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Feb 2018 · 331
Conor Letham Feb 2018
sit down; Mexican standoff
side saddle head cocked
readily shot-stare asunder
to paper/pen & the
grinning wince.

employment; where are you
now? You, in current state
gaseous coagulation, you
neither “in the mix” or

bullet point; list thoughts
& aspirations, where you
thought you ought to
wish you were here!ing
and not.

T&C; going forward agree
to meet the anticipated
expectations as if you
wore that crown to say
"you own you".

handshake; the formality
contracts its bindings,
and the paper witness
writ as statement that
we will

                 do this again sometime.
Oct 2017 · 400
Conor Letham Oct 2017
peeled back eyelids
splay venous binding;
snake skin exoskeleton
though not brittle but
woven like rope
stretches its casket,

though tenuous, its
compound dimples
gaze as pupils not
sure where the
sun is meant
to be

I leave
a jilted shell -
afterbirth horror! -
as forgone lifebearer
so that by contract,
unspoilt to be ridden,

a progeny delights
in its own delicacy.
Where a flower advertises its sexuality, it is the child that comes to fruition and then barrenness through no fault of its own.
Sep 2017 · 427
Conor Letham Sep 2017
Sunflower cereal;
trickled clumps
cast into demi-
dune sacrificial,
China region
size cup cusp,
gulps of pearl
globules seeped
through crinkle
cut skin petals
to sounds like
wet paper pulp
mulch peeling
in a bake sizzle.
Thoughts on a morning
Feb 2017 · 888
Conor Letham Feb 2017
got a pink bulb
suckered in mouth—
spit it out. dribble
gobstopper sun,
pause motion to
explosive creation
cake the surface
rubber dumb, POP!

sharp tap like a
snare bubble
vacuum record
in recycling bin
you had it made
try again a same
chum the chew
begin renew
anew anew review
Had the urge to write about a rubber stopper popper you chew for fun.
Jun 2016 · 619
Conor Letham Jun 2016
it’s a dream
under cities’
block bricks
a small house
like canvas
squats cut out,
array of colour
not black
or grey, or white,
is tangerines
and strawberries
paper works,
also a ribbon
picket fence
take a stick to
beat of a ribcage
diagnose blame
too memorable
no serious future
says this dream
it’s a lucid one.
Nov 2015 · 737
Conor Letham Nov 2015
Building contrasts
between the holes
shaped by fists
through wall cracks
to finger holes
in my knitted jumper-

I feel hole-punched by
layers and sediments,
each blend of fibre
becomes microscopic
to a solid form, or
a strangled kite:

Do you know how
a kite flies without
breath? It makes
sail in the earth,
depths in oceans,
drowns in vacuums.
Jul 2015 · 1.2k
Conor Letham Jul 2015
We own a pond;
mottled bluebottle,
flecked in freckles
when the sunlight
skims the surface
between the moss.

I dip a finger inside
and stir. A nebula
swills, swirling like
a whisk of spilt oil
from a water spot
sometimes found
underneath a car.

My fist plunges in,
embalming a gulp;
moss bandages
around the orb that,
withdrawing in drips,
I see a new world
set alight upon it.
Patina: noun
1. a film or incrustation, usually green, produced by oxidation on the surface of old bronze and often esteemed as being of ornamental value.

2. a similar film or colouring appearing gradually on some other substance.

3. a surface calcification of implements, usually indicating great age.
Mar 2015 · 978
Conor Letham Mar 2015
he got caught;
yes I got him
caught on the
edge of 2nd &

he turns to me
on eyes glazed
through a pane
of his car, white
balloon balancing
the pretty cast
of his head. It

serves the eye -
it isn't quite there
as I move closer,
parallel to collide
as sensations start
to crunch.
Cast of David, beauty in the moment, love in the construction of destruction.
Mar 2015 · 4.1k
Conor Letham Mar 2015
Peering down
an empty bottle
we've begun
a kaleidoscope
full of broken
memories and
twist of tongues
where nights
flash, conducting
awareness to all
and everything,
a glare of mirrors
basked above us
in splendid colour
with my hands
firmly earthed
into yours.
Stray thoughts, unfinished. First nights & last nights.
Feb 2015 · 2.5k
Coffee House
Conor Letham Feb 2015
Coffee house
windows drape
litters of faces
like teabags
milk white but
feature black yolks
in sunken pits--
sinking pits, dip
under the morning
embers. Sunny side
where? A day begins
though you lot, out
to dry, waiver it off;
It's not ours, you say,
It's yours and you's
filling the streets below.
We's wait for the sunny,
we's wait for the up.
Dec 2014 · 1.1k
We lost to Winter
Conor Letham Dec 2014
leaves fall from
tree bark shoots
left some pellets
scatter the ground

spatters of petals
lying across them
like stains marking
a once vibrant floor.
Sep 2014 · 3.1k
Conor Letham Sep 2014
After the pay toll
I go down steps
to wait for a train
heading one way.

Glances reveal a
demon eyed glare
searching through
the dark tunnel,

a waft of air pushed
up against me, spins
the time I wait from
seconds to minutes.

I'm going underground.

It's warm, clinging
to soaked skin -
everyone is the same,
drenched in a fatigue

like tired ghouls
smothered in oil,
their bodies caskets
lined up as the day's

catch. We shuffle
into a viking funeral
riding the current
for the journey home.
Aug 2014 · 3.8k
The Light Bulb
Conor Letham Aug 2014
I was doing
when a flash
smashed out
to every corner
of the room.

It came like
ominous bolts
of lightning
had leapt from
the light bulb
bursting inside,

as though
storms had been
brewing slowly
under a muzzle
of glass frame.
I regarded how

strange it was
to be fed up
to a thrum of
75 watts
in its lifetime,
to finally break

its broadcast.
I look to a
tungsten tongue,
see the ember
flick into the dark
and say,

*I lost my religion.
Aug 2014 · 4.6k
Wisdom Teeth
Conor Letham Aug 2014
We hold onto
each other like
teeth trapping
new wisdoms,
heads crashing
through agony

as the jaw scrapes
and screeches like
demolition derbies.
We'll battle it out,
but who will last
until one is left?

No, drag my teeth
out of contention:
lasso a noose, yank
hard until whipped
numbly off track
to bleed the oil.
Aug 2014 · 2.5k
Conor Letham Aug 2014
I'll have roses,
daffodils, ivy
and snowdrops
in a bouquet
on my palette.

Slipping a taste
of one another,
a puddle is made.
It is murky like
hungover clouds

though now
with new regret
I understand
the mixing of
beautiful ideas

brings me pity
for my creation
formed through
pursuit of a dream
to a wretched being.
An experimental ode to Frankenstein's creature.
Aug 2014 · 1.6k
A tree out back
Conor Letham Aug 2014
froths in lichen:
gushing on its bark,
it looks like pollen
was smeared on in
yellow gouache,
ulcers spread to lick
on to each branch.

I let it take over
in the way you
spread your arms
over bed and torso,
in the way your kiss
through the mornings
paint my cheeks red.
Aug 2014 · 2.1k
Conor Letham Aug 2014
Opening my hand,
you read the lines
rooted in my palm


taking the fingers
to crook them.
They splinter


spines, grow
tall steeples
ringing out


church bells,
or wind chimes
once your fingers

Jun 2014 · 1.7k
Conor Letham Jun 2014
We gave the
our features;
the babe got
a bulb nose
passed on by
its grandfather,
jet-turf of hair
like a wave of
soft sulphur
from the other,
but the eyes,
tungsten grey
set in firm lids,
burnt out like
light bulbs
as it left their
filament fingers
gasping mine.
Infants dying is one of the saddest events I could imagine, something we never wish to suffer. I've related an infant to an incandescent light bulb, known for their short, bright lifetimes before dying out.
Jun 2014 · 1.2k
Conor Letham Jun 2014
Putting the receiver
to the cupped side
of my leaning face,
I'll listen to an old,
dead phone, a husk
with a sound echoing
inside like a seashell:

I tune into the static
as if they were waves
sweeping in and out
of my eardrum, hear
the whisper of voices
asking the operator
to pass on last sighs.
I thought of the word 'husk' and wanted to use it somehow. I might not be done with this piece, so be warned that I may edit it!
Jun 2014 · 3.7k
New Year's
Conor Letham Jun 2014
translucent vibes;
rhythm through
a château door
into neon nights,
and lanterns like
red-eye photos
look down on us.
They look down
on me, and they
see me shaking
the vibes out on
cement cobble-
blocks. I got the
cancer / excess
disease, we say
I'm the new-old
where the auto-
focus is good
but around us
is gaussian blur
forgotten future.
Experimental. Drunken mess with the new and old blending. Nothing explains better than New Year's where we're out with the old, in with the new and still we hold onto and build from the year before. Anyway, bit of fun.
Jun 2014 · 2.9k
Conor Letham Jun 2014
What you don't see
is the way I wait,
watching her braid
worries in her hair
speckling small daisies,
my eyes like tumblers
gulping her in swigs
as she perches glasses
on the arch of her nose,
and then we'll take
a photo
to remark on how
we were back then
and now.
May 2014 · 2.7k
Conor Letham May 2014
We'll start the fire
in morning streets
with a flick-clip
on a matchbox
and light a trail
we made to steps
headed for a bed,
this time with no
extinguishers or
hanging fire exits.
May 2014 · 1.7k
Conor Letham May 2014
We let the align-
ment of our con-
tact create a new-
lyfound structure:

you dress our bed-
ding over frame-
work, shapes mold-
ing words on paper

as though our truth-
fully plaiting finger-
tips shape a stereo-
type linear tendency.
Often the alignment of words create the most wonderful of coupling. Visual:
May 2014 · 1.3k
Conor Letham May 2014
keep an eye
on her church
mouth, place
a kiss upon
liquor thighs
then remember
she'll make you.
May 2014 · 1.4k
The Moon Jar
Conor Letham May 2014
Choson dynasty,*
you utter from a stub
on the stand's neck,  
your eyes admiring
pimpled spaces or
the bulging curves
of the moon jar.

It is imperfect like
the hollow centre
surrounded by
a slumped figure:
two bodies thrown
as lovers, where,

noticing a crease
stretch the belly,
the mating halves
fuse to function
a wholeness like
the moon we make
when we hold hands.
The Moon Jar is seen as an imperfectly round, yet 'natural' ceramic Korean piece. It is seen as pure and unflatteringly beautiful in its simplicity through which it provides many complexities.

May 2014 · 1.3k
Conor Letham May 2014
I ask if you want to
when maybe we're only
bound together by the
slipped between our
filching at each other
these metamorphosis
waiting for one to come
of our shelled carbons
the brilliance of the city
as though slops of rain
off of tall windows was
the sky setting itself on
Experimental with two ways of reading and a focus on the word 'synthetic'. Was originally spaced for the singular words however formatting on here won't tab spaces. So, close enough.
May 2014 · 1.1k
Marlboro Woman
Conor Letham May 2014
Could you hold me up-
right, left to sit and stare
though your sifting smoke
columns like a spinal wisp,
wasting away time in your

beautiful lungs. I like to in-
hale the cast-away smiles
you hang over me, into me,
my mind lost in taste to how
your chest is as mild as May.
"Philip Morris launched the Marlboro brand in 1924 as a woman's cigarette, based on the slogan "Mild As May". In the 1920s, advertising for the cigarette was primarily based around how ladylike the filter cigarette was, in an attempt to appeal to the mass market. To this end, the filter had a printed red band around it to hide lipstick stains, calling it "Beauty Tips to Keep the Paper from Your Lips"." - Wikipedia, Marlboro_cigarette
May 2014 · 1.1k
Festival Plans
Conor Letham May 2014
one day we'll shake
our heads out like
flowers in spring,
like our hair was
on fire to light up
the fields, and we
would watch on
to those who sang
their songs for us
and only for us
as we are always
there, for them,
as though we're
weeds in thought.
May 2014 · 3.7k
Conor Letham May 2014
mornings I get up
early and watch
the night sail
into a water
bucket so I
can wash
over in
Apr 2014 · 4.8k
Daddy through London
Conor Letham Apr 2014
We're on a train
in London's subways
and everyone stands
with a dead-eye peer
down the carriage, so
please, hold my hand.

They're all like apes,
hung on bamboo poles
and strung vine-straps,
hunkered over the small
space I have to myself, so
please, hold my hand.

I think you've become
just like them, Daddy;
a ringed-eyed orangutan
or narrow-staring lemur.
You've become much less
human it scares me, so
*please, let go of my hand.
Was on a train, mind on poetry, and came up with this brief idea.
Apr 2014 · 9.3k
Conor Letham Apr 2014
Coming home from a fair,
cusped between your lap
a globe of darting eyes,
your hands rested atop
the thin film of a world
as you endlessly peer in.
Are you scrying over
your future career?

Here a tungsten bulbous
body, a chunk of flame,
swills itself in spins
and mindless dances,
as you think you could
be so careless like them
to live hazily in a framed
bubble of treasured youth,

fed by some divine fate
looking over you. Golden
scales make your skin,
binds you as if you were
a chocolate in a wrapper
for people to circus over–
every flicker being edible.
Or maybe you're like

those tinned peach slices,
posing in a cage for all  
as a marvel to feast with
until you end up rotting,
there in your tomb-space,
muttering an open mouth,
“help me” before they serve
you up on a silver-lined dish.

I assure you, you'll forget
these childish thoughts
of aspirations and dreams
sooner than you think:
no matter how much
you think they want you,
I'll bet they'll let yourself
drown in coming weeks.
This one's a long one, and I apologise in advance for the kind of depressing topic.
What went from the subject of children getting goldfish from a fair (that, as everyone knows, don't last very long) became a critique about the aspect of female sexualization that some girls may grow up to want to employ the use of.
Apr 2014 · 1.9k
Dey Real Kewl
Conor Letham Apr 2014
Dey real kewl. Dey
selfie skool. Dey

glow goonz. Dey
PC geeks. Dey

luv Jay-Z. Dey
RT #JK. Dey

tan tangaz. Dey
pRT bangaz. Dey

dwn danger. Dey
jack jäger. Dey

dbl dip. Dey
do trip. Dey

l%k weL 7k. Dey
die s%n, LOL innit.
I wanted to do a piece that was almost identical to that of "We Real Cool" by Gwendolyn Brooks (, except longer and in text-speak so it's in alignment with today's culture.
Apr 2014 · 2.6k
Childhood Sestina
Conor Letham Apr 2014
The first pair of shoes you wore were black,
velcro straps sat atop your pair of dollies
to make it easier to put them on for the park.
They were meant to be smart, but you laughed
as you wore them against the ground so free
as dad slung the swings, smiling at his child.

Our mum told me I was a creative child:
I didn't like to wear anything black. Red
suited me in how I stood in puddles, free
in indifference to how brown my wellies
became. If I was asked why, I'd shout,
“I'm pretending we're all at the seaside.”

From there we made our way to beaches,
where the wind was crisp and the children
we could see around us acclaimed screams
of emphatic joy at how the sea was so blue
and big. We had to wear pairs of sandals
when we went, but being barefoot felt free.

All that time we had at being young and free
soon went with the summer ending in school,
the arrival of my freshly polished black boots
was identical to almost every other child's-
a lather of paint dripping over in mud yellows
proved who I was with a mother's groan,

and this wasn't the only time she wailed.
As we grew older and wanted to be free,
my sister started to experiment with pink
highlights in her hair as I visited clubs
with fake ID. We were adults with childish
personalities in how I wore my Docs

like a religion for feet, my sibling in high heels
that you could hear in Sunday morning claps.
The arguments broke out: she wanted a child,
mother saying was too young, needed to free
herself from lazy culture and find a workplace.
I'd never seen both their faces so gushed red,

just like the red richness of those wellies
I had worn in the park. I pipe up and say,
“The best freedom is our time as children.”
A *colour*
B *shoe*
C *place*
D *sound*
E free
F child
Apr 2014 · 592
The Storm
Conor Letham Apr 2014
My heart leaps up when I behold*
a skinny-lit vein split even the sky
and I am held, scared as a child,
by the wonder of its roar, my cry's
like that of a lint quietly set alight
in the large of the pitch-dark night.

I would not move from the bed
and yet, I cannot help but stare
through curtains like a coward,
pared apart by curiosity to where
I wish to slide open the window
and see what the sky did sow.

The Child is son to the mother,
and should he ever need forget
he only need look to a shatter
in the sky. The crash on his head
that follows goads, “You know
where your father goes to crow.”
First line and inspiration taken from William Wordsworth's 'The Rainbow'.
Apr 2014 · 3.5k
Wedding Ring
Conor Letham Apr 2014
When we grow older
and friendship blooms,
let that golden ring be
a shade of evergreen
and then we can say
"We didn't make us,
we were made for us."
Evergreen is everlasting and natural, the colour of gold is made as a monetary reminder, almost. It's plausible.
Apr 2014 · 16.4k
Conor Letham Apr 2014
You made me a race
from the womb to
the itch and stretch
of a world for me
to traverse around.

Inches then meters
to stride against:
first the garden to
the park's expanse,
by then countries

are feet then miles,
and so I become like
the drip of cloud-tears
on car window panes,
shooting themselves

down the weathered
sheet to be closer
to an end of journey
that feels measured
by the centimetre.
Apr 2014 · 1.3k
Conor Letham Apr 2014
This boy sits on the carpet
with his crayons in hand,
a mural on the wall saying
he loves his father just like
the gaze of a rising sun,
an eye always watching
him as he reaches higher
to proudly touch the sky.

The sea at the base tells
his mother she is a war
of temper and peace,
her lullabies teach him
how to whisper secrets
as the waves bear him
journeys to new land
for him to be the sun.
Apr 2014 · 871
Out at Sea
Conor Letham Apr 2014
Looking out to the sea,
there is art in the white,
frothing rinds like billows
of chalk softly skimming
each wave, or in the dark
blue of a day-old swelling
stretched across jelly skin
like spread blueberry jam,
or maybe in the bright red
jacket you wear, your hair
held to your face as you
grin like an absolute twit,
small fingers gripping on
to the rails as you peer over,
and in my grin is my reply
because I love you for it.
Apr 2014 · 1.8k
Kid, you're a wonder
Conor Letham Apr 2014
Here you are in those
purple-jelly dolly shoes
and you wonder why
the sky is blue when
the jam on your face
is a brilliant lipstick red.
Mar 2014 · 615
Fish Supper
Conor Letham Mar 2014
Knife crunching through
skin? No, it slips down
like a gulp in the throat,
a breath before pushing
in. My moon-eyes stare
at the shock of the victim's
as their belly is hollowed,
blood swilling in the sink
as fingers reach in the cut
to polish the insides clean.

I wonder why that look of
panic? There is a pink lining
stitched in by spinal threads,
the tenderness under a coat
proving you were only dressed
in a glazed metallic shimmer
to impress the eye. The head
must go, and the dressage off
so I can go soak your flesh
in a much tastier puddle.
Feb 2014 · 426
Rizla Kisses
Conor Letham Feb 2014
She rolls the paper
with a kind of ease:
like a silk dress falling
on the eve of her skin;

or the delicate sips
taken from her glass,
delicately held between
curled spread fingers.

Then maybe as tongue
presses to the lining,
it looks as though
rice-paper become lips

her kisses sealing
this tube filament
mantled in her smile,
lighting up the room.
Originally "Rizla Origami", I decided to change the name until I came back to work on it. Just an idea I needed to write down.
Feb 2014 · 807
Phone Box
Conor Letham Feb 2014
There is a misdeed where,
on a corner of Hunter Street,
a phone box sits in a puddle
like a flamingo in a storm,
yet it's not pink. It's a dull

shine with legs protruding
out of its sea, a lone oil rig
with an open mouth to enter
in which (you would hope!)
some black gold would pour

out of its receiver and say,
Press your fingers to me,
then my hand to your cheek
and I would stand there
drowned in those thoughts,

my feet also being rig stalks
as I would hold your hand
to my face, my other leaning
against your body, then only
to gather a simple “Hello.”
Work in progress poem sexualizing and romanticizing a phone box in a puddle.
Feb 2014 · 427
Conor Letham Feb 2014
A poster leans gaunt
against a lamp post,
its translucent skin
hung in its plastic film
coat pinned by corners.

Her face has seen better
before the wind and rain
had crept its fingers in
to caress her youth;
half of her is smiling,

the lipstick a smoulder
of tone black chaste,
the eye catching yours
in its fine-lined frame.
But the eye on the face

next to her is smudged,
ink drowning the socket
like a welt of a bruise
down her cheek, the lips
dribbling down her chin

like a cut, and the hair
strewn over in curtained
bleed as though she'd cried
tears down the image that
prophesies to her end result.
Work in progress for a lecture regarding perspectives. Based on a missing persons poster.
Conor Letham Jan 2014
A leaking clock keeps you
nose up with eyes peering
through night-flooded sky
towards glow-in-the-dark
stars, childhood mementos,
to keep those other shapes

from seeping in, like snakes
slinking over drawers when
they were socks left hanging,
or a hand haunched achingly
through the wardrobe door
was only a shirt sleeve, but

now light escapes the curtains,
becomes a silhouette of a man
out of the second-floor window.
It's ok, you remind yourself.
You roll your head over to
drink, drink, drink in the ticks.
Dissertation draft idea. Based on childhood fear of shapes in the night. I used to (and still have up) glow-in-the-dark stars on my ceiling back home.
Jan 2014 · 1.0k
Dress Rehearsal
Conor Letham Jan 2014
The kid’s quiet
then she teeters in,
all glamour and glitz.
The Ritz is asking,
Mademoiselle, for your
curtain call dress,
a glitterball gown,

dragging by your feet—
oh, but her shoes!
Duty bound cardinal
red swim in the eye
like the carpet you
ought to premiere on.
It matches the lipstick

rub, your lips a yolk
as though you had drawn
over the lines, a smear
having caught the pearl
shawl around your neck.
Those your grandmother
passed down, you say?
She would be so proud.
Jan 2014 · 1.2k
Good Bruises
Conor Letham Jan 2014
Carpals, knees, elbows
scuffed. Cement carpet
freshly sears the fabric
then cuts, but a bruise

silhouettes the tear:
start Saturday raw, soon
swells a red ruby gulp
charring to black coal.

By Monday it slips
into a nebula of purple
constellations, a drink
of red still remaining.

You'll wish it never
faded – a jaundice
dulling swims palely
like the fated colour
of that new bike.
Rough draft of a childhood poem about good bruises. God I'm seemingly moody.
Jan 2014 · 4.7k
Giraffe Fields
Conor Letham Jan 2014
I'll follow you through
sunflower cranes, stood
straight up on one leg,
tiptoe-heads above. Thick,
trunk stems support eyes

as though a field of giraffes
came to Loiré on holiday,
a tower of swinging faces
basking in a summer breeze.
Sepia yellows peg out

like eyelashes, shine
against that blue wave
of ocean sky, barely
frothing a cloud. Atop
your shoulders, I'll try

pinching a bud to keep
for home, looking back
a thousand suns echo
a staining rust, autumn
reds sinking as they set.
Written from seeing giant sunflowers in Loiré, France as a child. For my dissertation and mother who loves giraffes and those sunflowers.
Dec 2013 · 2.4k
Pressed Flowers
Conor Letham Dec 2013
As you open this book
pressed flowers lie still,
dormant veins of cherry
splashes and scarlet
pools for their faces.

I was told that they grew
for such a beautiful head
to die a martyr, their vain
silk of a skin pulled apart
like lips on a gun barrel.

I caught them with wings
spread out, yellow stalks
for their eyes seeking
a summer sun. I wouldn't
let them fly, so I stuck

their lovesick in a casing
bound to hold them down.
Coffin closed, box sealed.
They sleep a winter, raw
as the day lately picked.
On the subject of colour, I focused on the poppy and its relationship with young soldiers gone to war.
Dec 2013 · 1.7k
Umbrella Ribs
Conor Letham Dec 2013
Look at your spider legs

clambering out like that
as though your crab cage

has stayed too still, sat
too long as a street tumour
spat up on the pavement.

You must miss the frailness
of the skin that sheltered
your birth, the patterns
strewn across the sheets

in blurs of stripes and dots,
colours and tones. But now
it's a sickly sight, those ribs
scuttle like limbs pushing
through a shell that suited

your broken spindles just
fine. Maybe you need a fix
of a skin to get you in shape,
web the joints in the hope
someone will hold you again,
your handle gripped in hand.
Based off seeing mangled umbrella spokes sticking out of a bin.
Nov 2013 · 905
My Father's Jumper
Conor Letham Nov 2013
Friday mornings I'd slip
the little bones of me
into the big skin of you;
the bags under the arms
spaces to fill. My head
dives under the seams,

finding encrusted sea-salt
swept into nicked threads,
fresh surf cast in nostrils
like delving into wafting
depths of a second-home,
painting the skin rough.

I'll pretend I have your eye,
search for fish in the dark
as you do when away,
and I'll explore with hands
as shimmers fade between
soft holes in cotton waves

small fingertips touching
gasps. They slick the sky
like breaths in the night,
their smear of scent
a welcomed reminder
until you come home.
I don't know where I was going with this one, only that I wanted it to feature jumpers, a distinct smell, and a longer structure than my norm.
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