with an Apple Macintosh
you can't run Radio Shack programs
in its disc drive.
nor can a Commodore 64
drive read a file
you have created on an
IBM Personal Computer.
both Kaypro and Osborne computers use
the CP/M operating system
but can't read each other's
for they format (write
on) discs in different
the Tandy 2000 runs MS-DOS but
can't use most programs produced for
the IBM Personal Computer
bits and bytes are
but the wind still blows over
and in the Spring
the turkey buzzard struts and
flounces before his
at the track today,
each paid admission was
entitled to a wallet
and each contained a
most of the men seemed
between 30 and 55,
going to fat,
many of them in walking
they had gone stale in
in fact, damn it, they
aren't even worth writing
why am I doing
these don't even
deserve a death bed,
these little walking
only there are so
in the urinals,
in the food lines,
they have managed to
in a most limited
but when you see
so many of them
there and not there,
waiting for a thunder
that will not arrive,
waiting for the charging
white horse of
waiting for the lovely
female that is not
waiting to WIN,
waiting for the great
but they do nothing,
they clomp in their
gnaw at hot dogs
gulping at the
they complain about
blame the jocks,
the parking lot is
jammed with their
the jocks mount
again for another
the men press
toward the betting
fathers and non-fathers
Monday is waiting
this is the last
and the horses are
it is shocking how
at that time,
at that place,
their life shines
I decide to stay for
from Transit magazine, 1994
shot in the eye
shot in the brain
shot in the ass
shot like a flower in the dance
amazing how death wins hands down
amazing how much credence is given to idiot forms of life
amazing how laughter has been drowned out
amazing how viciousness is such a constant
I must soon declare my own war on their war
I must hold to my last piece of ground
I must protect the small space I have made that has allowed me life
my life not their death
my death not their death...
the phone rang at 1:30 a.m.
and it was a man from Denver:
"Chinaski, you got a following in
"yeah, I got a magazine and I want some
poems from you..."
"FUCK YOU, CHINASKI!" I heard a voice
in the background...
"I see you have a friend,"
"yeah," he answered, "now, I want
"CHINASKI SUCKS! CHINASKI'S A PRICK!"
I heard the other
"you fellows been drinking?"
"so what?" he answered. "you drink."
"CHINASKI'S AN ASSHOLE!"
the editor of the magazine gave me the
address and I copied it down on the back
of an envelope.
"send us some poems now..."
"I'll see what I can do..."
"CHINASKI WRITES SHIT!"
"goodbye," I said.
"goodbye," said the
I hung up.
there are certainly any number of lonely
people without much to do with
George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag.
"George, I left that son of a bitch, I couldn't stand that son of a bitch
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled.
"I took his damn money too. I took his damn money and split while he was at work.
You don't know how I've suffered with that son of a bitch." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her over and kissed her.
"You son of a bitch," she said, "I missed you."
"I miss those good legs of yours , Connie. I've really missed those good
"You still like 'em?"
"I get hot just looking."
"I could never make it with a college guy," said Connie. "They're too
soft, they're milktoast. And he kept his house clean. George , it was like having a maid.
He did it all. The place was spotless. You could eat beef stew right off the crapper. He
was antisceptic, that's what he was."
"Drink up, you'll feel better."
"And he couldn't make love."
"You mean he couldn't get it up?"
"Oh he got it up, he got it up all the time. But he didn't know how to make a
woman happy, you know. He didn't know what to do. All that money, all that education, he
"I wish I had a college education."
"You don't need one. You have everything you need, George."
"I'm just a flunkey. All the shit jobs."
"I said you have everything you need, George. You know how to make a woman
"Yes. And you know what else? His mother came around! His mother! Two or three
times a week. And she'd sit there looking at me, pretending to like me but all the time
she was treating me like I was a whore. Like I was a big bad whore stealing her son away
from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my pussy, Walter!' And he wouldn't look at my pussy. He said, 'I
don't want to look at that thing.' That thing! That's what he called it! You're not afraid
of my pussy, are you, George?"
"It's never bit me yet." "But you've bit it, you've nibbled it, haven't
"I suppose I have."
"And you've licked it , sucked it?"
"I suppose so."
"You know damn well, George, what you've done."
"How much money did you get?"
"Six hundred dollars."
"I don't like people who rob other people, Connie."
"That's why you're a fucking dishwasher. You're honest. But he's such an ass,
George. And he can afford the money, and I've earned it... him and his mother and his
love, his mother-love, his clean l;ittle wash bowls and toilets and disposal bags and
breath chasers and after shave lotions and his little hard-ons and his precious
love-making. All for himself, you understand, all for himself! You know what a woman
"Thanks for the whiskey, Connie. Lemme have another cigarette."
George filled them up again. "I missed your legs, Connie. I've really missed those
legs. I like the way you wear those high heels. They drive me crazy. These modern women
don't know what they're missing. The high heel shapes the calf, the thigh, the ass; it
puts rythm into the walk. It really turns me on!"
"You talk like a poet, George. Sometimes you talk like that. You are one hell of a
"You know what I'd really like to do?"
"I'd like to whip you with my belt on the legs, the ass, the thighs. I'd like to
make you quiver and cry and then when you're quivering and crying I'd slam it into you
"I don't want that, George. You've never talked like that to me before. You've
always done right with me."
"Pull your dress up higher."
"Pull your dress up higher, I want to see more of your legs."
"You like my legs, don't you, George?"
"Let the light shine on them!"
Constance hiked her dress.
"God christ shit," said George.
"You like my legs?"
"I love your legs!" Then george reached across the bed and slapped Constance
hard across the face. Her cigarette flipped out of her mouth.
"what'd you do that for?"
"You fucked Walter! You fucked Walter!"
"So what the hell?"
"So pull your dress up higher!"
"Do what I say!" George slapped again, harder. Constance hiked her skirt.
"Just up to the panties!" shouted George. "I don't quite want to see the
"Christ, george, what's gone wrong with you?"
"You fucked Walter!"
"George, I swear, you've gone crazy. I want to leave. Let me out of here,
"Don't move or I'll kill you!"
"You'd kill me?"
"I swear it!" George got up and poured himself a shot of straight whiskey,
drank it, and sat down next to Constance. He took the cigarette and held it against her
wrist. She screamed. HE held it there, firmly, then pulled it away.
"I'm a man , baby, understand that?"
"I know you're a man , George."
"Here, look at my muscles!" george sat up and flexed both of his arms.
"Beautiful, eh ,baby? Look at that muscle! Feel it! Feel it!"
Constance felt one of the arms, then the other.
"Yes, you have a beautiful body, George."
"I'm a man. I'm a dishwasher but I'm a man, a real man."
"I know it, George." "I'm not the milkshit you left."
"I know it."
"And I can sing, too. You ought to hear my voice."
Constance sat there. George began to sing. He sang "Old man River." Then he
sang "Nobody knows the trouble I've seen." He sang "The St. Louis
Blues." He sasng "God Bless America," stopping several times and laughing.
Then he sat down next to Constance. He said, "Connie, you have beautiful legs."
He asked for another cigarette. He smoked it, drank two more drinks, then put his head
down on Connie's legs, against the stockings, in her lap, and he said, "Connie, I
guess I'm no good, I guess I'm crazy, I'm sorry I hit you, I'm sorry I burned you with
Constance sat there. She ran her fingers through George's hair, stroking him, soothing
him. Soon he was asleep. She waited a while longer. Then she lifted his head and placed it
on the pillow, lifted his legs and straightened them out on the bed. She stood up, walked
to the fifth, poured a jolt of good whiskey in to her glass, added a touch of water and
drank it sown. She walked to the trailer door, pulled it open, stepped out, closed it. She
walked through the backyard, opened the fence gate, walked up the alley under the one
o'clock moon. The sky was clear of clouds. The same skyful of clouds was up there. She got
out on the boulevard and walked east and reached the entrance of The Blue Mirror. She
walked in, and there was Walter sitting alone and drunk at the end of the bar. She walked
up and sat down next to him. "Missed me, baby?" she asked. Walter looked up. He
recognized her. He didn't answer. He looked at the bartender and the bartender walked
toward them They all knew eachother.
there's nothing like being young
living in a roominghouse and
pretending to be a
while other men are occupied
with their professions and
there's nothing like being
listening to Brahms,
your belly sucked-in,
nary an ounce of
stretched out on the bed
in the dark,
smoking a rolled
and working on the
last bottle of
the sheets of your
writing strewn across the
you have walked on and across
your masterpieces, and
they'll be read in
gnawed at by the
Brahms is the only
friend you have,
the only friend you
him and the wine
as you realize that
you will never
be a citizen of the
and if you
live to be very
you still will never
be a citizen of the
the wine and
Brahms mix well as
you watch the
move across the
soon you'll sleep
it was on the 2nd floor on Coronado Street
I used to get drunk
and throw the radio through the window
while it was playing, and, of course,
it would break the glass in the window
and the radio would sit there on the roof
and I'd tell my woman,
"Ah, what a marvelous radio!"
the next morning I'd take the window
off the hinges
and carry it down the street
to the glass man
who would put in another pane.
I kept throwing that radio through the window
each time I got drunk
and it would sit there on the roof
a magic radio
a radio with guts,
and each morning I'd take the window
back to the glass man.
I don't remember how it ended exactly
though I do remember
we finally moved out.
there was a woman downstairs who worked in
the garden in her bathing suit,
she really dug with that trowel
and she put her behind up in the air
and I used to sit in the window
and watch the sun shine all over that thing
while the music played.
when Whitman wrote, "I sing the body electric"
I know what he
I know what he
to be completely alive every moment
in spite of the inevitable.
we can't cheat death but we can make it
work so hard
that when it does take
it will have known a victory just as
I should not have blamed only my father, but,
he was the first to introduce me to
raw and stupid hatred.
he was really best at it: anything and everything made him
mad-things of the slightest consequence brought his hatred quickly
to the surface
and I seemed to be the main source of his
I did not fear him
but his rages made me ill at heart
for he was most of my world then
and it was a world of horror but I should not have blamed only
for when I left that... home... I found his counterparts
everywhere: my father was only a small part of the
whole, though he was the best at hatred
I was ever to meet.
but others were very good at it too: some of the
foremen, some of the street bums, some of the women
I was to live with,
most of the women, were gifted at
hating-blaming my voice, my actions, my presence
for what they, in retrospect, had failed
I was simply the target of their discontent
and in some real sense
they blamed me
for not being able to rouse them
out of a failed past; what they didn't consider was
that I had my troubles too-most of them caused by
simply living with them.
I am a dolt of a man, easily made happy or even
stupidly happy almost without cause
and left alone I am mostly content.
but I've lived so often and so long with this hatred
my only freedom, my only peace is when I am away from
them, when I am anywhere else, no matter where-
some fat old waitress bringing me a cup of coffee
is in comparison
like a fresh wild wind blowing.
"--you know, I've either had a family, a job, something
has always been in the
I've sold my house, I've found this
place, a large studio, you should see the space and
for the first time in my life I'm going to have a place and
the time to
no baby, if you're going to create
you're going to create whether you work
16 hours a day in a coal mine
you're going to create in a small room with 3 children
while you're on
you're going to create with part of your mind and your
you're going to create blind
you're going to create with a cat crawling up your
the whole city trembles in earthquakes, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and don't create anything
except maybe a longer life to find
the only things I remember about
New York City
in the summer
are the fire escapes
and how the people go
out on the fire escapes
in the evening
when the sun is setting
on the other side
of the buildings
and some stretch out
and sleep there
while others sit quietly
where it's cool.
and on many
of the window sills
sit pots of geraniums or
planters filled with red
and the half-dressed people
on the fire escapes
and there are
this is really
something to see rather
than to talk about.
it's like a great colorful
and surprising painting
not hanging anywhere
the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
and nobody finds the
crawling in and out
the bone and the
for more than
there's no chance
we are all trapped
by a singular
nobody ever finds
the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill
I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it' all right,
go ahead, enter their lives, I' not jealous
because we' never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame -- not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD. we know God is dead, they' told
us, but listening to you I wasn' sure. maybe
it was the upper case. you were one of the
best female poets and I told the publishers,
editors, " her, print her, she' mad but she'
magic. there' no lie in her fire." I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of. I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didn' happen. your letters got sadder.
your lovers betrayed you. kid, I wrote back, all
lovers betray. it didn' help. you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you. I wrote back but never
heard again. a friend wrote me of your suicide
3 or 4 months after it happened. if I had met you
I would probably have been unfair to you or you
to me. it was best like this.
having the low down blues and going
into a restraunt to eat.
you sit at a table.
the waitress smiles at you.
she's dumpy. her ass is too big.
she radiates kindess and symphaty.
live with her 3 months and a man would no real agony.
o.k., you'll tip her 15 percent.
you order a turkey sandwich and a
the man at the table across from you
has watery blue eyes and
a head like an elephant.
at a table further down are 3 men
with very tiny heads
and long necks
they talk loudly of land development.
why, you think, did I ever come
in here when I have the low-down
then the the waitress comes back eith the sandwich
and she asks you if there will be anything
snd you tell her, no no, this will be
then somebody behind you laughs.
it's a cork laugh filled with sand and
you begin eating the sandwhich.
it's a minor, difficult,
like composing a popular song
to make a 14-year old
you order another beer.
jesus,look at that guy
his hands hang down almost to his knees and he's
well, time to get out.
pivk up the bill.
go to the register.
pick up a toothpick.
go out the door.
your car is still there.
and there are 3 men with heads
like ostriches all getting into one
they each have a toothpick and now
they are talking about women.
they drive away first
they drive away fast.
they're best i guess.
it's an unberably hot day.
there's a first-stage smog alert.
all the birds and plants are dead
you start the engine.
washed-up, on shore, the old yellow notebook
I write from the bed
as I did last
will see the doctor,
"yes, doctor, weak legs, vertigo, head-
aches and my back
"are you drinking?" he will ask.
"are you getting your
I think that I am just ill
with life, the same stale yet
even at the track
I watch the horses run by
and it seems
I leave early after buying tickets on the
"taking off?" asks the motel
"yes, it's boring,"
I tell him.
"If you think it's boring
out there," he tells me, "you oughta be
so here I am
propped up against my pillows
just an old guy
just an old writer
with a yellow
walking across the
oh, it's just
as the poems go into the thousands you
realize that you've created very
it comes down to the rain, the sunlight,
the traffic, the nights and the days of the
years, the faces.
leaving this will be easier than living
it, typing one more line now as
a man plays a piano through the radio,
the best writers have said very
and the worst,
far too much.
from ONTHEBUS - 1992
To give life you must take life,
and as our grief falls flat and hollow
upon the billion-blooded sea
I pass upon serious inward-breaking shoals rimmed
with white-legged, white-bellied rotting creatures
lengthily dead and rioting against surrounding scenes.
Dear child, I only did to you what the sparrow
did to you; I am old when it is fashionable to be
young; I cry when it is fashionable to laugh.
I hated you when it would have taken less courage
I say to my woman, "Jeffers was
a great poet. think of a title
like Be Angry At The Sun. don't you
realize how great that is?
"you like that negative stuff." she
"positively," I agree, finishing my
drink and pouring another.
"in one of Jeffers' poems, not the sun poem,
this woman fucks a stallion because her
husband is such a gross spirit. and it's
believable. then the husband goes out
to kill the stallion and the stallion
"I never heard of Jeffers," she
"you never heard of Big Sur? Jeffers
made Big Sur famous just like D. H. Lawrence
made Taos famous. when a
great writer writes about where he
lives the mob comes in and takes
"well you write about San Pedro," she
"yeah," I say, "and have you read the
papers lately? they are going to construct
a marina here, one of the largest in the
world, millions and billions of dollars,
there is going to be a huge shopping
center, yachts and condominiums every-
"and to think," my woman says smiling, "that you've only
lived here for three years!"
"I still think," I say,
changing the subject,
"you ought to read Jeffers."
we are always asked
to understand the other person's
no matter how
one is asked
their total error
especially if they are
but age is the total of
they have aged
because they have
out of focus,
they have refused to
not their fault?
I am asked to hide
for fear of their
age is no crime
but the shame
of a deliberately
among so many
I don't know how many bottles of beer
I have consumed while waiting for things
to get better
I dont know how much wine and whisky
I have consumed after
splits with women-
waiting for the phone to ring
waiting for the sound of footsteps,
and the phone to ring
waiting for the sounds of footsteps,
and the phone never rings
until much later
and the footsteps never arrive
until much later
when my stomach is coming up
out of my mouth
they arrive as fresh as spring flowers:
"what the hell have you done to yourself?
it will be 3 days before you can fuck me!"
the female is durable
she lives seven and one half years longer
than the male, and she drinks very little beer
because she knows its bad for the figure.
while we are going mad
they are out
dancing and laughing
with horney cowboys.
well, there's beer
sacks and sacks of empty beer bottles
and when you pick one up
the bottle fall through the wet bottom
of the paper sack
spilling gray wet ash
and stale beer,
or the sacks fall over at 4 a.m.
in the morning
making the only sound in your life.
rivers and seas of beer
the radio singing love songs
as the phone remains silent
and the walls stand
straight up and down
and beer is all there is.
drunk on the dark streets of some city,
it's night, you're lost, where's your
you enter a bar to find yourself,
order scotch and water.
damned bar's sloppy wet, it soaks
part of one of your shirt
It's a clip joint-the scotch is weak.
you order a bottle of beer.
Madame Death walks up to you
wearing a dress.
she sits down, you buy her a
beer, she stinks of swamps, presses
a leg against you.
the bar tender sneers.
you've got him worried, he doesn't
know if you're a cop, a killer, a
madman or an
you ask for a vodka.
you pour the vodka into the top of
the beer bottle.
It's one a.m. In a dead cow world.
you ask her how much for head,
drink everything down, it tastes
like machine oil.
you leave Madame Death there,
you leave the sneering bartender
you have remembered where
your room is.
the room with the full bottle of
wine on the dresser.
the room with the dance of the
Perfection in the Star Turd
where love died
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going
to let anybody see
there's a bluebird in my heart that
wants to get out
but I pur whiskey on him and inhale
and the whores and the bartenders
and the grocery clerks
never know that
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
stay down, do you want to mess
you want to screw up the
you want to blow my book sales in
there's a bluebird in my heart that
wants to get out
but I'm too clever, I only let him out
at night sometimes
when everybody's asleep.
I say, I know that you're there,
so don't be
then I put him back,
but he's singing a little
in there, I haven't quite let him
and we sleep together like
and it's nice enough to
make a man
weep, but I don't
the other day we were in a
bookstore in the mall
and my woman said, "look, there's
"I don't know him," I said.
"we had dinner with him
not too long ago," she said.
"all right," I said, "let's get
out of here."
Bob was a clerk in the store
and his back was to us.
my woman yelled, "hello, Bob!"
Bob turned and smiled, waved.
my woman waved back.
I nodded at Bob, a very
delicate blushing fellow.
(Bob, that is.)
outside my woman asked, "don't you remember him?"
"he came over with Ella. re- member Ella?"
my woman remembers everything.
I don't understand it, although
I suppose it's polite
to remember names and faces
I just can't do it
I don't want to carry all those
Bobs and Ellas and Jacks and Marions
and Darlenes around in my mind. eating and
drinking with them is difficult en- ough.
to attempt to recall them at will
is an affront to my well-
that they remember me is
he got drunk and went to sleep
in his bed
and the fire started
and he layed in there
until a friend in the next room
and ran in
and tried to pull him out of the fire
by his arms
and the skin rolled right off the arms
and he had to grab again
near the bone,
and he got him out and up
and the guy started screaming
and running blind,
he hit some walls
finally made 2 doorways
and with half a dozen men trying
to hold him
he broke free
and ran into the yard
he ran right into some barbed wire
and tangled in the barbed wire
and they had to go up
and get him loose
from the wire
he lived for 3 nights and 3
drinking and smoking
are bad for the
the cockroach crouched
against the tile
while I was pissing and as
I turned my head
he hauled his butt
into a crack.
I got the can and sprayed
and sprayed and sprayed
and finally the roach came out
and gave me a very dirty look.
then he fell down into
the bathtub and I watched
with a subtle pleasure
because I paid rent
and he didn't.
I picked him up with
some greenblue toilet
paper and flushed him
away. that's all there
was to that, except
around Hollywood and
Western we have to
keep doing it.
they say some day that
tribe is going to
inherit the earth
but we're going to
make them wait a
waiting for death
like a cat
that will jump on the
I am so very sorry for
she will see this
shake it once, then
it's not my death that
worries me, it's my wife
left with this
I want to
let her know
that all the nights
even the useless
and the hard
I ever feared to
can now be
I even hear the mountains
the way they laugh
up and down their blue sides
and down in the water
the fish cry
and the water
is their tears.
I listen to the water
on nights I drink away
and the sadness becomes so great
I hear it in my clock
it becomes knobs upon my dresser
it becomes paper on the floor
it becomes a shoehorn
a laundry ticket
climbing a chapel of dark vines. . .
it matters little
very little love is not so bad
or very little life
is waiting on walls
I was born for this
I was born to hustle roses down the avenues of the dead.
it doesn't always happen
and when it does
if he's bad
there's more chance
he'll stay that way,
or if he's good
he might hang
but a woman
the absence or
presence of sun
or good times.
a woman must be nursed
where a man can become
by being hated.
I am drinking tonight in Spangler's Bar
and I remember the cows
I once painted in Art class
and they looked good
they looked better than anything
in here. I am drinking in Spangler's Bar
wondering which to love and which
to hate, but the rules are gone:
I love and hate only
they stand outside me
like an orange dropped from the table
and rolling away; it's what I've got to
kill myself or
which is the treason?
where's the information
books...like broken glass:
I wouldn't wipe my ass with 'em
yet, it's getting
(we drink here and speak to
each other and
buy the cow with the biggest
buy the cow with the biggest
the bartender slides me a beer
it runs down the bar
like an Olympic sprinter
and the pair of pliers that is my hand
stops it, lifts it,
golden piss of dull temptation,
I drink and
the weather bad for cows
but my brush is ready
to stroke up
the green grass straw eye
sadness takes me all over
and I drink the beer straight down
order a shot
to give me the guts and the love to
from "poems written before jumping out of an 8 story window" - 1966
the final curtain on one of the longest running
musicals ever, some people claim to have
seen it over one hundred times.
I saw it on the tv news, that final curtain:
flowers, cheers, tears, a thunderous
I have not seen this particular musical
but I know if I had that I wouldn't have
been able to bear it, it would have
trust me on this, the world and its
peoples and its artful entertainment has
done very little for me, only to me.
still, let them enjoy one another, it will
keep them from my door
and for this, my own thunderous
from The Olympia Review - 1994
It's never quite right, he said, the way people look,
the way the music sounds, the way the words are
It's never quite right, he said, all the things we are
taught, all the loves we chase, all the deaths we
die, all the lives we live,
they are never quite right,
they are hardly close to right,
these lives we live
one after the other,
piled there as history,
the waste of the species,
the crushing of the light and the way,
it's not quite right,
it's hardly right at all
don't I know it? I
I walked away from the mirror.
it was morning, it was afternoon, it was
it was locked in place.
something flashed, something broke, something
I walked down the stairway and
death wants more death, and its webs are full:
I remember my father's garage, how child-like
I would brush the corpses of flies
from the windows they thought were escape-
their sticky, ugly, vibrant bodies
shouting like dumb crazy dogs against the glass
only to spin and flit
in that second larger than hell or heaven
onto the edge of the ledge,
and then the spider from his dank hole
nervous and exposed
the puff of body swelling
not really quite knowing,
and then knowing-
something sending it down its string,
the wet web,
toward the weak shield of buzzing,
a last desperate moving hair-leg
there against the glass
there alive in the sun,
spun in white;
and almost like love:
the closing over,
the first hushed spider-sucking:
filling its sack
upon this thing that lived;
crouching there upon its back
drawing its certain blood
as the world goes by outside
and my temples scream
and I hurl the broom against them:
the spider dull with spider-anger
still thinking of its prey
and waving an amazed broken leg;
the fly very still,
a dirty speck stranded to straw;
I shake the killer loose
and he walks lame and peeved
towards some dark corner
but I intercept his dawdling
his crawling like some broken hero,
and the straws smash his legs
above his head
looking for the enemy
and somewhat valiant,
dying without apparent pain
simply crawling backward
piece by piece
leaving nothing there
until at last the red gut sack
and I run child-like
with God's anger a step behind,
back to simple sunlight,
as the world goes by
with curled smile
if anyone else
saw or sensed my crime
naked along the side of the house,
8 a.m., spreading sesame seed oil
over my body, Jesus, have I come
I once battled in dark alleys for a
now I'm not laughing.
I splash myself with oil and wonder,
how many years do you want?
how many days?
my blood is soiled and a dark
angel sits in my brain.
things are made of something and
go to nothing.
I understand the fall of cities, of
a small plane passes overhead.
I look upward as if it made sense to
it's true, the sky has rotted:
it won't be long for any of
from The Olympia Review - 1994
there is always somebody or something
waiting for you,
something stronger, more intelligent,
more evil, more kind, more durable,
something bigger, something better,
something worse, something with
eyes like the tiger, jaws like the shark,
something crazier than crazy,
saner than sane,
there is always something or somebody
waiting for you
as you put on your shoes
or as you sleep
or as you empty a garbage can
or pet your cat
or brush your teeth
or celebrate a holiday
there is always somebody or something
waiting for you.
keep this fully in mind
so that when it happens
you will be as ready as possible.
meanwhile, a good day to
if you are still there.
I think that I am---
I just burnt my fingers on
against the wall, the firing squad ready.
then he got a reprieve.
suppose they had shot Dostoevsky?
before he wrote all that?
I suppose it wouldn't have
there are billions of people who have
never read him and never
but as a young man I know that he
got me through the factories,
past the whores,
lifted me high through the night
and put me down
in a better
even while in the bar
drinking with the other
I was glad they gave Dostoevsky a
it gave me one,
allowed me to look directly at those
in my world,
death pointing its finger,
I held fast,
an immaculate drunk
sharing the stinking dark with
I've come by, she says, to tell you
that this is it. I'm not kidding, it's
over. this is it.
I sit on the couch watching her arrange
her long red hair before my bedroom
she pulls her hair up and
piles it on top of her head-
she lets her eyes look at
then she drops her hair and
lets it fall down in front of her face.
we go to bed and I hold her
speechlessly from the back
my arm around her neck
I touch her wrists and hands
feel up to
she gets up.
this is it, she says,
this will do. well,
I get up and walk her
to the door
just as she leaves
I want you to buy me
some high-heeled shoes
with tall thin spikes,
black high-heeled shoes.
no, I want them
I watch her walk down the cement walk
under the trees
she walks all right and
as the pointsettas drip in the sun
I close the door.
some dogs who sleep ay night
must dream of bones
and I remember your bones
in that dark green dress
and those high-heeled bright
you always cursed when you drank,
your hair coimng down you
wanted to explode out of
what was holding you:
rotten memories of a
you finally got
leaving me with the
you've been dead
yet I remember you
better than any of
you were the only one
the futility of the
all the others were only
Jane, you were
knowing too much.
here's a drink
to your bones
some want it, I don't want it, I
want to do whatever it is I do
and just do it.
I don't want to look into the
shake the sweating
I think that whatever I do
is my business.
I do it because if I don't
I do it for myself
to save what is left of
and when I am
I refuse to accept
I don't want their
I may have half-a-
I don't care.
I write the word
how I have to
and, in the
when there were no
I wrote the word
as I needed to write the
and if all
the two million,
I will continue to
as I always have.
the reader is an
and any writer who
is a bigger fool than
you haven't lived
until you've been in a
with nothing but one
and 56 men
and some of those
and over it all
much like that
in the dark
and worst of
what has happened
and what has
225 days under grass
and you know more than i.
they have long taken your blood,
you are a dry stick in a basket.
is this how it works?
in this room
the hours of love
still make shadows,
when you left
you took almost
I kneel in the nights
that will not let me be.
what you were
will not happen again.
the tigers have found me
and I do not care.
I pick up the skirt,
I pick up the sparkling beads
this thing that moved once
and I call God a liar,
I say anything that moved
could never die
in the common verity of dying,
and I pick
up her lovely
all her loveliness gone,
and I speak to all the gods,
Jewish gods, Christ-gods,
chips of blinking things,
idols, pills, bread,
rats in the gravy of 2 gone quite mad
without a chance,
hummingbird knowledge, hummingbird chance,
I lean upon this,
I lean on all of this
and I know:
her dress upon my arm:
they will not
give her back to me.
don't feel sorry for me.
I am a competent,
satisfied human being.
be sorry for the others
and it will
beware of them:
one of their
key words is
and beware those who
instructions from their
for they have
failed completely to live their own
don't feel sorry for me
because I am alone
at the most terrible
I am a dog walking
I am a broken
I am a telephone wire
strung up in
I am a man
eating a meal
in the month of
put your sympathy
water held up
you better be
he drank wine all night of the
28th, and he kept thinking of her:
the way she walked and talked and loved
the way she told him things that seemed true
but were not, and he knew the color of each
of her dresses
and her shoes-he knew the stock and curve of
as well as the leg shaped by it.
and she was out again and whe he came home,and
she'd come back with that special stink again,
and she did
she came in at 3 a.m in the morning
filthy like a dung eating swine
he took out a butchers knife
and she screamed
backing into the roominghouse wall
still pretty somehow
in spite of love's reek
and he finished the glass of wine.
that yellow dress
and she screamed again.
and he took up the knife
and unhooked his belt
and tore away the cloth before her
and cut off his balls.
and carried them in his hands
and flushed them down the
and she kept screaming
as the room became red
GOD O GOD!
WHAT HAVE YOU DONE?
and he sat there holding 3 towels
between his legs
no caring now wether she lft or
wore yellow or green or
anything at all.
and one hand holding and one hand
lifting he poured
I can remember starving in a
small room in a strange city
shades pulled down, listening to
I was young I was so young it hurt like a knife
because there was no alternative except to hide as long
not in self-pity but with dismay at my limited chance:
trying to connect.
the old composers -- Mozart, Bach, Beethoven,
Brahms were the only ones who spoke to me and
they were dead.
finally, starved and beaten, I had to go into
the streets to be interviewed for low-paying and
by strange men behind desks
men without eyes men without faces
who would take away my hours
piss on them.
now I work for the editors the readers the
but still hang around and drink with
Mozart, Bach, Brahms and the
sometimes all we need to be able to continue alone
are the dead
rattling the walls
that close us in.
sometimes you climb out of bed in the morning and you think,
I'm not going to make it, but you laugh inside
remembering all the times you've felt that way, and
you walk to the bathroom, do your toilet, see that face
in the mirror, oh my oh my oh my, but you comb your hair anyway,
get into your street clothes, feed the cats, fetch the
newspaper of horror, place it on the coffee table, kiss your
wife goodbye, and then you are backing the car out into life itself,
like millions of others you enter the arena once more.
you are on the freeway threading through traffic now,
moving both towards something and towards nothing at all as you punch
the radio on and get Mozart, which is something, and you will somehow
get through the slow days and the busy days and the dull
days and the hateful days and the rare days, all both so delightful
and so disappointing because
we are all so alike and so different.
you find the turn-off, drive through the most dangerous
part of town, feel momentarily wonderful as Mozart works
his way into your brain and slides down along your bones and
out through your shoes.
it's been a tough fight worth fighting
as we all drive along
betting on another day.