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Laurie Chetwood Mar 2018
at the top
of the National Museum,
there is a bed of Highland Gorse,
tamed by a rope of metal, and
given Latin names.

*****, moon white branches
barely hold
sickled leaves which
fall into gloam drenched soil.

transplanted, and
awkwardly placed,
between two concrete slabs,
it looks and sounds alien to the city.

displaced, amongst the dull
incomprehensible squeal of
tourists and gulls, the heavy
roar of dim traffic, muted
bagpipes and the occasional
camera click.

looking upwards,
the shallow blue north
of an uncluttered sky,
and the thin
uneven line of an aircraft,
divided in two.
National Museum of Scotland, written across a period of four days.

— The End —