We are watching the clouds
bandage an incarnadine sky,

we are practicing our best knots,
weaving an army of tourniquets,

we are slow-dancing
barefoot on the edge
of a razor.

We are watching
a demolition derby
in the driving rain,

the smell of motor oil
mixing with gasoline,

the hard melancholy
of dying machines.

We are waltzing from room to room,
smearing our names on the floor,

we are keeping time to slow music,
bleeding out behind closed doors.

She left me with nothing but math.

Bedroom walls miscalculated
to the color of a bruised plum.

Moonwhite sheets tangled
into isolated geometries.

Her pillow, the sum
of broken equations.

Moonlight proves
distance by degrees:

light slanting
in the hallway,

the acute angles
of an open door.

Mothers crawl home on all fours
and fathers crack their hammers
into the temples of the moon.

The dogs are long gone.

The children of catastrophe
flick their knives at the sun,

shuffling from ruin to ruin
in their parents’ heavy boots,

stepping over the skeletons
of buildings and hummingbirds.

The children of catastrophe whet
their blades on the skulls of childhood.

They shave their heads
and argue about the history
of chandeliers and ballrooms.

The frogs at the water’s edge
expand into dumb balloons.

Hunted by an army of hollow men,
we race toward the sound of a dog
barking at the edge of the world.

We sleep in shifts,
cursing moonlight.

In our dreams,
the horizon binds us
with a blinding flash—

your hand in mine,
our cells married
and incandescent:

each to each,
ash to ash.

A close read
reveals that
I am nothing
but a rough draft
riddled with
misspellings—

a work in progress
watered down by
superfluous adjectives,
non sequiturs, and
smothered verbs.

Love is an editor.

She courts me
with a pocket of
sharpened pencils,
blue and red.

She marks me
up meticulously—
dele, stet
dele, stet.

Decades punctuated
by intermittent edits.

Sunlight slanting
through an hourglass.

Her hair as white
as the final page.

When the end comes,
will she love me enough
to give me another pass?

The weather only makes it worse.
Cicadas sounding off at dusk.
The flowers blooming in reverse.

Your hand in mine.
Pour yourself another drink:
bourbon, *******.
Her hand in mine.

Our backyard has gone black,
the summer’s vestigial fireflies
devoured by limbs and leaves.

Lie on your back
and listen to me,
decode the blades
of grass that tickle
your ears and neck.

Love or silence.
Which is worse?

We pull at words
like dark threads,
composing curtains
for the windows
of a waiting hearse.

His wife is as
assiduous as
a mother bird.

She keeps
the windows
clean with rags
and buckets
of vinegar and
steaming water.

What happens here.

He sweeps
the ceiling
and ponders
the meaning
of the word
perspicacity.

There are
mornings
spent fussing
over underused
demitasse sets.

What happens here.

There are
afternoons
side-by-side
on the front
porch glider,

watching clouds
attenuate across
a porcelain sky.

What happens here.

The smallest
sounds never
fail to surprise
them.

How sparrows fold
like feathered paper
below rectangles
of polished air.

*What happens here,
happens over there.