You crystal ballroom, all windows and walls, sewing light like seed over everything you touch.
Glass eyed stare, hands growing like they're getting away with something.
Everything you love is a trick of the light.
Everything it touches feels just like you.
Hiding heads under street-lamps like sin is some sort of choice we make, like growing is something to be done in silence.
They say that people in glasshouses shouldn't throw pebbles, but how can you expect to let people in if you can't even get out?

My grandmother looks straight though me, thoughts locked in, hands clamped around her bag of dead friends like holding them tight enough could bring them back. 
She tells me how full of life I am. I want to tell her how we all carry echoes around in our pockets but I don't think she'd understand.

And I just want to call you. Hand you everything I have like:
'Here's the dirt from under my nails. Call it apology. I hope it finally makes something grow'
'Here's that poem I never finished. Here's to hallelujah. Here's to all your leaving'
'Here's my storm cloud. Here's my salt spray.  Here's my window all dusted and bruised. I don't know how else to tell you that I have loved you in all four seasons'.

Everything you love will one day become sandstorm, cliff face, the blunt edge of a knife.
One day it won't be you holding the match.

Everything you love will turn back to dust
Everything you love will turn back to light

In 2005 The Piano Man was found wandering the streets of Sheerness in a soaking wet suit and tie
he didn't say a word.
When presented with pad and pen he simply drew a grand piano.
His nurses sat him in front of a beat up old upright
he played for four hours straight;
for four months his hands were the only things to break his silence.

Alexandre Dumas said "man will never be perfect until he learns to create and destroy."
Do you ever think about how Beethoven hacked the legs off his piano so he could feel the sounds he couldn't hear in his head, through his chest?
And Van Gogh heard the sounds his paintings made but kept going until his sanity
was just a memory floating on a distant river under a tired Milky Way.
And you see, like a Gaelic folk song blindness runs red through my family,
so I know it's not much but I'm here, still trying to mould my hands to say the right form of 'I love you'.

And did you know that the human heart beats over 30 million times a year, but we still have a hard time keeping our feet on the ground?
And did you know that the act of breaking in a horse is actually the act of breaking it's back?
Like we can't sit without sitting on broken things.
And did you know that every time a mobile phone sends out a GPS signal a bee loses it's way home, and every bee that doesn't reach it's hive dies?

So on nights when your pulse matches the beat of my favourite song
you don't have to wonder if it's me matching the syncopation of your silence --
and I wonder if you ever found what you were looking for.
And I wonder if you realise that on days you're not here I roll up my sleeves,
count the beats without you,
sit on the backseat and miss you.
And somewhere The Piano Man rolls up his sleeves
creates the Big Bang under his fingertips.
And in 2005 on an April morning in Sheerness, a suited piano man walks straight into the ocean,
begs the current to take him.

I send you a message
a bee loses it's way home.
I send you another
another bee dies.
My chest cavity is a bumble bee crypt,
my tongue a honeyed graveyard.

Another message.
The Big Bang.
The hive.
A suit.
That ocean.
Another back is broken.
Another message is sent.
I fear I am more honeycomb than heart.

To create is to destroy. To destroy is to succeed.
And would you just look at what these piano hands have finally done.

October, you are made of dust and I am a gun.
I killed men once.
When I lifted her veil I felt all of their features melt into one.
I smiled, it was all your storm in me.

October, you are a briefcase. You are six months long.
Tonight, there are tigers reaching out over my head
and I am your god out dancing on his weekend, say,
would you look at all your glass, bursting at the seams?
Would you ask him if I ever got there? Would you tell me why I keep pulling your explosive from my chest like a name label? Would you explain how metal peels as easy as skin with the right amount of madness?

October, I am no more than your casualties.
I am every sadness they ever said you would be.
Silver hands. I can carry these men but I cannot hold them up.

Mother, I thought I saw you standing there but it was just a bullet trail in the darkness.
I am buried in all of your letters, imprinting the both of us on the backbones of these papers;
they tell me I've become all the keys you sent.

October, you are a ballroom with all that break break break and I am falling but I haven't even left the ground yet.
When I rain down on you remember me, like the first sunset you ever wrapped yourself up in, and when they say
that I was never a stronghold, show them all the letters I tried to write you but never sent,
tell them about how the flesh ripped from my bones and left me a relic,
ask them if they can hear me breathing over all that storm.

October, you are confetti leaves falling under tyres on your wedding day,
and I can't be the light that catches them, I can't tell you that this world will wait long enough for you.
So tonight I am burning my name like it's the last thing I'll ever have.
And when they bring us home in our body bags,
remember that the choices we made were the choices we wanted to make.

October, you are a dust storm, and all your colour's left in me

In our house I am sin, and you are a window.
In our bedroom I am the rest of the house, I am a countdown from five and you are the lights which turn off, you are a rooftop, you are glowing haze on a nearly distant horizon.
In this house I cannot breathe you in anymore. Our bed is made from your sheet lightning.
In our room, under the bed, there are three square, white boxes.
In the first there is a small wooden elephant.
In the second there is a blank sheet of paper, folded in two.
The third is empty.
In this room I am alone. In this house I am sin. I don't think I'm here.

I filled your veins with water and wrote you down on white paper so I didn't have to read you back anymore. Girl's got a suicide pact across the pacific and all I can do is taste the dust.
2. There is a certainty in the way your body moves out time with itself when you think too much.
3. You told me you wanted to be a saint but you were too afraid of the sight of god. When you asked what belief tasted of they told you: fresh buttercream and a wasp's sting. We didn't see you for days.
4. There is a certain tension and it only exists between the bends of girl's legs and the concrete which holds them stronger than any arms could.
5. I want to run every cliche by you and watch you hold hands into the night with it instead of me.
6. Some people can be replicated entirely out of candle wax.
7. WHY DO YOU HAVE TO BE SO ******* SELF AWARE ALL THE TIME. You can't even watch yourself.
8. You know you're a halfway house of cells and who are you to say I can't keep up?
9. Say would you tell me if I was just a little off key?
9. Would you tell me the answers to the questions I never asked?
9. Would you play that evening differently if you could turn back the hands that bind you?
10. I burnt you a bridge and sent you the fire like we could ever fill a room with your god. I want to ask him what he thinks of our sins.
11. There is a fluidity in the way your words turn back on themselves.
11. There is a fluidity in the way you turn back on yourself.
11. There is a fluidity in the way people leave doors open for you.
12. I don't think I'd even know what to say to you if I saw you.
13. I only feel comfortable on even numbers.
13. I guess I made myself an odd number.
13. I don't know what we're left with.
13. This is not how we were supposed to end up.
14. I wish you could see the holes you left in the back of my throat.
15. Loving you was as easy as leaving the lights on.
16. And that walk to your parents house was a floodlit symphony like you capitalised every word of every passage I wrote about you with
17 reasons to stay.
And 18 to leave.

The first was the last time I shook like a guard rail and you were a concrete staircase, and I swear, I ain't never seen nothing like you yet.
The second: my fist on your name. But I am here now, like a lit splint bursting into flames, you won't ever find a ghost like me again babe.
The third. And you just want to **** everything. I said you just want to **** everything in your Berlin Wall house.
Your girl's got a bullet hole for a mouth and when it rains, it really does pour round here.

How easy do you forget what you left there?
When you stream those chemical trails do you think about the girls you tried to write down but couldn't?
I wonder if you find the pieces I left you under bottom drawers and do you sign yourself away next to my names when the door's locked and I'm the only thing left sitting, watching the window for traces of you?
Did I mark you like you did me?
I left my favourite things for you on the off chance
that you will still taste me when you remember pouring sugar into my tea
on Tuesday nights, or white Sunday 4pms.
I haven't breathed as deep as the day I left you.
I want to tell you how I don't wait up for you anymore,
don't listen for Greek around every corner anymore.
There are parts of us stuck beneath the floorboards, the walls wait with baited breath,
and this skin is so volatile I have to walk through myself just to remind me I'm here.
I breathe you out.
Maybe you are still seeing, me seeing you,
in your head.

You're breaking on your camera hand. Haven't got a leg to stand on.
You tell me
you're making me a colour with your shorthand.
Dropping parts of your mind behind you and I can't pick them up, I can't follow you round anymore.
Kid, you're shaking on the stage again
explain that you can't write this down anymore
and that everything inside your head is a storm.
And I just can't tell you.
I don't have the guts to tell you
that I still smell him on my hair on days when I don't think about you now.
But I can't tell you what I'm thinking
like how you're so wrapped up in your own broken strings that you're not getting me right anymore.
You're not getting me right anymore.

These things I lost down in my chest:
how you made this body your chalkboard fourteen days before we even spoke,
and I don't know what you're leaving with. I can't find the words to leave you with.
Tornado hands. Texas lungs. How this world made you a storyline.
You're an underage drunk on a school night.
Stop dropping yourself I can't hold you up anymore.
This is not a hold up.
This is you forgetting to ask about yourself.
Here are all the letters I never sent you
take them out of me, stop making me write you down I can't write you down anymore please scratch yourself out.

You once asked me if I felt it when you woke up in the middle of the night across all those miles, I told you:
you're a church bell in a hurricane
stuck under all the folded over pages I left you with, and I'm leaving you on a Sunday,
just like all those characters you left sawn off.
And I just want to ask you how many times I have to break myself apart before I piece back whole, and I realise
that we've got nothing left going for us anymore.
Your chipped teeth under my tongue telling me "stop apologising for yourself,"
ripping the keys off a typewriter just take everything I've got.

You can have my apologies love.
You can have my best friend sitting on the tracks.
You can take me whole, take me home.
You're a boarded window, nothing disclosed,
"get away from me".
Candlelight through the gaps on a Saturday night in December.
We're home alone again.
Home alone again.