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 Dec 2010 Chrissy
E. E. Cummings
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body.  i like what it does,
i like its hows.  i like to feel the spine
of your body and its bones,and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the,shocking fuzz
of your electric furr,and what-is-it comes
over parting flesh….And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new
 Jun 2010 Chrissy
JJ Hutton
I'd like to think that she's thinking:

"How far have I fallen?"

As she sits on the corner of her bed,

Listening to the soft buzz of his battery-powered toothbrush.

I imagine her,

Running her fingers through her clumsy, coagulated hair.

Glancing at her chipped, crimson toe nails,

Then looking to her class ring,

Made entirely of imitation ingredients,

Wondering when is the proper time to trash it.


When she was still a friend of mine,

I never saw her wear make up,

I never saw her show off in tight jeans

or low-cut tees.


But as he spews the toothpaste into the sink,

Skinny jeans lay tussled on the floor,

Next to the side door

that leads to his sister's side room.

The make up she wears

is from the night before.

It's skewed and shows evidence of running,

Like a wasted watercolor.


I'd like to think he isn't that handsome,

And that he's obsessed with Paul Walker.

I'd like to think when he re-enters the room,

He's in grey sweatpants,

He's wearing a black tank top,

With a Confederate flag backdrop,

With two barely dressed babes looking ******

in the foreground.


His hair, unwashed and greasy.

He rubs his belly,

And bears an idiot grin

on his face.

Looking like he just learned how to smile

at this pace.

"Did it feel good?"

feel good.

After he asks, he scans her body,

Beginning at those crimson toes,

And Ending at that clumsy hair.

Every second he scans,

He still wears that drawn-on

Idiot grin.


I'd like to think at this point she thinks of me.

Of my warnings and prophesy.

Her eyes start at the chipped toe nails,

Course over her tanning bed-inspired legs.

And finally reach the only thing she has on,

A t-shirt that belongs to his sister.

A t-shirt, when given by him,

It was mentioned, "thanks, mister".


Though she didn't satisfy all his redneck intentions,

During last night's expedition.

He still paid her back with a morning

one-sided session.

"It felt good" she says.

In reference to the ten minute *******,

When her body was strummed and plucked,

Underneath his sister's Terri Clark T-shirt.


As she sits in the filth and the ****** fallout,

On a bed that is six days *****,

While he is grinning,

Being everything but wordy.

I'd like to think she's thinking:

"How far have I fallen?"
Copyright 2009 by Joshua J. Hutton
some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;
there'll always be mony and ****** and drunkards
down to the last bomb,
but as God said,
crossing his legs,
I see where I have made plenty of poets
but not so very much
poetry.

— The End —