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Kara Rose Trojan Dec 2014
Were you alive when the
bricks began to crumble
beneath our hand-held, picket line
across the parking lot in front of some
school that no one bothered to name?

Our exhaustion-mumbled whispers
skipping across lips dropping to the street
that tapered ladders on gargantuan gadflies as the summer heat
etched the tear lines into mud tracks against
our ruddied faces.

Cohorts torn into flip stands
layered toward standing political sores --
tell me how to cross my t’s and fill in scantron circles before
the suits step over brown-bag lunches
to stretch the yawning yellow tape over the students’ lockers.

We were strung up the flag pole, almost posted as decapitated heads for the public.
The political analysts call this “The biggest school closing in decades.”

Under teeming hammer-strikes :
glasses shred to paper-splinters
before a young boy’s diploma
crying white chalk bricks
from university’s doors instead on to
prison yard orange jumpsuits.

Can we call this a school improvement project
or can we call this the Same Salem Witch Hunt
As unwashed teachers and students alike deck the sidewalks like
Either Christmas decorations on Michigan Avenue or
Inmates on the gallows platform

I’m completely unable to read the television marquee that told the neighborhood that City Hall was too stuffed with paperwork to defend the mothers and invisible fathers.

I’m completely unable to write out of respect for these children’s already-carved in stone pathway to the gutter, graveyard, and/or prisons.

In the first wink of dawn
We will all scatter
To our respective positions
Carved out in concrete before the
barricades fall
to flood the street.
Kara Rose Trojan Feb 2013
The brandy just as common
With the daughters
Reassuringly following to feed
The right howled lark
Into worn times.
Carry the jean size that you wore in high school
Since the advantage is not forgotten:
Drifting footmen believed manners
Learn prettier face,
But lean into the interrupted light
of another
gun-shooting hurricane on the television.
Indolent raisings are the explanation;
The snort of adolescent judgment dreadfully happens,
And we couldn’t free the dog’s role
Into the
Gently
Busily
Sulkily
… Oh how you’ve been.
Kara Rose Trojan Jan 2013
In the caste of what the fir trees denoted what should be or what should not be,
I clasped the fig twigs and watched them split as if to say that all must come to an end.
And in the end, who can the charred leaves blame if there should be tire rods and hubcaps strewn  
                               across the forest's floor?

After totaling the costs of what should not be,
the last mast of yesterday's trade boat could skiff along the shore,
with flag flailing like the playground children's hands.

Irrationality piquing: birds dip and dive like a boxer's fists made of shadow
from one powerline to the next.
Training for the changing, biting winds, watching the unconscious cars staring.

And the skiff oozing through the unmentionables littered in the creek : what will
become of him?

Lodged in stale, fossil bones -- floundered between the swingset and the droning, dusty traffic at 3 a.m.
Metamorphic scarabs stolen from the gusts and pants of too much play.
Basketballs stained with carrion, precarious gusto in the wake of money suckling and ripping alongside                            
        the skiff.

Cross here with two pennies.

Goaded by the solitary abandonment of the 1930's, the used ******'s mouth gaping open like hungry carp, dusty trails of light from the past lamplight hanging in the air

Birds measured up along the powerlines, moving mindlessly along with the flock
Bird drones, feathery spines
Birds perched along the playground.
Bird play so far as to say
        does this not look familiar?

Bobbing, weaving, slathered in cadence and involuntary muscle jerks.

First we were here
Then we were not.
Kara Rose Trojan Dec 2012
In a Garage During a Storm
I am besmirched with arrogance,
Besmirched with rage,
Knowing that with every Red Neptune
succeeds rage,
That I would ever address you.
But I am that white spider that climbs to the
Top of the car’s antenna,
And with one cigarette puff drops
To the middle spine,
And with a second puff,
Drops to the coccyx.
And so, I see that
Modern airplane rise above the smog clouds
And feel humbled.
That white spider who saw through so many eyes
The leg-widths
and pulls
Of such a journey
Reflected in the metallic chrome
Of the slick monument pointing toward the sky
In such a reverential, altar-like hand
Brandished toward the stars
Now slipping away
Like the horizon that recedes at twilight.
Kara Rose Trojan Aug 2012
And we all shine on.
            The thorn of love that is invisible to strangers.
            Here comes the husband’s attitude again. Pass with Care.
            Here comes the husband’s paycheck again. Pass with Care.
And here we have the husband’s mistress again. And she passed with care.
Now, we have this baby girl. One more piece for the puzzle-family:
“And you know I ain’t never want no half nothing in my family.
My whole family is half. Everybody got different fathers and mothers.”

Sacrifice, Mama. Ain’t that what it’s all about?
Rose. Rose. The one who is already risen.            

When you banished him from your bed, did he contort his frame
and slug his way toward the door,
continued down the hallway
and down the stairs
to leech away the ghost of that emotion that Tallahassee-big-hipped-girl gave him?

Give your daughter, now, the hungry fatigue that you had to acquire. Pass with care.
And now you stand with this goblet in your arms.
Goblet of light. Golden flower in your heart and in your brain. This baby girl --
            Breather of the goodness in the world.
DISCLAIMER: The character Rose is from August Wilson's play Fences. Rose is a wife who learns that her husband Troy has a child with another woman. Rose reacts by banishing Troy from her bed but taking in the child after the mother dies during childbirth. I quote Rose as well because her voice should be heard just as much as my voice in order to develop her identity.
Kara Rose Trojan May 2012
Friend Rockstar,
            Listen, yield to a robust think-tank,
            earlobes skidding against wheat and grain.
Terrible story, yes, what happened to that little girl.
Sterile teddy nightgowns weeping in the squad car windows.
Teacher – Teacher, do you harken my yodels for grace?
            I’ve never been maternal.
            Put the game on. Abortion.
            That’s what I’m about.
            Grab a bra. Sling some weight.
            That’s what I’m about.
Some housefly wings on a weathered corn cob.
Some downhome, homegrown twang for those fancy, fussy britches.
            Muddy workboots. Sweat-soaked collars.
            That’s what I’m about.
Him done made me read, sir.
What sacraments did we write today?
            I can still remember my first broken bone.
            I can still remember my first broken *****.
                        That could be what this is all about.
Mary, Mary, you can be contrite,
            so knife – so critter – so laze – so stalked.
    Who fertilized your seeds? Who reared your sprouts?
            Cockle shells and silver bells, honey,
            can’t grow up
            to be pretty little maids all in a row.
Sterile teddy nightgowns – green bells in gaseous gardens.
Friend Rockstar, you may have to sleep.
This restless harbor is a shivering anecdote spilled from a belly,
            a vast, deep cavern with love notes written in milk.
Your fried, stern smile was a flaking fingernail adjacent to the crack in the flowerpot.
Some garden, I say.
Kara Rose Trojan May 2012
We encountered a white-tiled wall whose
            purity lingered behind earthly browns,
           salmon, grass, lavender acrylic paint. And this frozen scene chilled like hot breath on winter
            glass, soil-mixed dividing stories of young, smiley-touched
            girls whose hair was flaxen hills in
            the country and whose
            eyes were opalescent azures whose opalescence
            was truly the only sign of thought beyond a
            glassy grin.

Porcelain doll made of giggles and bubbles.

She fanned her fingers in a glorious sky and leaf peacock-feathered exuberance and pawed at the dry, gritty scene of a sailboat floundering towards a sunset.

She sees this world feelingly – one touch, two touch
Her smile is prayer-folded hands extending across her own little world
A prayer for this textured caricature of a little girl,
            a happy puppet stuck until dark,
            like the form the woman she’ll soon become
            with her child-like fingers spidering across the stories she hopes to [but never will] tell.

Her dusty hands against the comforting tinge of a watermelon’s epicenter.
            So pink, so raw, so vulnerable with the valor of another brush’s turn.
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