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 May 2019 J Watson
Edmund black
I lived a large
part of my youth
carrying things
that didn’t
belong to me
Indeed I’ve carried
their loads for
too **** long
The load of how
they felt about me
the load of what
they’ve said about me
the load of how
They’ve perceived me
for far too long
These load was never
mine to carry
to begin with
Today I am free
free at last
from criticism
fears , insecurities
and other people’s
opinion
These loads
are no longer mine
to carry
Regardless
how desperate
and foolish
they may seem
Set yourself FREE .... This load ain’t yours to carry!
 May 2019 J Watson
Gods1son
"I love you" is such an incomplete statement
There is a missing part and that is...
"I love you because..."
The left out part, to me is the most important
Because it validates the preceding part
Do you love me because I'm readily available to be used?
Do you love me for who I am?
The reason you love me conveys to me
the depth of that statement
Ragged mountains and rough terrains,
Withstanding storms and heavy rains.
Warm rays of sunshine bring light.
Bearing hues of black and white.

To the touch it feels like a freshly mowed lawn.
A promise of tummy tickling at dawn.
A relaxing walk in an uninhabited forest.
A tempestuous hike to the top of Everest.

You could be a renegade or a mad scientist
An investment banker or electric guitarist.
A biker's beard could be just as immaculate.
Rough as sandpaper or soft as velvet.
Beards
 May 2019 J Watson
Colm
What good are my admirations?
Although inherently good they maybe.
What good are they, at present, to me?
A word can only travel so far
 May 2019 J Watson
Tom Spencer
a door closes
and I hear him

shuffling down the hallway
his wife of sixty-six years

my mother
asleep, almost invisible

beneath the blankets
as fragile as a baby bird

he stops to wind
the grandfather clock

smiles and nods
“I smell that coffee”

ninety years-old
and still "up-and-at-em”

pills to ration
a newspaper to fetch

dishes to put away
meanwhile

back in their room
dreaming

she remembers
everything

standing by his side
she turns to meet his eyes

Tom Spencer © 2019
 May 2019 J Watson
John Glenn
I often color the sky
based on the intensity of love.

It can go from exchanging compliments
of sapphire, vanilla, and blue

to different degrees of purple,
black, and velvet hue.

Sometimes the richest combination
of orange, yellow, explosions of honey.

Oftentimes all shades of gold, bronze
plus all the colors of downy.

A careless mix of
pink skies in perspectives of blue

All paint poured to the sky
if the intensity's for you.
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