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eleanor prince Jul 2019
I still wear her shawl
hand knitted
gravel-toned

not an item
I'd buy in a shop
but it's so Mrs. Saks

lamb soft
under many layers
of crusty chill

she'd have it on
standing all of
five feet tall

hands on her hips
peering sharply
down her steep drive

her wooden hut
buried in rambling thorns
of isolation

I'd ask about her life
in the old country
for her as if yesterday

in broken English
she'd tell of the scenes
that bitter day

I'd make notes
to write that essay
so people see

her checklist
sharp as martensite
toughened steel

of mountain fire
fathers and sons
picked off

mothers' wails
silenced
made to look

their babies smashed
screaming in shallow soil
as soldiers laughed

hyenas glibly stealing
a people's jewels
not seeing

the core
lived on
still
  Jun 2019 eleanor prince
Pagan Paul
.
A rose from a window
looks like any other rose,
but as the old lady stares
out through the thin glass
a fondness develops,
begins to form a memory,


reaching back,
grasping the past,

that very slowly forms
the image of a rose,
proud in an old garden,
upstanding to catch the eye
of a young girl
staring out of a window.



© Pagan Paul (19/06/19)
.
eleanor prince May 2019
some seconds
sear and brand
creating Self

no matter drive
to carve new
persona

early stain
rears serpent
head

heel bruised
sets timer
ticking

his demise
rebellion has
a price

for trails mocked
to mountain top
pristine snow

rivers fuelled
brashly strong
diverted

birth
pathways
forged

straight to
waiting
sea
Whatever we have been handed at birth, and the vagaries of childhood and later, we have a choice to pursue a quest to re-create the Self to something better.  References are to the universal battle, reflected to some extent in our daily decisions, as per Gen 3:15 where the representative of Good is 'bruised in the heel,' and the personification of Evil awaits his final end, being 'bruised in the head.'  Only then will 'heaven and earth' unitedly attain its full relief of peace and happiness, along with true and enduring fulfillment.
eleanor prince Apr 2019
shaken I take stock
parrots shrieking loud

sunny days drift by
mock assail my space

flowers bloom but brief
blink and they're replaced

trees take fifty years
decimated swift

people killed, displaced
earth protests in pain

stop, opt out, you're lost
left with platitudes

can I drift removed
isolation seek

then again I see
I sound like them now

if I sulk and pout
fail to see my path

rise above and live
carve a vibrant self

ripples echoing
circle all this globe

passage clipped and purged
take a mountain pass  

rein in darkening clouds
grasp some grit this day
  Mar 2019 eleanor prince
Akira Chinen
We sculpt clay into the things
we cannot force our bodies into
we string the alphabet
into stories we are afraid to live
we paint with colors we cannot see
and we ignore the music
inside the beat of our hearts

as we forget what it means to live
we muse on what was
once beautiful about being alive
and forget our thoughts
as we stare emptily to the sky

and the night swallows the day
and the day murders the night
and prayers become graveyards
for dead gods
and our beds become coffins
for dreams

round and round the clay
of the earth spins
and slips through our fingers
as time is something we waste
and our reflection
is a ghost of once was
and what could be

if we could only remember
who we were before
we became prisoners inside
our own minds and found shame
in the shape of our flesh

before we needed the alphabet
to speak of love
and metaphors to hide behind
and fairy tales to mend our wounds

back when the music
inside the beat of our hearts
was all we needed
to know that we were beautiful
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