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 Apr 2018 Nicole H
E. E. Cummings
let’s live suddenly without thinking

under honest trees,
                        a stream
does.the brain of cleverly-crinkling
-water pursues the angry dream
of the shore. By midnight,
                                a moon
scratches the skin of the organised hills

an edged nothing begins to prune

let’s live like the light that kills
and let’s as silence,
                            because Whirl’s after all:
(after me)love,and after you.
I occasionally feel vague how
vague idon’t know tenuous Now-
spears and The Then-arrows making do
our mouths something red,something tall
 Apr 2018 Nicole H
E. E. Cummings
i will wade out
                        till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air
                                       Alive
                                                 with closed eyes
to dash against darkness
                                       in the sleeping curves of my body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
                                            Will i complete the mystery
                                            of my flesh
I will rise
               After a thousand years
lipping
flowers
             And set my teeth in the silver of the moon
 Feb 2018 Nicole H
E. E. Cummings
why did you go
little fourpaws?
you forgot to shut
your big eyes.

where did you go?
like little kittens
are all the leaves
which open in the rain.

little kittens who
are called spring,
is what we stroke
maybe asleep?

do you know?or maybe did
something go away
ever so quietly
when we weren’t looking.
 Feb 2018 Nicole H
E. E. Cummings
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body.  i like what it does,
i like its hows.  i like to feel the spine
of your body and its bones,and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the,shocking fuzz
of your electric furr,and what-is-it comes
over parting flesh….And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new
 Feb 2018 Nicole H
wordvango
Wouldn't it be crazy wonderful
To see in person some of
The most noted Wordsworth's
And personalities that
Hello Poetry has to offer?
August 15th would be good
Here in Clayhatchee Bamalama
In the south with nothing else to offer but the woods and cornstalks the peanut dust air.
It would be a festival. A face to face to finally meet the poets I admire and describe in my head by their words and their profile.
I'm about to start a gofundme page to make the wildest dreams come true. Imagine Eliot greeting you in person.
Its gonna be tie-dye only and sandals dress. (Weeds illegal here and the price high as hell, so bring your own)
Load up the vw van with all your poet friends.
Entrance fees waved to those
Bringing their own soap and toiletries. Oh, and beer....or ***....whisky....tequila.... Etc.
We are also going to need qualified trippers to man the LSD flipout tent.  Please apply here: www.hpflipouttent.com
 Jan 2017 Nicole H
Ai
Conversation
 Jan 2017 Nicole H
Ai
We smile at each other
and I lean back against the wicker couch.
How does it feel to be dead? I say.
You touch my knees with your blue fingers.
And when you open your mouth,
a ball of yellow light falls to the floor
and burns a hole through it.
Don't tell me, I say. I don't want to hear.
Did you ever, you start,
wear a certain kind of dress
and just by accident,
so inconsequential you barely notice it,
your fingers graze that dress
and you hear the sound of a knife cutting paper,
you see it too
and you realize how that image
is simply the extension of another image,
that your own life
is a chain of words
that one day will snap.
Words, you say, young girls in a circle, holding hands,
and beginning to rise heavenward
in their confirmation dresses,
like white helium balloons,
the wreathes of flowers on their heads spinning,
and above all that,
that's where I'm floating,
and that's what it's like
only ten times clearer,
ten times more horrible.
Could anyone alive survive it?
 Nov 2016 Nicole H
SANDRA LIZ
Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the **** Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

by,
FRANK O'HARA
 Oct 2016 Nicole H
Sylvia Plath
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
I was once a classically trained pianist:

My nails cut weekly down to the bit
and internal tongue ta-ta-ta-ta, ta-tee-tee
ta-ta, tom
tuned to the metronome.

Daily hours meant:
bent stick straight up
scales and etudes then
sonatas and scherzos and waltzes and nocturnes and preludes and arias

and movements memorized
by fingers that knew the way
and weight of adjusted arms.

What is the value of
a wrong note alone

or amongst many,

of memory incapable
and fingers fallible?
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