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 Apr 2017
Joshua Haines
I've always lived this way;
used to wish for other
                         ways to feel.
On a tidal wave,
with white walls and
           a body made of steel.

And I'm drinking,
      in the sunlight.
Wind whooshing by,
says I'm James Dean.
I can't fake it,
because I'm so uncool.
Better make it
to an ivy-league school.

I've always lived this way;
always running to get closer
                       to how I feel.
On a tidal wave;
not enough money
       or looks to buy a meal.

And I'm standing,
  before the teller,
       and I tell her,
to close my account.
There goes my religion;
well, the one that isn't
       west coast bound.

I've always lived this way;
watching people on t.v.
communicate how I feel.
Wanna be a slave,
with the screen as my
                      new shield.
 Apr 2017
Joshua Haines
This is a robbery
  of what makes you,
makes me.
This is my honey;
  I fit inside of you;
you-you-you-you.
  This is melting.

Our malls are fiends
  and our soccer fields
are growing stronger;
  our sports are growing
trophies our children
  could never be.

This is daddy's blood;
  our hero, our stud.
Working hard to
  help the factory.
This is poverty.
This is you and me --
               a robbery
we love to applaud.

This is blood, blood,
            blood.
This is you and
         this is me.
 Feb 2017
Joshua Haines
I go back to Hampshire
to pretend I have old friends.
I drive around the mountains
to look for an end
to the violence
that's been breeding inside.
I've been a god ******,
god ******, god ******.

There's a dying wild
surrounding this town;
a girl limping with her mother,
holding ****** hounds.

You can consume it,
the blurred out dreams,
that these rubber-lovers
hung in Christmas trees.

There's a sense regret
amongst the ****** chic;
a romantic degeneracy
not lost on the teens.
Push in the fate,
to let something out.
I'm such a god ******,
god ******, god ******.

And I blot the ******
remnants of the past,
fire a cheap cigarette
and cut myself on the glass
of the car I drove into
the bank of your dreams.

To get out, to get out,
I've become such a ******* fool.
To get out, to get out,
I've hurt everyone that thought I was cool.
 Feb 2017
Joshua Haines
Dragging a baseball bat through the alley,
old-fashioned stain, auto-signed by some
body that used to inspire, you know how it goes

And, of course, it's raining a type of
slippery sludge that gets on and under
regenerating skin, born today, dead today
forever and ever a boulder pushing life

It all stings, oh god, it will accurately burn
the way that a forgotten face trips into smoke
before the mind's wandering, hazardous dare
Then, before it was ever known, you break
into the breeze, a tryst of truth, floating

Where he stands is so close to where the
bat meets the flesh, bursting under babble
Swinging with the explosion of repressed
rage, stolen memories summoned into a
frenzy of freedom and self-imprisonment

Violent before the new world,
breathing into a rumored hollow carcass
 May 2016
Joshua Haines
The boulders are freckled along the bank,
sleeping on lime-skin grass, grey and tired.
Fading black canvas shoes
attach to smooth, firm sides,
climbing a planet not as hard as ours.

From the distance, a spinning speck is seen.
With binoculars cupped around each eye,
you can see her twirl in the old, pink thing;
in the mirrors of light, you can see her beauty,
even if she has been blind her entire life.

You can see her rest her shoulder on a boulder,
gasps trying to grasp galloping breath --
and in between each choke, you must wonder
if you co-exist in this world
or separately, infinitely.

When you are drunk on the altitude,
it's time to step down and walk to sea-level.
Scurrying down thrown-up mountainside,
you should try not to trip on nature
or your own nature.
 Apr 2016
Joshua Haines
Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

I.

He says Call me Mr. G.
G for Gore, Greed, that Green.
An atypical stoner
with hair wetter than his mouth.
With more ******* than a pound,
he says, With an understanding of
all the suffering in the global delusion
that is the Earth. Mr. G, his name.

Oily brunette, Mr. G., would smoke
Marlboro Green Blend -- menthol --
and spit shot out between stained lips
after each extracurricular exhale.
The saliva would land, tremendously,
and puddles of Rasta shooting stars
would lay, stretching across concrete galaxy.

Hazel eyes invaded and shamed him,
for he wished to be green, like life,
but only envisioned a contradiction:
death (see nature),
for which he learned to embrace, stoically,
like a shepherd of an endangered breed
meant to die among skewed perspective.

II.

This house could be mistaken
for a cinderblock purgatory;
between color and absence of,
eternal and temporary.

A raptor laughter purged the tension --
he abided by no accommodation of civility.
As smoke followed his hyena howl,
the landline lay suddenly of purpose.

Resin raided the clunky, black buttons;
a voice was whispered like a blue phantom:
*******' cheese, pineapple, pepperoni
-- no, extra ******' cheese, extra pep --
Sure, add some more pep with your driver:
he, she -- honestly, man -- they better have
pep-in-their-******-step-you-feel?

Minutes passed like sentient matchbooks
dropping towards a skeletal fire.
G threw the phone across the room
and, like a disenchanted drunk dance,
his words wobbled over each other,
I ordered a 'za, a pizza for the layman.
About thirty, probably thirty-one
minutes, that is.

Passing me the flower-stitched ****,
I ****** in one, maybe two, three,
blasts that I swore
had some sort of nano-insects
bite and burrow into the holes
of my sponge for a throat.

Wringing my rubbery neck,
watching my words leave my toothy cave,
I found out that G doesn't believe in beer.
Believes in souls but not beer,
believes in green men, not beer.

Alcoholic splash is what we all need,
at times. So I told him the obvious,
I'm going to get a case of
(Insert your ****** choice)
and I'll be back as soon as possible.

G stared at me and made a guttural noise,
Do whatcha please, I'll stay here and
protect us from vampires.
You know, blood-suckas.

Pale stoner vampires.


III.

The leather painted door was wide open
like the legs of ominous spider cave,
but the doors of a car
I had never seen before
were as closed as the lips of a VCR.
There's nothing but silence in these situations --
is this one of those situations? Grassy knoll?

Approaching the mouth of purgatory,
I entered with the hesitancy of a lost dog.
On the plastic covered couch,
two people sat atop the invisible cloud
above the patterned fabric
and above the fingers of time.

Blonde hair sprouted from her scalp,
raining down upon vanilla shoulder blades,
her chest a harbor for two pale, freshly mounds,
with crooked, beige diamonds in the center.

She trembled when G said, Meet Steph
-- can I call you Steph, Steph? --
Meet Steph, the artist formerly known as
Stephanie, holding up her licence,
Vanmeter, of 441 1/2 Locust Ave.

That's creepy, huh, Steph? Locust Ave?
Are you something that lives in the ground,
comes up every several years, making noise?
Has this been years in the making?
Are you bound to make noise in my house?

You know this is a house, right?
Whatsa matter, unfamiliar due to ya
living-in-the-*******-ground
or is it because you share a house,
an apartment, Steph? Is it one of those?
Pizza deliveries ain't paying the bills?

G gets up, I, a coward, approaching him
about to say -- Hold up, brother, he says.
Not another move, pulling his hand from
behind her shaking, confused head,
a silver cannon an extension of his arm.

She's here to **** our blood,
She's here to ****. our. blood.
Whether she means to or not,
I know you don't think you want to, Steph,
I know you don't mean to,
But you're here to
drain-us-like-the-Red-Cross.

I tell G that she isn't,
What have you done, G,
You need to let her go
before this gets worse.
That cliche dialogue.
Because these things always do,
cliche or not.

Brother, you don't understand these things
-- It's impossible for a godless man
to understand the mechanisms
of something bigger, something holy --
but you need to listen, G said, You need to --
she tried to move, quickly,
but G grabbed her by her blonde strands,
pulled her back towards the couch,
She swiped at his eye, drawing blood.

There was a pause, a deathly silence,
by the hair, she was rendered motionless,
Oh, no, he echoed, Love, you shouldn't,
You ought not do those things.
Looking at me, he asked me to listen,
Always remember this wasn't your fault.
Sometimes, you can't be in control

Holstering her neck with his gun hand,
G picked her up, slamming her,
head first,
into the drug covered,
resin sprinkled
coffee table.

He dropped on top of her,
Looked at me, Remember, okay?
and beat her head with the **** of the gun,
until the cracking of a larger M&M; shell
muffled towards all eardrums,
maybe even hers.

With blood,
that could be mistaken as war paint,
swimming across his jaw and neck,
and sprinkled on his forehead,
G whispered, You are free,
and I was never sure
who he was talking about.

My feet left before I did,
I was suddenly in my car
with only the ignition
and G's voice registering.
I passed car after car,
pastel metal wagon after
metallic matte creation,
not sure if I ever saw him,
not sure if he ever existed,
if I ever existed.

IV.

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

Waking up in a cavern darkness,
my dreams disintegrate from my eyes,
swirl in my headspace, evaporating to
heaven knows where.

Scattered pitter-patter
drowns midnight Seattle,
killing and washing away
cluttered, modern filth,
******* carnivorous minds
into hungrier gutters.

This is the part
where the screen of my life reveals:
SIX MONTHS LATER,
in yellow, stenciled letters.
But what it wouldn't say is
how I still feel like I'm dipped
in the ink of Ithaca, NY.

If this were the indulgent
autobiography of my life
it wouldn't say that
the distance doesn't matter,
because that'd be a lie;
I feel like I have only escaped myself.

The rain swells, sounding as
thick as blood, swishing around
the veins of the city.

Stephanie dies every night,
disappearing and reappearing
behind secret doors only she can open.

When she comes to me in sleep,
she is baptized in green, head caved,
Forget-Me-Nots sprouting
between fragmented skull
and select spots of brain soil,
the flowers singing jazz
with a different voice, every time.

One time she spoke.
With blueberry lips that belly cold,
she sounds like my mother:
I am so proud of you, she statically says.
You saved me. Remember.

V.

To be continued.
Half of "Godless". Any feedback, good or bad, is appreciated.
 Dec 2015
Joshua Haines
My breath is barbed;
skeletal strings shift into smoke,
drifting into the shadows
as the darkness will choke.

Pearl snow stuffs my skull;
my grandmother in an earthern womb,
sleeps under it all.
A tombstone the last thing we bought--
a report card of her life:
She is with Him in Heaven, In Paradise...
With Him, Without Pain--
is speculation but turns into thought.

The icy steps do not deter me
as I sit on the crooked concrete spine;
speaking to her, hoping the snow
does not make her cold, any more,
'I can stay a while longer...
I do not have to go home, yet.'

-

Eco-friendly light spills from under the door,
forming a pool as yellow as diseased skin.
The brass doorknob is like a girl I once loved:
******* the outside, hollow in the inside,
unable to be moved and okay with it.
Fury from a faucet fills the bathtub
and rings my ears with its intent:
to fill a void and go away when cold.

She lays in the water
the city treats better than us,
wading in a wealth of watermelon wash;
her body flushed from fading flesh,
pores swim and stretch around
cursive carvings, kissing cursed curves--
and I sit upon a bone-white curb,
stirring my finger in the soup of her day;
watching the drain ****, wondering
if she'll, too, drift away.
 Nov 2015
Joshua Haines
Ashland is a small town
on a small planet, in an
ever expanding universe.
The people here are bitter
and so is their spit, from
full-flavored cigarettes
and diluted kisses spun
from the lips of significant
others, that didn't listen to their
mothers, and married because of
irresponsible reasons, like personality,
respect, love, and other, 'Jesus, **** me
the **** now, so help me.'

Abstract thought is dangerous--
to the mind it's cancerous.
Alone and thinking about
melancholy shaped memories or
kisses that would echo through
your lungs, stomach, ******* soul.
Don't do it. Don't you invite the devil,
killing yourself is so concrete, it must
mean more than a concrete floor,
hovering above a rumored hell and a
definite uncertainty so delicate that it
eats into you with its sensitive meandering
disguised as beauty but, really, a violent,
violent, murderous host, hoax, fake but
eating your superficiality, programmed by
someone else, telling you it's you.

Ashland is a small town,
aren't we all a small town, inwardly.
 Nov 2015
Joshua Haines
At first I did love you,
but then the rain caught up.
Always thinking of you,
laying dormant on your crest.
To drink until you blurred,
until as velvet as the mist.

When I grow up, I'll be cool.
Smoke until my lungs float.
Drink until my body's a pool.
Think of people with three felonies,
singing the same penitiary melodies.
Think of girls that said no,
love that diminishes
while a fetus grows.

I'll think of my dad growing up
under a different circumstance.
Think if my mom could hear,
she'd probably like to dance.
Think of my grandpa and my brother,
one isolating, one with too much love--
I wish it'd smother
me, under a Christmas tree,
whispering, 'I wish I could give more,
but all I have is me.'

At first I did love you,
but the frame spills metal guts.
Always thinking of you,
the way your eyes, wide shut.
To think of a turn,
I watched it blur,
the glass shattered.
The paramedics mimicked me,
lifting me up,
'What's the matter?'

When I grow up, I'll be dope.
Find a nice blond and maybe elope.
Shake into her what was stirred into me,
and tell her not to mistake it for chemistry.
And bleed no more, so she doesn't believe,
that there used to be a weaker me,
but it's hard to control a certain circumstance--
like, what if my mom wished to dance?
 Oct 2015
Joshua Haines
Chocolate colored Toms, Cool Blue and Navy, too,
North Face jacket, give me some individuality
I wanna feel ethereal; violently, annoyingly
happy. But the sky is as black as lonely cancer
without a soul mate; I know what it's like
to kiss as you erase her.

Hauntingly, melancholic instances ingrained
into my gelatin mind and
stayed.
And the smolder
from the brand on my shoulder
frayed.
I wish I could alter my reflection,
but the mirror I've bought,
somebody else
made.
South Shore
 Oct 2015
Joshua Haines
I have swallowed so much of other's blood that I have forgotten that I have bled, too.
With the world shuffling past,
I have became transfixed with the movements of my idols,
forgetting that my feet have left footprints that have, will, and always be buried under the sedimentary memories that I waited to smother me.

Sometimes I can feel my body buckle under the weight of all the dreams I've dared to dreamt.

Under the moon and on top of the world,
I understand that I am inbetween and will always be.
Ashland, Wisconsin
 Oct 2015
Joshua Haines
The sky, black as the eyes that stare at it.
Star-studded and as seamless as new programming.
I look down, the streets molested by fluorescent splotches --
red ribbons of memory evaporate from the lights of motorcycles,
gurgling by.

A homeless, pregnant woman, in a bar, once told me,
"Forgiveness is letting a prisoner free, then finding out that you were the prisoner."

The sunset looks like an explosion of emotions
no one understands, yet.

The smudges on her lips
look like the bruises of an orphan apple.
Ashland, Wisconsin
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