha Oct 2010
there are so many pieces of torn paper
into the stone-chips of the broken road

they are of summer
they are of late autumn

beside is the ice-mill
the glow-sign board
attached tightly

the indelible ink
catches the finger of the lemon-grass

the fish-market is also alive and glad

the young minister of state
sends his best wishes
to the handloom-girls

in between
some horn-blowing of the
camels

the labour-strike trembles

the water of dhaleswari-river
has been filled
with the sound of subsistence
Oct 2010 · 1.1k
the earthy habitat 7
murari sinha Oct 2010
The fairies of chaitra
lie on the un–wrinkled bed
with their backside up  

in the hearsay of the air
once the woods of tamarisks
once the hill of paraffin

it appears there is no interruption
to this circus

the toy-telephones
hang from the cloud to cloud

from that carnival
take birth many kanthali-champa

the surgeon comes calmly
to the secret of darning

all localities are totally maddened
by the flow tide of the  exudation

observing all those happenings
the half-broken wave
does awake on the sofa-set
Oct 2010 · 1.2k
the earthy habitat 6
murari sinha Oct 2010
for the ripple nearest to the heart
how much cherry-blossoms do you have

when you do swim
to full wings and feathers
the doors and windows of the black timber
do sit

keeping their eyes closed

the metallic rays of light
have to go back
into the blood-circulation of the blue mountain

what do you pray then from the
sea-gulls

is it the voice of the bees
Oct 2010 · 1.3k
the earthy habitat 5
murari sinha Oct 2010
the krishnachura and the champa

both of them
have the only-one unsheathed afternoon

both of them
have the same-one broken harmonium

how long more the eyes of terracotta
would roam in the sun

the uneven fate-line
is written on the green slate

the sound of the vocal chord is also eloquent
as if it were some  bare trees of wood-apple

around the swimming
there are some scattered scrapes of slippers

the colour of whose straps
is blue

and some tales of the faded sky

i return home with the night of
phosphorus

i return with those waves of the
mid-night that have no translation

i lay them in order
Oct 2010 · 1.6k
the earhy habitat 4
murari sinha Oct 2010
some light of the former birth
glitters on the hand-fan
made up of palm-leaves

do the child boats of the pigeon-pea flower
go to them to learn the fountain

all over the room
the cobweb of fundamentalist spiders

the toy-train breaks the water colour
to run towards the oil-colour  

and on both sides of its travelling route
there are so many advertisements
of tooth-paste
Oct 2010 · 2.5k
the earthy habitat 3
murari sinha Oct 2010
i pick up flowers from the pages of the calendar
and scatter them on the picture-frame
of my dwelling place

sometimes the spring comes
sometimes the buddhist monastery  

along the pitch road  of the city
thousand counts of uproars

the mess-building that is situated
on the top of the coconut-tree
has also joined the march-past

and who miss the last train
i offer them  glasses of tea
as an anti-war  campaigning

the plastic-made afternoons
hoist the flag of nail-polish

as there is no water-bottle
around your neck

the assembly of choosing
one’s bridegroom oneself
has rejected you
Oct 2010 · 907
the earthy habitat 2
murari sinha Oct 2010
in the light of the hassac-lantern
the screaming becomes thoroughly interesting

in the about-to-vanish forest-land
the nocturnal shopping hangs vertically

can you be able to get searched
some white-holes under the unfathomable water

then the visiting river should not take tablets
to manage it blood-pressure

now from the window of the town
look at the running away of the
tyre-less motor-cars

and their changing of colours
every now and then

as if after a successful operation
the new ant-hills
are singing and dancing very much

within so much noise
some spoons remain quite indifferent

it is heard that a lawsuit challenging the legal-status
of their relation with the prickle  is being proceeded
in an open court

even standing before the court’s dock
no green mango has told the truth

so to do a usg report of the pendulum
that remains static under the dream
has become very much necessary
Oct 2010 · 1.7k
the earthy habitat 1
murari sinha Oct 2010
1.
i may call it a leaflet
i may call it a handbill

but don’t you notice
a large number of gossips
is natant in the air

do you admit that the fuming heart
that’s  glorifying the plate
should be made a must-read
for any seed-bed

the sun tells that to keep-fit
the health of the clouds
the instigation of the perfumed-soap
is required

with that pituitary
some neighing of horses
that is fastened tightly with cork

now see
if you can offer pregnancy
even to the barbie doll

by the by
it should be informed here
if the question of roaming in the woods
is raised

the highly-educated bathroom
feels very helpless

and taking repeated somersaults
in the sunshine
in the rains

the folding umbrella
also have got very much out-of-temper
Oct 2010 · 7.5k
differential calculus
murari sinha Oct 2010
on the other-side of a grave wall
there may rightly be a water-vessel
that is chicken-hearted by birth  

there may not be around her
a stretching of water-body

do remember
when we all went that day to catch the train
the room of the rail-station was totally vanished

after enquiry it was revealed that
it had gone to observe holidays with its family
in the yolk of the eggs of the snipe

before opening the no-door to take a leap i also knew
that the top-branch of a green and large grasshopper
was mainly made up of white-stones

i did not also have
any mystic words  
given by the moon
to recite silently

so without caring for the water
i made a all-complete ocean
with sands and cement

throughout the  year  
solvency gets down
from the body of the traffic signal

even-then
the monsoon this year
has been under the poverty-line  

and the ray of hope is that  
it is this circuitous route
leading to the top of the himalaya

that would one day
play the tune of differential calculus
on her guitar
murari sinha Sep 2010
before going to bed it is to be checked thoroughly
if there lays any carbon-paper under the bed-cover

now-a-days some upstart pelicans become so
disobedient it can not be assured if they come
to know the whereabouts of the blood easily
from the copy of the heart

then they distribute the delirium of the high-heel moon
by writing cash-memos at the gate of the locked-out plant

the hundreds of thousands of white clouds
also drink the whirl-water of love

they touch to feel the freshness of the habitat
they touch to feel the can full of smiles

after the explosion they touch to feel
the bier of the deodar-birds
covered with tamarisk plants
Sep 2010 · 1.1k
cash-memo
murari sinha Sep 2010
it is circulated deep into the soil
that you’ve wore the dress of paraffin

in the multidimensional wind of the winter
the cash-memo of the recently purchased
gold-bangles
would reside for some time more

then all the pregnant women
would assemble in the river-ghat
to meditate on the paddy-blossoms

all diamonds and clubs
would overcome their insomnia

through this arrangements
the crushing-news of fostering
flows

this dilution is well-known

the river-ripple of the air
after reading the sun
would keep some extension of dahlia
on its palms

in an unwritten evening
the demi-god-birth of the fire-flies
would break

their easy dead bodies
by the instigation of the surges
would  ring … and ring… and ring
and spread cheerfulness


the elderly rain-tree comes to spray anti-biotic
on the spoilt top-branch of the young lad
covered with citronella
Sep 2010 · 1.6k
betrothal
murari sinha Sep 2010
say
where should i keep all those foot-prints
having no lineage

from whose paraffin-in-the-palms
has taken birth
so much monsoon rain-falls

why the seagulls of this earth
have not learnt
in a better way
the meaning of open windows

wearing the same costume
they can fly only
from the north-east thames  
to the non-aryan autumn

in the woods of yellow moon-light
the feathers fall down
from the body of the villagers

they levitate as letter
like the leaves of coconut
before the windows of a hospital

it may happen then
in the fire of the cigarette
in-between the fingers
there is no more in waiting    
any absent-mindedness  

rather
after composing their letters properly
the mermaids in the deep-fridge
are waiting for their next print

by putting the fire of the dry straws
in the air the indifferent neighbour
saves the intellect of the red-sandalwood

thus if it is possible to catch there
the betrothal
in the oily pollens of the spring
Sep 2010 · 761
kissing point
murari sinha Sep 2010
how much has been burnt
the lips of the aalpanaa
by the heat of the blue letters

the absentmindedness  
that can penetrate this flavour  
gets hullo-cut
coming to the wedding-relation

do fly oh bird
yet you flow with faster steps
in the deep of the wave
with a long hanging bag on your shoulder

let more horse-carts be composed
for the clouds

let the gate adorned with a figure of lion
be immersed for some time more
in deep-meditation

he who is fallen from the wings of the deer
has a chest of 42 and a half inch

you should look it
coming how much nearer to the talisman
that serpentine lane and that tasty loose-hair
becomes totally blank


you should also see
reaching to what kissing-point
the glacier of the versification
can vanish
without leaving any trace
murari sinha Sep 2010
as soon as the banishment in a forest comes to an end
all the rain-drops come to the ball-room with unfolded
umbrellas over their heads

the slumber of the adjourned dialogues
also breaks

all the blossoms of the cucurbitaceous plant
that are supposed to open their petals
have gone to the majlis of the aquatic-plants
riding on a wrong-minibus

then a photograph of the dinner- party
is to be found out and brought for the saliva-gland

there is no voice of the palms of the open-window
of his own

even then
each and every the air-hostess eagers to listen
to the song of boat-rowing from him

here the duck of the mid-noon
is engaged in pleasure
with the flower-vase of class x

their drinking-bowl is flying
along the flame of the rail-line

though it does not bear any grief
to the  large lake
that is wetted with perspiration  

there is no delta of misspelling as well

it has only the smoking of thousand cusec  
all the day and night
Sep 2010 · 1.0k
dialects of the fabric
murari sinha Sep 2010
all the time that had been
has been spoken out

the plunging into life-pond
gets condensed within the paperback

then why the kovalam beach does shatter
when it finds the trace of new minerals

is it true then comes to her mind
the memory of the fugitive rain-girl

much sunshine comes for making crowd
on the grasses

in the moonlight of the apple
wakes up the magic
that is attached with the shirt of the
harbour

the white multi-storeyed
also remains sleepless

even-then…
even-today…

july means the amorous bickering
of the fish-girls for pleasure

inside a running minibus
here is the dialects of the fabrics
Sep 2010 · 4.1k
paper buckles
murari sinha Sep 2010
1.
any colour may be applied to the
night-dress

this city actually has no cart
driven by horses

before a pretty long time the shepherds
had also told adieu

by secret signalling the red-hat addiction
called the pigeons  sitting on the broken sticks
of the antenna to come nearer

on those dead-news the travel-story
keeps awake by whole night

and pours down on eye-lids
clouds
wrapped with cellophane

one day that wave sent
rolling-down-on-the-back hair
to the yellow balcony

those are all ancient drama

in the glow of the back-light you can see
civic humps have grown up on the back
of the birds every day and night

yet
under the dead-stop ceiling fan the dance
of the ****** reel wet with sweat does not fall short

the paper-buckles with the flowers painted on it
gets more and more tight on the air of the throat

velpuris of the evening
offer full enjoyment

2.
the night that comes all walking on the sands of the desert
how much concern does she has about the navigability of the river

when the husk of the water-chestnut is got open
flowing down the waves bursting into a blaze

to that flow is open the motor-car
the wan procession
and all the fishes that want to go upward the wave

so many varieties of floating

if the matter of clouds be let off
the multi-coloured fingers
also have so many infotainments  

if the question of  moveable property is  raised
it is only a suicide-note from my father

and a knot
in the robe of the blue trouser

3.
the trees and creepers of the night
and the plants and herbs of the day
do all of them have the same blood-group

there is much flora
inside the jail-custody also
and in this ruins of the old palace

how much is it justified
to express eagerness about the geography
of one’s character

specially of the trees
of the fishes
or of the humans

it is said
all rivers
flowing through the bodies of the great men
are totally ******

there is also the blank desert
on the silent snow-valley
in the corner of your
lips

4.
on this spine
having a mouth of crocodile
always jump down
the climate    

everyday
the sunglass changes

look at the soil and the sky
no one of them has any body-guard

the open mouth of the light
swallows the grey coin

here the wall becomes more tamed
the wild jasmine comes nearer to the heart
and hums

then ripping open my veins
should i also ***** the blue elocution
accumulated on the ****-pit

after recovery of the flower-mill from fever
the harmonium is being played on  

even introduction with the gas-balloon
has not been done yet

5.
arrangements are being made

the green shirt will gradually
turn reddish

the culverts that have become exhausted
within the travel-format
will get recharged again to sit up straight

and the hawker will get passed the silent-home
shouting with undressed coconuts in hands

from the lap of the stand-still rocking-cradles
of the children-park
the amaltas will say
i’m ready

then to escape the sun-shine
the boy who comes to attend the private tuition
will embrace… oh margosa … its your pierced-heart

you may tell him that the name of the girl
who is eating guava and swinging her legs
sitting on its branch is munni

6.
the horse is running
just above 3 feet of the yellow cornice

his back is full of dreams
or a girl named miss dorothy  

around it is the mid-night
around it is the wind that wants to be printed

and in every corner of its flying
are hundreds of skirts
  
all are of free-size

what may be their market-price
there is no shop-keeper there

in that valley
a shadow is proceeding on

do you know whose shadow it is
he is philip the teacher who gets irritated easily

this time there is no thin cane
in his hand

in the pieces of papers dumped in the waste-box
under his window there is a manuscript eaten up by the worms

there is ‘darling’ there
and ‘yours beloved greta’

in which skirt
a touch of that greta does remain  

is it being searched even today

is it greta or margaret or eliza  
there is no bar if it is dorothy

in whose smell there is no greta
who has no such horse flying just above three feet
of the yellow cornice  

each mid-night fills the fountain pen
with the flow of blue ink

7.
the leaf of jack-fruit is luxuriant
i can’t remember whether i ever notice
the portrait of your face on it  

there are so many words
that are slippery

how much rustic is the dust of the legs
of the young person is known to the road of the city

daubing green on both palms
i call for rain …oh rain ..oh rain

and into that rain i let my wrist-watch float

thus the great rainbow unfolds its wise mirror
on the scaffold of bottle-gourd  

from the bright cloth-end falling down
the odour of detergent

thus the applied mathematics of the diesel
is learnt to a greater extent

8.
behind the change of colour of the swelled wind
the samovar plays no role

though you know it you tear off tears
from your eyes

and the merry biscuits that are kept in the jar
raise a joint demand to serve them
after wrapping with new banana-leaves  

and the funny thing is that no accounts is found out
of the expenditure on the lip-stick that was used
by the fishes in the aquarium  at the time of illness
of the antenna

by the hands of the clock stretching their shanks apart
is it possible to know the actual age of a comb
either it’s costly or cheap  

9.
like the light
like the dark

yet it is full of the sound of steps
again it wakes up on the forest-road  

taking leave from the yellow construction
all the sound of the bamboo-flute
sinks today into the green minerals

it is not moonlight
on the road it is some north-east sadness

he who comes admits his body
with the divine sin

if you are sorry be water for three days now

through out the day and night
there is the paraffin of fire-flies

the blue cough is not from the sky

it may be some tusu-gaan fly off
from the chest of the straight-line
that has been wiped out

10.
i’ve deposited my metallic heart
to the archaeological-store of the wind

and i send rolling this bare eyes towards the fog
frequently

i make the crystal of her hair soft

i can see those crows
whose jaws are not closed

the colour is also
as if it were burst into cotton

can the anchal of danekhali sari swallow the kernel
and water of the blue tooth-brash after opening its husk

i say to the head with earnest request
oh my father keep cool
and look at the rain-pipe inside which
there is all the dances of the peacocks

11.
in the dim light
the predecessors of the dead stars
tell stories

this dhaba
is beside the long bus-root

yet it is still not satisfied
with the shrimps

the tail of the black drongo
hanging from the farakka bridge
is divided

towards the ganga
towards the padma

the gramophone of the mid-noon
continues to sound at the midnight

those who are doing pilgrimage
on the back of tigers

within the lighting zone of their torch
all the nearest of men who get lost
cover their faces

you know very well that the memory-gland of the wind
becomes how much river-minded when it walks through the fire
Sep 2010 · 851
high-yielding verses
murari sinha Sep 2010
when this endless anchal of dhanekhali sari
continues to make dip-swimming
in the bottomless water of the paddy

and if into the colour of her fore-finger
enters repeatedly some whole-noons of the chot-boshekh

and from the more depth of the ceiling-fan
comes out the ordour of the open-hair of the village-orange

then with that lac-saliva wouldn’t an easy pandel
be constructed on the roof

its water will be made begin as well
that white cloud … that life of this concrete …

beforehand to it … with a garland of flowers of the sun-plant  
around her neck… let her be seated on this branch of peepul branch… for once  

taking the warmth of the kites flown after having a thread-cut
let the cows of man be productive by a few inch more
murari sinha Sep 2010
is the tendency of the  reddish sunshine
to become drenched some more

let us hear
what the milky-way seamed by pins
says

and it’s you
how much can you be able to read
the venation of the Barringtonia acutangula

can you touch the season of making apples
in the aquarium

the empty bottles without any co-ordinate
that shoulder with endless grief
the hands of the wall-clocks

in a sudden depression
they’re also making crowd
at the beauty parlour

you have promised someday
to present a flower-vase to display some drops of blood
in the circled face

do you remember it

you haven’t floated that turnip
till now

here the month of trumpet-flower
covers everything
with reedy grass

with the festival of colours of the white horses
the new leaves of bananas become associated

the total dipavali rows
along the evening-balcony

taking it as daylight
will any bird fly towards it

then send a walkman
for the bamboo plants

you must go today
in search of the source
of the hand-woven lamp-post

from the pitcher-worship to the kantha-stitch
it is a  very large
twelve-horned deer

the mango-marrow
demands more land
demands more kingfisher

the breath of the Ravenala
touches the chicks of the black-pepper

in every evening
the flood that tears the button
touches the bowstring

that passes through the centre of  magnolia
Sep 2010 · 1.3k
spraying red-rose
murari sinha Sep 2010
to print herself the headache of the magnolia
sometimes spreads up to the legs of the ripe mangos

in the water that creeps up to the horizon
the magic-deer of panchbati is sailing solo

under the neon-sun the groundnuts learn
the vow-tale of the deep lipstick

if in the centre of the mango-pith … standing on the hanging-balcony
there is a flower of guava … then …while walking along her sweet grievances
some day that handmade fan must be traced… to make the clouds that are swept in by storm more literate … the time to dip the painting brush
in the colour of whose recommendations is still……..

it happens… from the desire to get  printed
the magic-deer… before reaching to any literacy-centre …
some dusts gather on her body…some part is eaten by the ants…

although there should have been some arrangements
to spray the red-rose regularly

and next … the winter comes

the hands want to be stolen
under the blue scarf
murari sinha Sep 2010
the season-change of the vagrant pole-star easily picks up a sip  
from the list of ducks of the night-watchers

standing on the bye-lane of the horse-race … by the weight of the confession made
by the spelling-mistakes of a moonlit night to the lotus-leaves … the amputated
tongues of the night-bulbs gradually rolls down to the banyan-pods of the side-characters

the sharp archer of the star-apple moves away some furlongs from the usual
word-stairs and swallowed a whole grammar with fumes  by spoon

thus with the number of velocity-poems that the punjabi with boutique prints
can produce… or will produce … gluttonous flower-vase of the magic-painter
can make cool the slaughter-ground … spread to the horizons of the krishnachura  
that is deviated from its own track
Sep 2010 · 503
line of rains
murari sinha Sep 2010
1
from the utterance of the clouds I can understand now
there is no particular season which may be called as rainy

in any time those weak-days may be drenched
the water-mark of the candles may exist after the sun rises

now whether it was a wrong way or a wrong going
that debate is still on  

2
you put the age over my shoulders
but I can’t roar so much why
my anger is then no more a child

if the yellow colour means the disappearance of whiteness
from the locked-teeth then the bird will fly
with its beaks getting experienced

when all one around here
wants to be the seed of the intellectual grass
how much relevant is such a mute lamp-post

3
the morning of the clouds awakes
touching the line of rains
another giant night keeps waiting
in the darkness of the other
that delta rises in the secret water of the river
where with the songs of the birds
the hot coffee acquires the lips  
the hands are as if like very known creepers
the tree is in search for a brown body
to which if a marriage could be organised
the thought of the disturbed walls also disappears

4
I am sitting here in this shadow-hell
unfurling a paper on the strong storm
before night comes keep your face up
from the silky letter
and let me see you
I would not go to that fabrics again
of late I have turned into stone by heavy rain-fall
now heat is required in equal measure
for which I shall have to become loser in every game
afterwards with my dusts
this paper will fly away
you recreate me with a new fever
Sep 2010 · 2.6k
soap-song
murari sinha Sep 2010
if the sinking-of-boat …ice-cream by name
be deducted from the swept-off-in-flood … by name roll no 31
then would the wings of the comics
cease to exist

what says the uninterrupted sound of water-falling
from the stomach of the moon

what writes the pus and blood
what writes the fuming-hot rice

the creepers and the herbs grow continuously
in the insomniac bath-tub

the sounds of the horse-hoof floated by the river
used to change the velocity of its clothes
both in the morning and evening

the birds from the cornice go to school
by dip-swimming

it may come one day when the fishes
become very angry and in the tale of the sweet-meat
the potter will destroy the jointly-built bee-hive

then all hurricane would be habituated to dinner
sans saliva

then there would be no such morning-walk
in the body of the trees
from which such a bore could be found out
through which an elderly saral may fly
into the blue translation of a squirrel

the magnetic field of the orange-pulp
and the productivity of the open window
reside in the same locality

if their frequency be touched  

then the the antenna of the mermaids
speared with sleeping-oil
may be injured

by burnings their eyes
the crow-birds knocks at
in the soap-foams
produced by the afternoon

the pond with a jumping deer
wants to make bite  

it is not known by this way
when a white hyphen
sticks to the palate of the shirt

now put off all the whispers
and let it be talked on the will-paper of the bees

why the pages from the honourable ash-trays
be excluded

those bunch of waters
that come out from the churning of the anises
and the jumps born of their *****
also make friends with the group-photos

now let this other night sends its best wishes
to the future candles
through a cell-phone
murari sinha Sep 2010

observing the ardent eagerness of the wind
it is clearly understood
that nascent pollens are overflowing
the niche of her heart  

in response to the signals of the river
she keeps on ringing
all long the month of earth-quakes

the bench of the rail-station
wants to hug her

the medicine-counter of the ***-end of the day
beckons her with the hand to come nearer

in the assembly-hall for musical demonstration
adorned with ash-trays
going on the rehearsal of her dancing and singing

she also distributes some life
to the meticulous dressing
of the magnolia

2.
let the swimming pool be fully absorbed  
with its dark-room

when the feather of your fore-finger
becomes green

the merchant of venice
will leave his business of photo-coping machine
to start walking directly
in search of new earnings

evening sets in
on the boiler of the delta

putting on yellow-dress comes
the water-vessel of the paper-balloon

there is no singing bird
shivering with cold
in the fold of the dear bed-sheet  

it is possible that the boldness of the metro-railway
may give some wood of tamarisk
on the expanded palms  

yet oh the western page of night
do tell today
why so much tamed polythene
are here in our cohabitation

3.
after so many days
published in the wind
painted in wings
the recent heart’s desire
of the doors and windows

they have rolled up their fairy-tales
from the ignorant drawing-room that wanted
to set her mind to the hill slanting downward

they did not want to know
how much rheumatism is there
in the hands and legs of the bark
to whom is delegated
the control of the mason-made bus-journey

sleep hugs the eye-lids of the rivers

though there is no postage-stamp
within the reaching-point

then what magic is there
in the hill slanting downward

why the wall does not learn
how to swim like a fish

truly it is he from whom
those negligible moments of man-ism
itch for blue candle-stand

4.
the ***-appeal of the telephone
and the bugle of the carnies-breaking ****-crows
are all harmonised seamlessly

the noon in the blood
is flowing along the river

all the dialogues are covered
with misspelling of men and women

the tailors want to increase life
cutting rightly the walking of clothes

after the vanishing of collyrium
from the eyes
there is not a single being
in the relief-camps

as far as the eyes can travel
i can notice in the ear-lob of the village-boats
the water-colour of fire-flies
twinkles

then let an agreement be signed
with the defence ministry
on the right
to enter into private bathroom

5.
in the air
on which flowers are engraved
the union of the betel leaves are making their outposts
anew

before the calling of the next pine-woods
you all the butterflies do take on board the tram
to go to the south-pole

is it well to incline so much
towards the tv-screen

who can say
the waves of the terracotta
would never make revolution

i’ve sent some full-moons of winter
and some water-bodies
into the holes of the handkerchief

the lacking of the colours
may kindly be excused

the birds that are blind from their birth
has been singing till now
the songs of the cave-civilisation

there is no question any where
this eclipsed-valley is adorned
with the answers only

6.
i am to be blown off on the first bombardment
then it is to be flown
in the crowd of  fire-flies
on the bushes of the scented-lemons

and it is to see the memory race of the grown-up girls

it is to see more
that after the opening of the sluice gates
one by one  
how the gathering in the hindu hotels
increases
by leaps and bounds

the pores of the skin of the body
whose hoods are open
and who are running up
along the spiral route
that leads to the top of the mountain

their child
due to late-marriage
now only knows
how to move on all fours

7.
under the table-glass
i  unfold the life-chronicle of one lakh year

and in the olive-cabinet
all the applications for living

from the monsoon-noon to the winter-afternoon
the lines you draw on the parchment

none of them is so condensed
as to touch the palms of a sailor  

from the numerable timber-joists
come down the swarms of personal white ants

no spring seems to become corporeal
without the spell of misunderstandings  

so of late
besides the dry statistics
with the cough
comes out grey thermometer

prickly-heats spread over the whole body  

the sticks of young antenna
shake off their wings

behind the bath-scene
lies the succulent hailstorm

8.
there is no lovely add
yet the market-value of your headache
is going up day by day

all the noon send her mad
the intellectual kisses
the coos

or is it the running about of the tennis-ball

so much pop-corns are flying out
from the draw-well

or that sound of foot-steps
in the north-east

may be
that is of some brown horses
or some horse-drawn perambulators

when the moon spreads out the platinum
does it judge the recipients

thus the bin-leaves can ring
from head to foot

it unfurls an incorrigible right-angle
in the early-evening

the troop with armours
open a shop of ******
beside the vainglory of the lake
murari sinha Sep 2010
1.
the crystallised handkerchief
of one’s span of life

your handloom-bird brings with its lips
some musical notation of the nimbus  

holding that waves within the heart
how much growth does occur
to the sandal-line of a man

or
it does
fall

the blades of grasses are known well
to be vegetarian

the eyes of the reindeer
have cent per cent smelling of fish

then what translation would you suggest
for the fingers of wild titlark

the shirt
they have put on the body of this night-stone

what best word-meaning does match it
but land-lotus


2.
i’ve re-constructed
all the trees and plants

with
the dry straws grass twigs collectively
fetched by beak

and the monsoon
as well

the full-brim of *****
is deep in the palms

in that moonlight
a sleeping-tablet
does take a dip-swimming

within her enfolding
there may be the whole works of rabindranath

from the breathing of cd-player
spreads around
the sound of horse’s hoof  

there is the bed-sheet of dusts
on the anger
kept bound within the cover of rexin

it’s true
our vineyards are still
prone to stones

then it does not seem
that the boiled moon sets  
into the tea-cup  

3
in your songs
still lies
immense green

the bed-room is too
very bright

the walnuts
walking along the path
that touches the rain-shore
make me think likely

on a sunday
kept in an envelop

when the bed-cover of the early morning
speaks frankly
what’s in its mind
to the soap-water

the ears of the horse
in the wall-calendar
look very crazy

i can remember
one day
the sun-boats would tear their wrappers

their whisper would want to discover
the inclinations and thoughts of the creepers and herbs
possessed by the lady-volunteers

their yawing would notice
so many unused handlooms
taking a run-away on the clouds

now
would the cat  under the beautiful jersey
finally think of waking up

then i’ll go
to deposit the clever apples
along with
all the triangles accompanying it
to the nearest cold-storage
murari sinha Sep 2010
thus do learn how to tolerate
the blow of wings
of the most inflammable flesh

after the successful sacrifice of the student-hostel
jumping into the peacock-foams
how dangerously is changing the total travel-route of the nail-polish

in the high tide of the coconut-kernel
that conquers the world
today the water-pigeon gets pain

only by the flute made of palm-leaf
can’t be written the pleasure-trip in boat
of the injured-knee night-queen that is deposited heavily
on the collar of the village-moonlight

even-then the gramophone would be playing on
even-then the courageous pheasant would proceed further
to throw towards the squirrel a dinner-sleep

then all the daughters in disguise of birds certainly
may come out from within the salted mosquito-net
burning open-ground in their  eyes

even after  
the small boats of the fig leaves                      
would slip from the chorus song
of the roses

then they are to be pulled forward to the river-bed
of the late afternoon

to make them understand again

that such Xerox-centre which can ignore its metallic-birth
does not grow even now  on either side of this muddy road

so look at to see how the  epenthesis
of the screwpine-leaf withdraws her beak from the old dome

and pours
all new mathematics

into the compact-disc stitched with the back of the sea-tortoise

if that’s not real
how in the left and right
such evil-company of the oxygen would creep

if the next part of this commentary
resumes from the umbilicus cavity of the x-mass
would the blood-sugar of the water-plankton be rising continuously

look there again
the feather of colour that is in her adolescence  
touches the cold magnet of her gamut
to disperse the cherry orchards

now if the doors of this brown triangle be got open

you can see on the screen one by one
the projection of the apex-points of the red-palash

and in the night-texture of the kathakali-kathak
they are supplying continuously  
small sun-shines in poly-packs
Sep 2010 · 3.3k
volga
murari sinha Sep 2010
( while taking a tour through those poems readers are requested to keep in their hands,  a feather from the pea-****’s tail )

Volga - 1

there might have been some provocation
on the part of the  rat’s bible  

it is not known when and how
every piece of sleep that spatters  
from the oesophagus of the dip-swimming  
has stick to the c-sharp
of the newly-purchased tooth-brush

the air within the wish-bicycle
figures nothing less

how much is it necessary now
to ****** the blue-hue  with the study
that can be saved by the depression of the Ganges-basin
to develop the snap-shot of the garland-exchange with the
antiseptic cream

would you think it for some moments
my lord
the lord of the market

before sending any secret e-mail
to the cyclone
residing in the room
behind the stair-case
let the Volga be read once more
with all its clothes
and hair-styles

Volga - 2

the winter of the water-canon
oxidised by the fireflies
wants to touch every bamboo-flute
of this soil, it seems

as if it plays
in the body of every cauliflower
the total memorising-skill
of  the blue and yellow pyramid

and if some lines of changes
in the planet be added
the birth-day of the bolster
that goes to the sea
may learn with a lesser effort
the pollen-efficiency of the nail-marked walls

how much should I scold the squirrels
who don’t want to swim
in the still-water of the black-board  

Volga – 3

the green-circuit of the fried-almonds
that was submerged
in the open-hair of the afternoon
the whole-night workshop
has taught
the thumb-impression is to be put
how far below it

if the autobiographies are planted
into the drawer of nature
the solubility of the river-reed
gets it done too late at night

all the plus-signs around
from their etiquettes
come down  

so many foot-notes
caused by the season-changes

so before planting life
to the address of the wall-lamps
it seems the cotton-flower
written by the oceans
began yawning

Volga – 4

to the homoeopathy phial
standing on the traffic-island
why it appears
within her womb
the number of germinated nights
stolen without a kiss
is too little

is then it true
if all the chanting of Harinam
can’t be withdrawn from the alcohol
the body-odour of the running tamarisk-shrub  
will enter into the circuit-house

and that devouring of the parchment
brings to the feelings of the non-veg ant-hills
the let’s-go-cure
gathering in the sauce-island

Volga - 5

coming to this ironed canal-side
every auto-rickshaw  
wants to know and let other know
the mystery
behind  the rice-rain
from the cirrus                                                

the shame in the eyes of the seal containing signs
supplies the whole-sale dealership
of the civil disobedience movement
to the locality

the role of the hammer also
wakes up early in the morning
to put under its own tongue
an antacid

is it possible that the spits
used in the observatory
be made a little more fast-moving

manuscript of the basement of a well

the biography of the pond-heron will be scripted
even-then the productivity of the merry-go-round
wouldn’t be uttered for a moment
no sir, such has never been expected

in the liquefied banana-blossoms
too many hot breads resulted from the season-change
continues to bat  vehemently  
and climbs to the peak of heart-throbbing runs

they in a group will go to the
aqua anetha of the mole hill
to organise a folk-song

to understand this
no arbitration of the cactus is required

notwithstanding
it is heard that the thread was pulled
by the violin of  the wife of the moon-god
from behind the screen

here in the eye-front
is the basement of the morning-well

on its one page lies the faulty  crow-caws
and on another some sun-shines
swinging on the hanger
after some pages in recurring …the chicken-pox … the boot-polish …

within the two covers of the dance-drama
also comes the creepers and herbs
grown around the melting point
of the arm-chair
whose legs are broken

if each pore on the skin of the river-lily
becomes so much known
then in the background of this low land

let us have one game more
Sep 2010 · 2.1k
aquarium
murari sinha Sep 2010
those
who has so long been submerged
in the water of the womb-cave
now when the sun rises
would they put their lips in action

the pantograph
the wheat-plants
that has been sowed in autumn
the shyness of the houses
going away farther and farther

how much should i become glum
for those stations
on which i suppose to never put my steps

since taking birth
the same story of huggis and wrappers

i’ve told you to say good bye
to the portman
full of rust

and to make an aquarium
for the flying-fishes
with the water-moon

there may also exist
some social forestry

mr slumber
you can’t keep the good-wishes
arranged properly

so as soon as the eyes get open
the palpitations start
Sep 2010 · 674
grand festival
murari sinha Sep 2010
1.
the wind is prone to grand festival
if you cook your own food
by burning your hands
in the day time
at night
then you will be also eligible
for having a ticket  
this train will not stop at any station
then how would you get on board
why
then do jump in front of the wheel
the door gets open automatically
you would also be a companion
of that joy
your name will also come up
on the list of the blood donors
with blood there will also hang
pus and spew
the colonialists
with a black face
will wind up their indigo-factories
in the fire of the intellect
the undergarment will burn
there will come running
bolder and bitumen
the road is made
your lipstick will be
sometimes deep
sometimes light
tearing open the yellow afternoon
a storm will take birth
there will be no darkness
in the amloki-grove  

2.
the ship is scheduled to start
from jetty no 3
i come to stand on
platform no 13
when i get on board the carriage
standing near
it takes me and runs to a vast
run-way
there are the lines of
sweet briar
i do not feel the pain of detaching
from the soil
when i  am flying
through the smoothness of the lotus-leaf
i see a musk-deer was also running
in a parallel line
she stretches her hand
to take me
to the valley of her flesh
we are turning round and round
to enter into a volcano
and  the flow of its eruption
is carrying us towards a ever-snow land
Sep 2010 · 1.6k
moments for blooming
murari sinha Sep 2010
1
the goose is putting signature
on the plume detaching from its tail

the queue is overflowed with crowd

groping in the memory of the gathering people
so many safety pins and cello-tapes
are found  

on the shoulders of some wayfarers
there is the stammering cold

2.
the body-language of the moon
is being so changed

the enthusiastic may test

blood came down
when the tap is on

and sweat

now birds from siberia
are flowing in through the disc antenna

the dravidian air is ever changing

now none can get ruined
following all the grammar

3.
the sole hunger of the winter
is being noted down in the note book
covered with human-skin

the clouds of the summer and the rainy season
are salivating

the garrulous spiders are detaching the shells
of the dead deer and putting the gardens in the iron-chest

throwing dry leaves to shoo away the coke
oh, the sleeveless palms
are all the new girl-friends ok

4.
putting on the rain-coat to save the skin
or it’s an armour
is your body safe
fireworks are twinkling
piercing
the fire-brigade has gone to a joyful journey with the clouds
admit the charisma of the bathroom
you the adult buffalo
don’t forget to tell
the experienced cormorants have  flown in from the marshland

5.
diving in search of kisses
I saw all are stings
even the wicker tray with the articles of ceremonial reception  
can’t escape bite
would you be clean
oh engrossed abir
so many flakes of snow on the branches of the guava tree
the festival is in your teeth  also
tame your blood
don’t submerge the river into the waves
and there is the sky
beg a rail  


6.
I pierced the clouds with my fore-finger
And the blood-stain touches my body
the wind which makes the doors and windows
open to public view I can’t stare at its eyes
I push the storm towards the yellow-leaves

7.
sometimes the river calls
as if she will fly like the winged horse
if she be let loosed
where  does she keep the sadness of her placenta
there is no flower-vase
the glass is good enough
though the lover glass has broken with the first kiss
the grass with aromatic roots trembles in the breeze from the candid wings  
the orna flies tearing the caterpillar
would you let your  salted water be wasted

8.
beside the comb there is hair
Is it soft green or the alkaline
How much relevant is that information
Rowing through which water the endemic comes
The afternoon-cloud giggled took permission and went home
bringing an end to today’s play
the unwashed plates after eating are placed on the basin
the night-cigarette goes burning in the mouth of air
on the coughs and expectoration floats the lost mast  

9.
the sands are shy to the extreme
They don’t loot anything
The bricks have much intimacy with the wild creepers
All the komonduls and lances  turned backward
Now you may easily spread your wet cloth in the air
One roof would have dialogues with another in the lost afternoon
One window have eye-sharing with the another

10.
there is the laugh
100% natural
Beauty is written on the eyebrows
that is also a game
new cloths at the time of puja
that is also an addiction
a hidden bunglow
under the tongue
no information of death
a postmodern text
Sep 2010 · 3.5k
pouch poetry
murari sinha Sep 2010
hereunder is served some poetry pouches full of love,
dear reader, stir them as you like,
if you wish you may crack them to pour into mouth,
you may smear them on your body
or you may sprinkle them on the ground
and then chant the name of god
with love and enjoyment

1.
the simplicity that rolls down
from the body of the sweet-meat
made by my mother

let it brings light
to our radish-red love-story

to hear or to notice
love
does not need
putting an ear on the wall
of the wall-street journal

the bottle could be filled
from the voice

when you go to fill the bottle
you would see that everywhere
the arrangement of picnic is ready

when i want to take part in that feast
my neighbours would drive me towards
the home  

although i’ve spent all my life
running behind the love

2.
who’s won the muddy-battle
was yesterday’s politics

my addiction is actually to cater
the pouch of love
to develop all vitamins
and all bathrooms

people say you don’t love
the claps of the rats

yet i’ll come down
from the branch of a guava-tree
as a wave-of-shopping-mall
to the lake of your love

now i’ll jump out
from this computer screen
to register a kiss
on your lips

don't miss to applaud
by clapping the hands


3.
the heart is half-sunk
in the window

to some extent
in the lipstick too

on the dinner-plate
there is the feelings of the lord

that means
i’ve to be burnt more
i do agree

i would become
the sculpture of khajuraho

this happenings may have been
the right search for love

on either-side of which  
a green is being worked out
by the nostalgic-cycle

whose colour-texture is very much harappa
which has too many geometric-memories

4.
an undertone is speaking
from within the solitude

now i’m in very much
distress

or i’m in love

i don’t know my love is what-for
may be that’s an arrangement only

so easily are those interactions
stitched with words

strenuous or effortless
in flight
initiated
with seclusion

but when in the sinking of the playfulness
i  write the games of the street-charmers


the birds again and again
pierce the archery

thus becoming ashes
through travelling

in time-gaps still
the audacity to compose poems
on you

5.
is it true love
or i do take it granted
that i’m in love

or i do love to think
that i’m loving

and there is
neither any welcome address
nor any opening song
in my love

my experience with heat of fire
and with burning pain
in the flames of water
is nothing less

6.
in course of burning
i look around

the chilly-plant  in the tob
planted in my won-hand
producing green-chillies

oh-** how sweet they are

it is no chilled-body
that has earned
my life or death

no remarkable mark
is endorsed
on the lotus-leaf

now easily some words
can be written
on you

i don’t know whether
those would be at all
some lines of a poem


7
someone falls in loves
someone makes love
love comes to some another

there is the far-off
whispering

at first she constructs me
then destroys rightly

i notice her
for the first time in six weeks  

the love
that writes
in the footnote of the tennis-ball
a desperate struggle for existence

within our skull
there is the love

or the midnight of the orion

the little squirrel asked now
are you in your seventies
or eighties

those houses with the coating of
the sky the air the light-and-shade
provide me with the presentation of
a wig and
a set of artificial teeth
8.
the love
that touches the hand
in drizzling

the love
that gets lost in the brandishing
grasses

would they want to inform
that the flowers don’t have any skyscraper

in the layers of the flesh and blood
of the detergents
as if  a whole human civilisation has been suffering
from suppressed pain

within it with the dry spell of
anger and cough
the time

had there been no feeding from the love
does the human civilisation stagger

9.
do you think those words
or it’s myself

whatever may you say now
i’ll travel within a great death
to die

rather after my demise i may tell
i’ve informed everyone …look

beneath the large evergreen flower tree
the game of light and shadow continues

beside those simple households
besides a high-head mobile-tower
what else would you like to be

is it a bath in the ganga-river is it a leaf
of the water-lily or it’s a king-cobra  
tell me

i would now make love
with that idea from you

10.
the  apparent golden *** that i thought
to be the underneath of a kadam-tree

in the dim light i can notice that
the stars in the sky are disappearing  

this session of poetry
is coming to an end

now where would i
go

to that little home

the home
a tiny word of 4 letters

within that home
the children are giggling
playing … and making funs

when i entered
with a tri-cycle in hand
for them

i have been perplexed
many old persons are waiting there
to shake hands with me

10.
almost most of my desires  
are very much hurt

to show it publicly
i wrap bandages
around all over my body

i keep on the stage-drama  

in our programme of reading poetry
tea is served twice
current has gone off for three times
for four times the mobiles ring

to pick up love  
some people think about returning back
from today’s dais to the ancient stage
of performing folk-drama

then they are also sympathetic
to my sufferings

12.
everyday
on my way to return home from the school
when my mom took hold of my hands

i could see in my body
the dancing of an unforgettable
aura

even now that mystical halo is walking
on the leaves of the trees
to fulfil my mornings

that wayfaring along the road
is ringing far and far-off

thus taking bath in every day’s  
dust smoke hue and cry

many such love
gradually gets aged

is it true
in the long run
i too
would be the ingredient
of a fairy-tale

just because i love
that paddy field

some time later
she will also become
human

13.
then she will make all of us  
join her walking

those inmost feeling
those memories meditations

the loneliness  and solitude…

sans the touch of the imagination of
a crater…
a creator…

this blunder…
this socially outcast white …

this type of uneven…
and irrelevance…

sume words
when peep in the mind
i surprise to see that
it’s ten to 2 at night

then in the balcony
my father is crying

he always notices some grave-yard men
in front of him

and sheds tears  

14.
after the dry leaves of the winter
fall in innumerable drops
the spring comes

the cover-face of spring means
a note-book of the rain-tree
letting float in the sun-water

and mr harry says that
this question of change
is a major pull

because all the unreal talks
you are delivering one by one

to keep pace with it
the ambulance comes at 10am
with a stale dead-body

in it’s shirt
is written the spelling of myself

i then sat on the grey volume
of the college-campus

in the front
a beggar from the war of waterloo
is passing by

over the dust of myself
with a faster pace
blowing is the thoughts of

ataraxia  
in the air… and air… and air…
    

15.

if your wishes colour silver
then do return back to the x-mass dancing
of the autumn

sound of whose far-off hoof-steps
digging so much soil of
story-weeds

i went into the nail-polish
with the proof of tea-cup
in my hand

there in the midst of lot of snow-flakes
and in the bed soft with the light of the candle
is now that honey-name more tarnished

now the atomic-howling
does not follow the rules of nature

so the rain-tree that seeks a-field-more-sky
with the hope to become king after the sun-rise

so that king is now waiting
in the grocer’s shop
at a stretch  for an hour

16.
does her well-wisher esse then thinks
to escape from the love-making whirl-wind

on the dry branches of the axis power
the new generation of the birds

rather stop a while there silently and listen
which song is hidden in the bronze-buddha

or in the school of the terracotta-horse

i’m now opening the coating
of the night-enamel to read this home

and behind the coo of dove
is smiling

the god of the penalty-kick

17.
sitting on an orange-coloured balcony
in an outsider lane
the green is writing poems
  
better than the face-powder

from this side all long the famine
i’m the priest of the
agro-based civilisation

still-then i think
why so much light of partiality
is on the body of the chrysanthemum

within the monsoon
in collusion with the  hair-band
now thousands of birds are born  

they can hear my
dry straws and twigs

whose hearing is the police
in so depth of the forest

don’t move the
dreadful resorts

one such photograph of the girls
who wakes up in the midnight

speechless…
unmindful …
destruction…

that is you now

i’m then in the spore
of the perfume-bounded body
of match-making

18.

who has lied in the box
made up of the temperature
of god

all on a sudden
there is a hue and cry
in the abdomen of the time
wearing a ***** pajama

actually that has been filtered up
from the voices of rock-songs

the roaming
of a fatigued traveller …

the lies
within their wishes
write my existence

and then run
to buy vegetables
from the station-market

so many lay-offs
come to the body of paper-weight

to listen to all those
is not improper

walking through the traffic-jam
gradually
this home becomes solely my home

one day the golden of
human

then it is i
who is you

and walking through the
monsoon

on either side of the field
it is all autumn

19.
when borrowing the religion of
the night-queen  
i fall in love

then is it real
that our mangos and jack-fruits  
can make the perfumed-soap
vigorously from the light of the
blood-line

i count the bells of the churches
ringing repeatedly

and piercing the image
of your prominent face

rounding through lots of old
the love becomes exhausted

and the love comes back
in the form of college-classes

there are you myself
and so many notes
of the body
Sep 2010 · 4.7k
sigh of sin θ
murari sinha Sep 2010
in this world of the limped nuptial
i’ve appeared as a power-missile of the lac-dye
that is used by the hindu women
to paint the border of their feet

the tooth-ache of some-one pumpkin
that grows on the thatched roof of a hut
has wringed spirally  
my mythological birth with corporate death

managing and arranging  my thoughts
on what I was in the past
what I would be in the future
or what is my dos at present  
the wonder-paintings of the altamira cave
unfolds its wings beside my painful in-growing nail

and in her own sky of miss marry  
my hands become so much condensed in every drops
as if within that moping smog
without any speech
speaks the twinkle twinkle little star…

beside  that labour pain what awakes then
is the patronage of a one-horned idea
along which while walking  without much preparation
i can enter into any e-mail

though our love pulls a very long-face about itself
and in the opinion of the married women
the sigh of the sin θ of our love wants to cultivate
mustered-seeds on the soil of the inhabitants
of this human-life
with a stick by which the monkeys are driven out
what more can i say in lieu of
a piece of red-salute written in green ink

if i say in the dawn of the 52-cards
i touch your face
by the hands of a school-boy
your calmness and earthly perfume
make me stunned

then in this field of sweat and war
the explosion of logic and intellect
of your top-floor
seems more famous anchor than the milk
that spilt over on the fire

and more to say
when daubing all over the body
all taste of the path of joy
enter into then fort of gold you can notice there
when in some unknown moment
my pajama dies socially
by the bite of the snails and oysters

to keep the heart of the break-kiln always move
this form-less interactions are so well
in the harvest-arrangement of the late-autumn
we are all uttering the name of cherry-flower
and begging shelter from the mango leaves

the cause of spreading over of the fragrance
from our secret myrobalan to every side of the pillows
is not only such that in the morning
an empty ink-*** says to the rain-water
you are beautiful

it is also remarkable that
coming to our half-articulated  travelling
the writings carved on the granite stone
become very much ashamed also

and  taking the busy market-price of the sun-glass
in the fold of the **** cloth tied at the waist
my both hands are also marked very much
in the omnibus of the dancing-bar

such is just because it is the art and science of navigation
that pastes some earth-wave
having no number-plate
with the public
rolling down  on the mat of the summer

it is impossible
to memorise the history of  those
so much contended-hunger
so much contended-sleep

it is all right that the staff-members
of our vibgyr university are all alive  
but they are the existence of some
bio-data only

arrangement of so much smiles and tears
in the nomenclature of banana-bed of mrs sofia
is not to tell the directionlessness of her fishery products
but if the culture of the wild trees assuming figure
then there remains no separate entity of the rbcs
inside or inside-up of the veins and arteries

all are the world of cosmetic-surgery
all are the arena of displaced national integrity
that is the only way to get admitted
into the still water of the horse-race

so the making of this self-portrait of the tip-cat game
by own-hand
so is the fancy of the engagement ring of the bursar

as a result of the headache in the au fait knee-joint
all the rats on the rice-*** of margaret  
become very angry
and when they make their performance  
you can’t catch them by extending your hands

so there is this sky-blue printed sari of desdemona
now take refuge under her perfumed disaster
and it is feared that there may be the drops of sweat
on the lobes of her nose extremely devoted
that the trees become to reside in

how much confusing is that cascade
in each of whose earings the dark fortnight
and whose eden garden is so large
that all those  people with crevasses dwell there

they stay in a group of nine
neither eight nor ten
just n for 9
n is also meant for the nancy
and the narcissus
and the sensational appearance of the
nereid  

once again we rub green-chilly after pouring water
in the parched-rice on the ancient plate made of brass
it is right that the peak is separated down from the temple
but it does not hurt the priest

by the right of our walks strewed outside
we too when hiding ourselves in the regime of fire
with our intention and activities
with our standpoint
with our conduct and  behaviour
or any instant rule or direction
or our deeds
that compel the rotation of the deodorant

thus after the eye-operation
the love between you and me is now
seeing more week-ends than before
to her knee has been submitted many caws
painted in water-colour

in every corner and every hole of the body
that pulls the rickshaw the wind enters
and in every root-cause of the sufferings
the ripple of annihilation of love

from the shop of dip-swimming now
you can also purchase soundlessness  
to feel  the spirit of  chrysoberyl

now you need the work for 100 days
to gain the power you need to keep pace
with the graph of the terracotta
that may also be a long day of fasting  

then on the back of that hungry conch-shell
a globe shouts
the other’s world puts its office-water
in the fountain of cactus the roaring of which
pours so many telephone-calls into the ears

then in our market the ear-bursting sound of the generator
then in our forest-land
the bullet-fight between maoist and the joint-force

then with the enlarging and waning of our moon
are the bright fortnight the dark fortnight and the leaves of wood-apple

you may say now
those demerits relate to the seeds of the gm oranges
but just think the scanning of hibernation of the philtre
or of the kite the thread of which is cut off
they can’t escape their responsibility too

then tell me to whom i could give
my sad melting point  

but then to do any work means
this trigonometry
outside the territory of copyright

then the connection of the biscuits
with the thoughts of the fire-works
is clearly dismantled

the border-zone of all relations thus keep themselves apart
and due to a sharp difference in the chromosomes of sand-stone
our dwelling-house becomes a museum

to build a hospital with a big moustache
at last within the hypnotized company
the shadow of our bed-room appears

then the light of the social moon  is like the materials
with which the inner parts of the sorrows of the pomelo
is made up

it may be well for making great
the art-work of the horse-rider
that is wrapped with the handkerchief of ocean  

it must be waiting for my shampoo-power too

some cure may be offered by the paraffin
and her open hair

but one deed of the rose-petals
and the convex sweet drops of molasses  
is the flame of thumb-impression
that is born and brought up by the pan-cake
in-between sauce-pan and peter pan

in this all-pervasive panorama of slang-opera
Sep 2010 · 856
the water of the flow tide
murari sinha Sep 2010
the syllabus of the balcony
continues

the black-blossom just beneath your chick
can’t be extinguished

the waves
that are moving  with their own axes  
smile to the eyes
to make me more adult

the water of the flow tide
works for the whole day

at the end of the day it carries to home
five grains of the buds of the lotus
to maintain livelihood

the dew-drops
accumulating in the womb of the poetry
also want to change some warmth

riding on the football of 2-30 at night
the vermillion of the full-moon
on your forehead
all on a sudden
takes a sip
in the fishing-net of the tennis-man
Sep 2010 · 1.1k
anatomy of the oranges
murari sinha Sep 2010
you’re not adams apple

the  fruits from tree of the knowledge
of good and evil
in the centre of the garden of eden
in genesis

yet at you
the round oranges of this afternoon-town
i stare

and my pate gradually
becomes pregnant

the  wind that comes after
having a touch of your lips
puts the waging of its tail on my forehead

and my guava-leaf begins to melt

thus my hardware-business is going
into liquidation

the physician to the king is telling
it’s the symptom of an awful fever attended with
the morbidity of the three humours of the body

used… and used… and used…

your smile has not yet become
stupid

so from where the lamp-posts of the
town start

there are the cutlets  
and the bolster

they are not the only ones
to utter the last words
about the pill

i’m too
in this summer
trying to  decorate
the gate of my cage like wedding ceremony

if any silent dew-drop comes
to prepare and feed me
my birth-day frumenty

but i’ve no tongue
at all

all over the face there are only the eyes

and to the fate of my staring-at
has ever
so much blessings been available
murari sinha Sep 2010
the time that is moving round me now - 1
some are going ahead
some are going back

having my fingers wielded
on an old type-writer
i’m thinking what should i do

a pretty long time passed away
since the village alphabet
had bade me farewell

in my recent thinking
there is a severe harikiri

the song
that i have sung in a deep forest
in front of the wild flowers

now when i am sitting  
under the ceiling-fan
of the heaven

i can see that both
the lyric and the tune of the song
have vanished


the time that is moving round me now -2
this morning
i’ve woke up little earlier
to observe the dawn

the flags of my behaviour
are posted in the grass-land
around me

no one should take them
as the handkerchiefs of
a demon

a group of people is harvesting
the paddy of the spring-season

i too join them to remember
the water-game of the ducks

i’m speaking less
or keeping mum

but there remains so many topics
to be discussed

the battle of the ballots…
the global recession…
the climate-change…
the terrorism…
the joint-force…


the time that is moving round me now -3
i’ve made a thorough discussion
with myself

so many arguments which lead to
even so much fighting

i see that there has been not
much lamentation or brooding  
not much grief or sorrow
not much tension or anxiety
of my own

all the time
surrounding me only is a grey
non-attachment
and a joy sans any emotion

then i think
if the rose can forget its sorrow and distress
why should I remember them
with so much pain and pancreatic problems

the time that is moving round me now - 4
there is no ending of words

is there anything that may be called
the end-word

let the words make questions
let the words give replies
let the words shout
let them battle among themselves

i can’t understand
why is there so much endeavour
to take me into that chaos

a plant of small white flower
is enough to make a garden itself

even-then
an assembly of
the rose the jasmine the tuberose is made
to increase the rule of the garden

after picking flowers from those plants
my wife puts them to the feet of the god
to worship him

she has a drinking-glass a plate
a hand-fan a throne
for her god

all are like tiny-toys

among them
the throne
is very important

till today
in many of our houses
there is a throne

but it is neither for accession of men
nor for making themselves king

i’ve already said
the throne is for our god

that means for our lying on
there may or may not  be
even a broken cot

but for our family-god
to provide a throne
is a must

the time that is moving round me now -5
on that day
when once i had gone into the
myself-man

i saw
that the government and the opposition
both sides were gheraoing  one another

in the same pace
they were reciprocally
quarrelling threatening rebuffing abusing

thus there was running
a fine piece of democracy there

it gave me enough pleasure

then i again came out
of that myself-man

in the outer-world
i saw

bypassing the stones and the hard
the roots of the trees
going deep down in the dark
in search of soft soil

and their branches are taking bent
towards the sun-light

the time that is moving round me now -6
of late
my intelligence seems somehow
to become slippery

there is so much pollution
in the myself-ism

it seems
even in collision with my shadow
some dragon-flies are killed every day

why do my eyes see so little
why do my tongue speaks so harsh words

to whose custody has gone
those rain-drops

those lemon-blossoms

there is the glittering of dew-drops
on the cob-web

the evening-worship
is sinking into the barking of dogs

as if the wings of the parrots
become van-rickshaw

as if the moon-light were
gradually retreating
in the enlightened city-life
Sep 2010 · 2.2k
the canto of begging
murari sinha Sep 2010
1.
when the morning sets in
with the sun rising in the east
i put on the dress of a beggar
extended up to the horizon
and the canto of my begging starts

i beg
beside the big-bazar
beside the fly-over
beside the college-campus
beside the cow-market

you then put your elbow
on the body of the day
giving a perfect and unbiased pose
to attached to the album of life

people of the working-class
spread hither and thither
to write some more decimal fraction
on the notebook of life

2.
in the dusts and soil of rural-bengal  
in the testament written by the grass
i am a son of the immortal

my begging-bowl is the most
favourite go-ahead of a alone man

then speaking around are
the chop singara aluposta

and the love-story of a hyacinth  
blooming in the pond
blind by mud

also in the overflowed dustbin of the city
waiting rightly with an erected head  
the excitement of your absence

3.
coming to this canto of begging
do you know
i  enjoy both
your intensity and your sharpness

your secret current flows me to the pore of the skin
of the body of the puller of a hand-barrow
your cold attracts me
towards the syllabus of waning moonlight  

i do realise now that the stale afternoons
saved in my pocket
stitched so many new muscles
with my vocal chord

and i’m howling in joy…

4.
what’s an enjoyment… hahaha…day after day
spending too much chaos
and living to so little extent
tell me is it the least

within the left-over on the leaf-plates
after eating by the baboos
i can discover more and more
love

the mango tree the grass-hopper my begging-bowl
and from the tune of the laxmi-panchali
coming from the middle-class houses
listen, how flourishing is my mother-tongue  

5.
all long the day i beg

i beg rice pulses oil salt
royal blood

in exchange i also distribute
peace… peace… and peace…

and the horses of the gypsies making
a dip-swimming in the peace-water

in the canto of my begging
holding a whole body of love
i learn how to be burnt
by the shadow of the trees  

i give up all my courage
to book a room in your youth
only for me

6.
going upstairs on the railway foot-bridge
i see the strong light of neon-lamps

the girl from the avtar of the flex
induced trance

the aroma of chhatim-flower in the air
and the song of a blind-beggar
with tambourine

those neon-light flex-women
beggar’s-song and flower odour
i see they are all alive
in the canto of my begging

under the evening-star

7.
in the canto of my begging
at the day’s end
the moon that rises behind the rain-tree

i put up in her hands
the lemon-leaves the water-balloons the goal-kicks
that i have had throughout the day
by begging

and i beg from her the magic-wand
by the touch of which the date-palm
that was someday burnt by a thunder-bolt
in front of the church
looks very infatuating

and my dress as a beggar gradually
becomes a royal-dress
Sep 2010 · 2.8k
salad poetry & salsa-dance
murari sinha Sep 2010
…thus riding on a memory-bicycle those people who used to go to pick up dry straws, grasses, twigs from the daily-wage of the squirrels  are neither the husband of any wood nor the wife of any wood-apple … at the best they may be one page full of must-dos regarding keep-fit practice of one’s health…

around the grazing field of the night-gowns
in course of a long-journey by train one has to cross
so many grass-hopper-points

one-piece of life is this

in its daily hopping to pick up the pebbles of
which is the amplification of what
the bodies of all prose and poems are touched with
by the sunshine… by the wind… by the rain…by the water

it-may-be-for-you afternoon
is running

running
is the people after the office-break

running are the broken people

the sullen public
due to late-running of train

before the darkness sets in
on bare branches of the tree
clusters of crows
are running

forward steps of the return-home people
are running

many invitations has been remained
unattended … accumulating…

accumulating…
so much anger… many secret pains… tears…

the life is running
in the  rows of the flying birds

the life is running
in the meat-houses…
in the shopping-malls…
in the churches…
in the wheat-fields…

running … running … running…

salad poetry and salsa-dance
are also running…

in the letters of the alphabet…
in the swarm of mosquitoes…

from William Shakespeare
to Rabindranath Thakur

the sky is running …
the air…
the sunlight…
Sep 2010 · 1.0k
some words against the gun
murari sinha Sep 2010
keeping full trust on the fulia-handloom
some words may be uttered now

some words against the gun

an winter …
some fallen leaves …
some cold wind …
and a big vacuum in mind …

with all those adornments
i’m sitting now
on the terrace of a shiva-temple  

in front of me
in a pond covered with hyacinth  
the water-play of the ducks

in its water
the shadow of the sky
the shadow of the trees

along the side of the pond
a little child is running alone
with a toy-ball in hand

i don’t wish to know now
whether there is any compares
to that run

i’m only sitting
and staring at

it may not be known to others
but i myself know well
that by speaking those words
I try to hide my sadness… my loneliness…

Oh… instead of gun-powder …
if i could put inside the quartos
any translation of this joy of the child …  

those who rule rely on guns
those who want to break the rule
also rely on guns

today when my pen wants
to tell something against the gun
i don’t know whether it will go
in favour  or against
the sky… the birds… the trees… mankind …
(c) author

— The End —