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 Aug 2012 KM Jones
JJ Hutton
The ******* took the beauty, and it wasn't
because he's handsomer, wealthier, or more caffeinated--
as you supposed, Christopher.

It was timing.

She was lonely.
He was there.

Chris, you were typing an email.
 May 2012 KM Jones
JJ Hutton
+ and -
 May 2012 KM Jones
JJ Hutton
There is a state of existence,
                                                 where a person is neither A nor B
he's inbetween--
he's the addition, the subtraction, the shove and retraction,
                                                 I've spent my life "+"ing and "-"ing
building empires of handshakes,
floating from bar to bar with drinking pals,
crowbarring ice off queens of black venom,
                                                 I'm the distortion in the middle, but I can't see the end--
I never promised answers,
but the soft hands, the wet eye'd, and the widows
cry out for closure,
                                                 I get edgy and the "+"ing turns to "x"ing
Instead of answers--
I take the As and Bs,
I inhale their the white-knuckle moments,
I simmer in their fading passion,
I glide through their dying beds,
Instead of clear answers--
                                                A x B x A x B x A x B x A x B
=

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---------------------------------------------------------­-----------------------------------------------------------------­----------------------
                                          ­                            Best Laid Plans              

And in the grey of early morning,
they look at the equation,
they look at the proposed solution,
and inevitably the As and the Bs
say to me,
"Now, simplify it."


I get edgy
I get edgy
I get edgy.
 May 2012 KM Jones
JJ Hutton
Harvey sees the sun for the first time
without history--
the worn leather, unshined shoes in closet,
the ex-girls off the telephone--
the beams blow kisses, taunt, and beckon.

Harvey folds a paper with half a sentence
and puts it in his pocket--
"I'm too callused to love, too empty to be, a void..."
he knows the end but doesn't write it.

Harvey dreams of calm waters,
salt, sundresses, and eager toenails hammered into sand.
A waitress's reflection in the coffee shop glass shakes Harvey from trance.

"Another cup?" she asks with a crowbar forehead.
Harvey stares at her wrinkles, prying for exposition--
while her voice melts over innocent questions.

Harvey thinks about taking her home.
She'd talk of her ex-husband.
They didn't have kids, but she wanted them.
Harvey couldn't give her kids,
but he could give her him--
a favor.
She wouldn't die alone.

"Did you hear me? Coffee?"
He'd make her feel tall.
She'd find new, fast-talking, book-n-tabloid-munching friends.
Harvey would nod and "oooh" and "ahhh".
Harvey would itch for wrecking ball.

The waitress pours the cup despite his silence.
"If you need anything, let me know."
Harvey nods.
The coffee shop contains the hustle of a mad race track.
Elderlies at the bar, youngsters on the tile floor,
moms and dads hoping to choke with each bite of doughnut.

Harvey doesn't pay much attention to the other patrons.
They are reds, yellows, blues, and noise to him.
He unfolds the piece of a paper and writes,
"I'm too callused to love, too empty to be,
a void in search of a void to sink and share
the blackness."

He leaves a tip on the table.
He pays the cashier.
He leaves the colors and the noise.
He crumples the paper, and gives
it to the wind outside.
 Feb 2012 KM Jones
JJ Hutton
Anna and I leave Jesus on the cross, on the jumbotron.
The blood pooled. The blood cooled. The bloodbath cleansed the flock.
I watch Anna from the passenger seat.
She's silent and salvation.
Rain falls in diamonds on the windshield,
bouquets of streetlights turn the transparents
to rubies, to emeralds.
She turns off the headlights.
Running half-blind on abandoned interstate,
Anna's silent, Anna's grace, Anna's forgiveness.
No more lamps overhead.
No more exits to be found.
Only Anna and I at peace in the void.
I tested her water.

She was almost frozen over.

Had I tried to dive right in,
she could have stopped my heart cold.

She said

*some are more shallow
than others,
so
don't dive here,
or you'll hurt
yourself.
I swear,

   your
imagery

  taps
  the
acid
in my
spine.
The dedication
was ingrained
in his fingertips,
(like Bowie,
like Bob), yet
there was no
boldness,
no brilliance
in the decay,
(like David,
like Dylan,
lord willin').

And so
I asked him:

Shall I
dare

to play
Baudelaire
over six flights
of stairs?

No?

Is it really worth
that much to you?
Is it worth anything at all?
Is just getting away always good enough?


And then I said to him,

kid,
sometimes
you gotta bury
'em.
And this is coming
from me with my chest
resting on the ground.


Snicker snicker, giggle giggle,
it's funny,
the way your pen wiggles.
You've got a lot
of thoughts in your head,
like rocks in your bed
they keep you up.
Tossing and turning
dreaming about
buses, one that I'm on,
coming to see you.

I know it hurt you
when you hurt me
and I know
you didn't mean
for the apology
to sound so empty.

Kara told me
you aren't eating,
that the color
from your face
is fleeting, and
that the habit is there to stay.

You could
never figure
out
what was more
risky,
getting
lost
or standing
out in the crowd,
and yeah,
it's hard to make
mom proud
with all that *******
around.

I know your
neck is
still
aching
from the accident,
but beautiful,
taking medication
just isn't safe
with your
addictive
personality.
I know because
mine gets the better of me.

I know
you don't want
to hear any of this,
and I know
you don't want
to hear me,
but when you're
out of money
and you've
got
nowhere left
to go,
then I won't
sound so hollow.

Tonight,
I'll come over
tonight,
it'll be
like old times.
I'll bring the
gin
and my
violin
and we can
sing
this bottle dry.

I could
use a drink
right now,
yeah, I think
I could use
a drink right now.
Hustlin' out of your garage,
it never takes us far.
My hands are in your hair,
now it's all up in the air...

Hard love in your garage,
hey now, we are what we are.

And it's okay darling,
for the stage you're in,
'cause you're still shedding
so much skin.
Push the blood to the tendon -
lend me a hand, save Sunday
for sleeping in.

When the rhythm hits
and the syllables split,
I'm just trying you.
If I get to heaven,
or, if I could only
just get the hell on
out of here,
it would be
'cause I followed you.
Simplify your poetry.

Make it fit for a pop song.

Simplify your poetry,
make it fit for me,
your little *****.
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