Submit your work, meet writers and drop the ads. Become a member
 
Sep 2020 · 200
Soon, I'll Sleep Again
Carl Halling Sep 2020
Soon, I’ll sleep again,
And I will feel no pain,
For a little time,
Peace will be all mine,
My mind will seek
Freedom from the past,
And I’ll be carefree,
Although it will not last.
'Soon, I’ll Sleep Again' dates from early 2017, having begun life as a song which evolved by degrees into the versified piece featured below, which includes further revisions made in September 2010, and while it accurately reflects my state of mind at the time of its original creation, my mood ultimately lifted.
Carl Halling Aug 2020
I’m so sorry, my beloved old friend,
I didn’t even know you had gone,
That you had left us very suddenly,
Some twenty years ago last February,
Please forgive me, my beloved old friend,

For failing to see you more frequently,
For I might have provided some comforting,
Even lessened your terrible suffering,
But I only found out recently,
Please forgive me, my beloved old friend.
Written 2020.
Carl Halling Jul 2020
Time travel, baby,
Set me free,
Time travel got a hook in me,
Time travel, baby,
Set me free,
Time travel got a hook in me,

In disguise as a young man in the city,
But the bright young life
No longer belongs to me,
I ain’t no London dude,
I'm just a carbon copy,
Doing some travelling,

Time travel, baby
Set me free,
Time travel got a hook in me,
Time travel, baby,
Set me free,
Time travel got a hook in me,

Seeing places that I knew in ’77,
When I was young
And in love with London town,
Please don’t ask me
Where those fleeting years have flown to,
They’ve just gone travelling,

Time travel, baby,
Set me free,
Time travel got a hook in me,
Time travel, baby,
Set me free,
Time travel got a hook in me,

In disguise as a young man in the city,
But the bright young life
No longer belongs to me,
I’m a visitor
From a distant generation
Doing some travelling,

Time travel, baby,
Set me free,
Time travel got a hook in me,
Time travel, baby,
Set me free,
Time travel got a hook in me.
Completed 21 July 2020, with minor edits (22-24 July), but based on a song written ca. 1999.
Dec 2019 · 180
Seems You Found Love
Carl Halling Dec 2019
Oh, at long last
I’ve found you,
Only the news
Ain’t so good,
Seems you found love,
You seem happy,
And so fulfilled,
But did I think that
You’d be lonely
For all those years?
Oh, what was I
Looking for?
You tried so hard,
But I never thawed,
Seems you found love,
I’m so unhappy,
Cos I never knew
What I found and,
What I lost and,
How much I’d miss you.
Seems You Found Love was born of a sudden attack of heartache dating from around the 4th to the 6th of March 2019, and was subject to some editing some five months later to create the definitive version.
Jul 2019 · 252
So Secluded That I May Be
Carl Halling Jul 2019
Another me
There was another me
But not the better me,
But so carefree,

A better me,
That’s who I am today,
So secluded that I may be
A better me,

I brought
Happy go lucky joy,
To many,
You might say I was a golden boy,

A better me,
That’s who I am today,
So secluded that I may be,
A better me,

I can’t be the madcap
I used to be,
Simply,
I would not wish to be,

A better me,
That’s who I am today,
So secluded that I may be,
A better me.
'So Secluded That I May Be' was completed as an autobiographical song lyric on 10 December 2018.
Carl Halling Jul 2019
How my heart can ache for the lonely,
Then I’d like to comfort them all,
Hold them close
Until their sorrow goes,
This great big world
Can seem so cold,

O woe, some end up alone,
Forlorn souls
Longing for someone,
That’s all,
Someone to save them,
What’s more, someone to love them.
'What’s More, Someone to Love Them' was completed on the 15th of March 2019 as both a piece of verse and a song, having been worked on for some days previously, and inspired by various people who ended up alone, longing for someone.
Carl Halling Jul 2019
I do not understand
Why he sabotaged me so consummately,
And made me look like  
Such a pathetic old patsy,

Could he not discern the misery
He was shoring up by degrees,
Over the course of the years
For the self he would ultimately be?

It was perforce a former version of me,
Who led me to this place
Of near-incessant mourning,
A narcissistic anomaly,

Who never wanted the precious gifts
Of peace and domesticity,
The little ones that might have been,
He spirited them all away from me.
'This Place of Near-Incessant Mourning' is a recent work, fashioned from within ‘a place of near-incessant mourning’ as I described it, and yet as of 11 July 2019, the day a final draft was prepared, I feel no sense of mourning, so the term ‘near-incessant’ is not only no longer applicable, but - in the greater scheme of things - inaccurate.
Jul 2019 · 265
Source of the Utmost
Carl Halling Jul 2019
I betrayed myself
During my younger days,
And opened myself up to shame,
I betrayed myself
During my younger days,
Over and over again,

And there are times
That knowing what I did
Is too much for me to stand,
And there are times
That knowing what I did
Is a source of the utmost pain,

I betrayed myself
During my younger days,
Repeatedly wrecked my dreams,
I betrayed myself
During my younger days,
Over and over again.
'Source of the Utmost Pain' was completed to my satisfaction on 26 March 2019, although it would not receive its title until early the following July, by which time the authentic unhappiness that inspired its creation had mercifully retreated into the background of my day to day existence.
Carl Halling Jul 2019
Dear one, what did you say?
A dining hall, a distant day,
It seems it was time
For goodbye,
Speaking of my eyes,
‘They shine so bright’,
Words said (or words of this kind),

If this was true and that they did,
Because of feelings that I hid,
I must have longed
For you to stay,
But I didn’t beg you, ‘please don’t leave!’
I must have seemed so cavalier,
And something precious had to fade.
'Something Precious Had to Fade' was written in 2018 as a song of lingering regret for a romance lost several decades ago.
Carl Halling Jul 2019
Oh! With what unspeakable anguish
Do I regret the vocation
I came so close
And so oft to having
The sweet acclamation
That might have been mine.

Had I tried and failed,
That would scarcely concern me,
Yet, I squandered my resources
Time and time again,
And failed so unnecessarily,
That is what so torments me.

I only wish I could contemplate
More than a mere handful
Of past achievements with pride
And satisfaction,
But even this paltry compensation,
Remains stubbornly beyond me.

Oh! With what unspeakable anguish
Do I regret the vocation
I came so close
And so oft to having
The sweet acclamation
That might have been mine.
'Oh! With What Unspeakable Anguish' almost certainly dates from late May 2019, when it was conceived in a state of genuine anguish (as clearly evidenced by the piece’s title), related to my past; although this has since faded, so that I don’t feel it so intensely at the time of writing, viz., a little under two months after it assumed its final shape on the 16th.
Jun 2019 · 451
Memories Flow Back Too
Carl Halling Jun 2019
I go back, though
Sometimes it’s filled with pain,
I go back, ’cos
Nothing will be the same,
Precious places
I first knew,
When life and youth
And love were new,
I flow back, and
Memories flow back too.
'Memories Flow Back Too' began life as an idea for a song around about the decadal midpoint, only to be reworked both as a song and piece of verse some three years later in early 2018, with a final edit taking place on the 28th of June 2019.
Apr 2018 · 1.1k
I Have Let Love Pass Me By
Carl Halling Apr 2018
You told me that your name was Maria,
And that you came
From the Netherlands,
But you looked more like a Latina,
With flowing dark hair,
Perhaps a natural tan,

I was in love,
So much in love,
But I let love pass me by,
All through my life,
So much of my life,
I have let love pass me by.

You left me with a casual ‘I’ll see you’,
But I looked for you
All over London town,
It’s like that I was paralysed with fear,
I could have sworn
I saw you on the underground,

I was in love,
So much in love,
But I let love pass me by,
All through my life,
So much of my life,
I have let love pass me by.
'I Have Let Love Pass Me By' began life as a song, based on a melody I sketched out when I was 18, and with sketchy lyrics related to a lost love, while new lyrics were recently written as of April 2018, but still referring to the same incident of lost love that took place when I was 18.
Mar 2018 · 419
And Memories Flow Back Too
Carl Halling Mar 2018
I go back,
Though sometimes it’s filled with pain,
I go back,
‘cos nothing will be the same
Precious places
I first knew,
When life and youth,
And hope were new
I flow back,
And memories flow back too.
'And Memories Flow Back Too' started life as a song written in ca. 2017, and recorded in that year or the next.
Aug 2017 · 548
Mi Pueblito Perdito
Carl Halling Aug 2017
O how
Ruefully I pine
For mi pueblito perdido,
What I wouldn’t give,
To be young again,
And happy as I was back then.

Maria, full of peace,
Do you remember
Francis Albert softly keening
O Amor Em Paz,
And other songs by Jobim,
Happy as you were back then?

O for
That wide-eyed
Impression of yours,
Paquita (la de Murcia),
Of your beloved Mary Lyn,
Happy as you were back then.

O how
Ruefully I pine
For mi pueblito perdido,
What I wouldn’t give,
To be young again,
And happy as I was back then.
Spain, Happy, Sinatra, Murcia, Young
Jul 2017 · 727
Yes, I Regret
Carl Halling Jul 2017
Yes, I regret
The scornful dissipation
Of my salad days
When I was strong,

Believe me,
They didn’t last too long,
Believe me,
They didn’t last too long.

Yes, I regret
All that I squandered
O’er the course
Of about fifteen years,

Believe me,
I’ve cried quite a sea of tears,
Believe me,
I’ve cried quite a sea of tears,

Yes, I regret
If I e’er acted cavalierly
Towards any who sought to love me
With a trusting heart,

Believe me,
I’m not so proud of my past,
Believe me,
I’m not so proud of my past.
'Yes, I Regret' was written - and recorded as a song - in 2017, with new, autobiographical lyrics tacked onto a melody sketched out on piano when I was about 24.
Jul 2017 · 416
How Things Turn Out To Be
Carl Halling Jul 2017
When I was young,
I was so carefree,
At least that’s how
It seems to me,
Isn’t it strange,
How things turn out to be?

Full of hope,
Full of passionate dreams,
A thrilling new world
Lay right before me,
Isn’t it strange,
How things turn out to be?

Glass half full,
Then it’s half empty,
My mood can change
So very unpredictably,
Isn’t it strange,
How things turn out to be?
'How Things Turn Out to Be' is, as the lyrics make manifestly clear, a song from one of my episodic ‘glass half empty’ periods, this one dating from 2016.
Jul 2017 · 449
At a Long Lost Party
Carl Halling Jul 2017
I yearned for another,
Who wasn’t you,
But she wasn’t there,
Unlike you,
At a long lost party
In old Cambridge town.

Did I fall
Just a little for you,
While longing for another,
Who wasn’t you,
At a long lost party
In old Cambridge town.
While the preponderance of this piece was penned over the course of the evening of 3 June 2017, minor modifications took place on the 4th, almost certainly between 7 and 8.30 am, and then again on the 6th; while the 16th witnessed the removal of an entire verse to produce the definitive version.
Jul 2017 · 746
Soon, I'll Sleep Again
Carl Halling Jul 2017
Soon, I’ll sleep again,
I will feel no pain,

For a little time,
Peace will be all mine.

My mind will seek
Freedom from the past,

I’ll be carefree,
Although it will not last.

Soon, I’ll sleep again,
I will feel no pain.
'Soon, I’ll Sleep Again' dates from 2017, beginning life as a song which evolved by degrees into the versified piece featured below, and which accurately reflected my state of mind, even while my mood ultimately lifted.
Jun 2017 · 748
But A Love Now Long Gone
Carl Halling Jun 2017
One summer’s eve in Spain,
I fled through an open window,
Butterflies aflight
In the very pit of me,
And I tramped the streets,
My heart abrim
With such a love,
But a love now long gone.

With my final matches,
I forged a heart
At that maiden’s doorstep;
I was like a thief,
On that torrid night,
My heart abrim
With so much love,
But a love now long gone.

And what of the maiden in azure?
O! What an inferno raged
Within my soul for her,
But that love
Never bloomed beyond a dream,
My heart abrim
With such a love,
But a love now long gone.
'But a Love Now Long Gone' was written in late June 2017 as a translation of a song, originally penned in French around 2013, itself based on an earlier - autobiographical - song dating from when I was about 19.
Apr 2017 · 783
To Ease My Saudade
Carl Halling Apr 2017
How I try to count my blessings,
They do little to ease my saudade,
Look to the past
For some consolation,
But the past remains resistant,
O woe, where is hope?
I feel so old, and so alone…

Twenty years to destroy an existence,
Is all it took,
To steal my contentment,
Look to the past for a glimmer of peace,
To the past for a little release.
O woe, where is hope?
I feel so old, and so alone…

On one level, I feel so blessed,
Cleave to life with all my strength,
There’s so much to be thankful about,
‘Til I sink back into deepest night,
O woe, where is hope?
I feel so old, and so alone…
'To Ease My Saudade' was written a few days ago as a song lyric, and at the time it reflected how I felt; but as of today, 9 April 2017, I don't identify with it so strongly.
Carl Halling Jan 2017
I feel a deep, deep sorrow,
As life nears its final page,
The hardship that comes with age,
I simply can’t help but rage,

But somehow, there’s a special sorrow,
In tears cried for love long gone,
In remembrance, suffuséd with pain
Of my lost angel.

I feel a deep, deep sorrow,
In promise that’s unfulfilled,
In youth that has been misspent,
In a life with so much regret,

But somehow, there’s a special sorrow,
In tears cried for love long gone,
In remembrance, suffuséd with pain
Of my lost angel.

Angel, I remember you,
I’ve missed you for so long,
Angel, you belong
To memories,

Angel, when I think of you,
I hear sad romantic songs,
Songs that make me long
For yesterday.

I feel a deep, deep sorrow,
As life nears its final page,
The hardship that comes with age,
I simply can’t help but rage,

But somehow, there’s a special sorrow,
In tears cried for love long gone,
In remembrance, suffuséd with pain
Of my lost angel.
'In Remembrance of My Lost Angel' was written ca. 2016 as a lyric to a song, originally featuring different lyrics, and dating from towards the end of the millennium.
Jan 2017 · 486
Costa Calida Sun
Carl Halling Jan 2017
Costa Calida sun,
I hope we’re reunited,
Though I can’t say when,
I may see you again,

Costa Calida sun
Means memories romantic,
Of when that I was young,
Memories of Spain.
'Costa Calida Sun' was written specifically as a song in 2016.
Carl Halling Nov 2016
He had no insight into the mysteries
Of the gilded sports
Of the British social elite,
By the time he arrived at his beloved college,
Long, long ago in a long-forgotten England,

And in later years, when he looked back at his beloved college,
He'd insist if he possessed a single quality
That might be termed noble
He owed it to his education,
And not least the four years he spent there,

And there’d be times when certain pieces
Of quintessentially English pastoral music
Still had the power to evoke his strange and sudden flight,
While seeming to him to bespeak a passion
For the Arcadian soul of England that verged on the ecstatic,

And others when he’d dream of a day
He might return to the scene of his flight as if in atonement,
And commune with the soul of his beloved England,
With a passion verging on the ecstatic,
And then put the memory to rest for all time,

For he absconded once...just the once it was...
To avoid being chastised for something foolish he did,
And he finished up wandering, forlornly wandering,
His boots freshly caked with the purest English soil,
Long, long ago in a forgotten field in England.
'In a Forgotten Field in England' was distilled in late 2016 from an autobiographical piece entitled 'Leitmotifs from an English Pastorale', dating from several years earlier, and which will ultimately undergo a process of systematic marginalization, as I no longer identify with it to any degree.
Carl Halling Jul 2016
In every case, there is a sorrow
Attached to advancing age,
And the decline attendant upon it,
Decline physical, mental, emotional,
In every case, there is a sorrow.

But somehow, there is a special sorrow,
In the pathetic tears
Of an ageing man,
Looking back at the thousand plus follies
Of a stupidly misspent youth,

But somehow there is a special sorrow,
Attached to those who look back
With eyes filled with the tears
Of fathomless and torturous regret,
And of promise unfulfilled.
'In Every Case There Is a Sorrow' is a recent piece, patently inspired by one of those periodic bouts of, well, sorrow, to which I'm subject, but with which I am at present unable to identify.
Nov 2015 · 4.5k
How Sad True Sadness
Carl Halling Nov 2015
There was a sadness I revered
But never possessed,
Because there was youth
And hope to spare,

But as youth ebbs,
And hope recedes,
I know that sadness for real,
And how sad true sadness feels.
"How Sad True Sadness" is a short piece torn from me during a recent period of intense sorrow that lasted for a bout a week, but which has since passed, so that I no longer identify with the sentiments expressed.
Oct 2015 · 669
And If My Soul Is Crying
Carl Halling Oct 2015
It’s happening again,
Such unbearable pain,
And if my soul is crying
As my heart is breaking, then that’s fine…

I’ve let so many people down,
Lost so many beautiful opportunities
I feel so failed and forlorn,
But is that really such a tragedy?

Perhaps, rather,
It’s a positive thing,
Shouldn’t a true artist be suffering?
At least I’m feeling something…

It’s happening again,
Such unbearable pain,
And if my soul is crying
As my heart is breaking, then that’s fine…
For some time now I've been prone to spells of abyssal sorrow that come, remain for a week or less, and then pass; and I wrote this piece straight from the heart during one such recent spell, although I no longer identify with it.
Oct 2015 · 713
Sense of Me in the Past
Carl Halling Oct 2015
I was sad today;
Because you begged me
To think of your good points,
And I never told you any.

Rest assured there are many,
Very many, I would have liked
To have told you them
There and then.

I tell you so much about my past,
Quite a lot of which is conflictive,
As if several mes
Were struggling for supremacy.

Much of the time,
There was a pretty normal me;
Oh don't get me wrong,
I was always an attention-seeker,

But I really do genuinely struggle
To make sense,
I really do genuinely struggle
To make sense of me in the past.
"Sense of Me in the Past" originally emerged from what I think was an email sent to a friend, being ultimately turned into a piece of writing, which only emerged in definitive form today, which is to say, the 3rd of October 2015.
Carl Halling Sep 2015
One day I'd like to go
In search of my past,
Of all the memories
Of my youth.
I cry for all my souvenirs,
And I dream of a future,

Where I can atone
For all the follies
Of my existence,
And where I might
Contemplate my past
In peace at long last.
"My Past in Peace at Long Last" has been based on the portion, originally in French,  recently added to a song written in 2003, and which I translated not so long ago.
Carl Halling Sep 2015
Perhaps she lives
In our dreams alone,
She whose face is
Illumined
By the rays
Of the sun,
While the dansette plays
Some romantic melody,
O how I love
The one
Who lives in my perfect love.

It's so strange,
The morning comes,
And there are tears in my eyes;
My dream has disappeared,
Lost in the wind of time;
She who looked at me
With such tenderness,
While the dansette played
Some romantic melody
O how I love the one
Who lives in my perfect love.

Memories leave me in peace,
O my past,
Where did you flee,
My golden youth,
All squandered,
All gone,
My thoughts torment me,
Precious faith, please
Comfort me,
For what is my life
Without you.

Perhaps she lives
In our dreams alone,
She whose face is
Illumined
By the rays
Of the sun,
While the dansette plays
Some romantic melody,
O how I love
The one
Who lives in my perfect love.
"Who Lives in My Perfect Love" is a pretty accurate translation of a song I wrote - in French - when I was about 19, although verse three is a recent addition.
Sep 2015 · 594
That Infamous Myth
Carl Halling Sep 2015
I was once in thrall to the infamous myth
Of the artiste souffrant,

But I’ve come ultimately to see it
As the cruelest of delusions.

But could it not be said
That it’s still among us,

That malefic notion
That the artist is a spirit set apart,

For some special purpose
Of which pain is an essential component?
"That Infamous Myth" stems from a far longer piece; although it's long distanced itself from whatever roots it might once have had.
Carl Halling Sep 2015
There was a long vanished England
Of well-spoken presenters
Of the BBC Home Service,
Light Service, and Children’s Favourites,
Of coppers and tanners, and ten bob notes;
And jolly shopkeepers, and window cleaners.

I remember my cherished Wolf Cub pack,
How I loved those Wednesday evenings,
The games, the pomp and seriousness of the camps,
The different coloured scarves, sweaters and hair
During the mass meetings,
The solemnity of my enrolment,

Being helped up a tree by an older boy,
Baloo, or Kim, or someone,
To win my Athletics badge,
Winning my first star, my two year badge,
And my swimming badge
With its frog symbol, the kindness of the older boys.
"There Was a Long Vanished England" was created out of two previously versified pieces, the first verse being based on the beginnings of some kind of short story almost certainly drafted in the early 2000s, the second from another unfinished story, this one sketched out - or so I remember - when I was in my early 20s.
Sep 2015 · 754
I Let You Go
Carl Halling Sep 2015
What was I thinking,
I let you go,
I wasn't drinking, still
I let you go,
Where was my head at to
Let you go,
I can't accept that I just
Let you go.
                                                                    
I wish I could make
Amends,
So we could at least
Be friends,
I have no real
Reason why,
I let you
Say goodbye.
                                                                    
Did I confuse you when
I let you go,
Such a fool to have
Let you go,
You were so precious, still
I let you go,
Worth more than jewels, still
I let you go.
                                                                    
I wish we could
Start again,
I'd be quite
A different man,
I've learned quite a lot
Since then,
I know how
To keep a friend.
                                                                    
We could meet up in the
Centre of town,
And I'd explain my motivations,
About how I came
To let you down,
And all those other
Explanations,
And crazy complications.
                                                                    
I'm not asking for
Romance,
Just give me half
A chance,
I’ve come to have
A good, kind heart,
So how about
A brand new start.
                                                                    
What was I thinking,
I let you go,
I wasn't drinking, still
I let you go,
Where was my head at to
Let you go,
I can't accept that I just
Let you go.
"I Let You Go" was adapted from  a series of songs, some new, some reworkings of ancient tunes, recorded in 2003.
Sep 2015 · 637
Such a Short Space of Time
Carl Halling Sep 2015
I love, not just those
I knew back then,
But those
Who were young
Back then,
But who've since
Come to grief, who,
Having soared so high,
Found the
Consequent descent
Too dreadful to bear,
With my youth itself,
Which was only
Yesterday,
No, even less time,
A mere moment ago,
How could
Such a short space
Of time
Cause such devastation?
Such a Short Space of Time was based on a few pages of some kind of story or kindred piece of writing I briefly worked on sometime in the 1990s, perhaps 1995, or later, I can’t be sure.
Carl Halling Aug 2015
If I wasn’t sure
Of all the nostalgia
I’d endure,
I would wish to explore
Some of those moments again.

How your mummy, she knew mine,
They’d been friends
For a little time,
Like the time that you explained,
Your first name, it was Jane.

I really loved you, Jane,
Though you only gave me pain,
You were the girl
Who said hello the first,
But it only ended for the worse.

In our local swimming pool,
I swam so close to you,
Did you smirk
To your bob-haired friend,
Between the deep and shallow end?

So I just shyly slinked away,
Feeling such a fool that day,
Pet Clark reinforced
My bitter woe,
Singing "My Love" on the radio.

I really loved you, Jane,
Though you only gave me pain,
You were the girl
Who said hello the first,
But it only ended for the worse.
"The Girl Who Said Hello the First" existed in its original form as a song written when I was around 19 in memory of an early love of mine as I remembered it, an especially painful case of young or calf love suffered during swimming classes in West London, before being reworked in 2003, and then again in 2015.
Carl Halling Aug 2015
To see you in the morning,
Be with you in the evening,
To see you here
At every time of day,
Such a simple prayer,
To see you at every time of day.
                                                                    
To hold you when you're laughing,
Console you when you're crying,
Take care of you
At every time of day,
Such a simple prayer
To see you at every time of day.
                                                                    
So tell me why you push me away,
When I've sworn to be
Forever true,
When I've pledged
My pure and simple heart to you?
How can you be so cruel?
                                                                    
To see you in the morning,
Be with you in the evening,
To see you here
At every time of day,
Such a simple prayer,
To see you at every time of day.
"To See You at Every Time of Day" existed initially as a song lyric, penned in 2003.
Aug 2015 · 1.2k
Lovelorn in London Town
Carl Halling Aug 2015
From morn to friendless night,
He tramps the streets,
Just in case he might
Come across her, he's a tragic sight,
But he doesn’t care,
Love gives him might,
He haunts the cafes and the discos
And the bars, so lovelorn.
                                                              
He knows that he won't find her,
But he's got to keep on trying,
It gives some meaning
To his life,
It gives some substance
To his time,
It is his motive, and his project,
And his plan, so lovelorn.
                                                              
He only met her once,
But it changed his life,
And it changed his type,
And it changed his mind,
And he threw it all up,
As if he'd gone insane,
And he took to the streets,
And another man was born.
                                                              
They say love comes but once
For some, but when it does,
It's like a mighty
Atom bomb inside,
A disease that seizes
A gentle soul,
And if it comes for you,
You'd better try to hide.
                                                              
From morn to friendless night,
He tramps the streets
Just in case he might
Come across her, he's a tragic sight,
But he doesn't care,
Love gives him might,
He haunts the cafes and the discos
And the bars, so lovelorn.
"Lovelorn in London Town" existed initially as part of a series of songs written in 2003, although the music had already been written for a different set of lyrics.
Aug 2015 · 966
Like All the Moonstruck Do
Carl Halling Aug 2015
If I fell in love with you,
I would like to
Make my dreams come true,
You could fulfill all yours too,
So come on, honey,
Just one look will do,
I'll lose my heart to you,
Like all the moonstruck do.
                                                                    
We could go all round the world,
Just like other
Moonstruck boys and girls,
So come on, honey, don't be scared,
We are only young once,
Say the word,
I'll lose my heart to you,
Like all the moonstruck do.
                                                                    
Bali, Frisco, Rio, or wherever
You may choose,
The world's our oyster, honey,
There'll be no more bad news,
We could leave tomorrow,
I tell you we can't lose,
We will soon be
Saying bye bye to those blues.
                                                                    
If I fell in love with you,
I would like to
Make my dreams come true,
You could fulfill all yours too,
So come on, honey,
Just one look will do,
I'll lose my heart to you,
Like all the moonstruck do.
"Like All the Moonstruck Do", also known as "I’ll Lose My Heart To You", was written as part of a series of songs, in 2003.
Aug 2015 · 870
I Think the World of She
Carl Halling Aug 2015
She's precious as can be,
She means so much to me,
So much to me.
She spells generosity,
And she's always been
A friend in need.
Been so many years
Since that we
First met in our heyday,
So young and so free,
Sun-soaked days,
No tears, no cares,
Back in our heady heyday,
What I'm trying to say,
Is I think the world of she.

She's tender as can be,
Her kindness is for real,
So real for me,
She sends her warmth to me,
Like gentle poetry
That I can feel.
Been so many years
Since that we
First met in our heyday,
So young and so free,
Sun-soaked days,
No tears, no cares,
Back in our heady heyday,
What I'm trying to say,
Is I think the world of she.
"I Think the World of She" first saw the light of day in the shape of a song composed for a close friend in what I believe to have been 2002; perhaps '01.
Aug 2015 · 1.7k
In Puerto Rican Skies
Carl Halling Aug 2015
Kind faces smiling,
Nodding politely at words
They don’t seem to understand.
Show me pictures
Showing the richness of
A faraway distant land.
Multicoloured motor cars,
Brown apartments rising high
In Puerto Rican skies.
"In Puerto Rican Skies" was based on a song I wrote at 18 years old, and hasn't changed a whole lot since.
Aug 2015 · 2.5k
Strange Coldness Perplexing
Carl Halling Aug 2015
the catholic nurse
all sensitive
caring noticing
everything
what can she think
of my hot/cold torment

always near blowing it
living in the fast lane
so friendly kind
the girls
dewy eyed
wanda abandoned me
bolton is in my hands

and yet my coldness
hurts
the more emotional
they stay
trying to find a reason
for my ice-like suspicion
fish eyes
coldly indifferent eyes
suspect everything that moves

socialising just to be loud
compensate for cold
lack of essential trust
warmth
i love them
despite myself
my desire to love
is unconscious and gigantesque

i never know
when i'm going to miss someone
strange coldness perplexing
i've got to work to get devotion
but once i get it
i really get people on my side
there are my people
who can survive
my shark-like coldness
and there are those
who want something
more personal
i can be very devoted to those
who can stay the course

my soul is aching
for an impartial love of people
i'm at war with myself.
"Strange Coldness Perplexing" was forged using notes scrawled onto seven sides of an ancient now coverless notebook, possibly late at night following an evening's carousal, and in a state of serene intoxication. The original notes were based on experiences I underwent while serving as a teacher in a highly successful central London school of English, which I did between what I believe to have been the spring, or summer, of '88 and the summer of 1990.
Aug 2015 · 1.0k
See That the Summer's Come
Carl Halling Aug 2015
Babe, where's your smile,
Don't be a melancholy child,
Can't you see
That the summer's come?
                                                                    
Stuck in your room
With your winter curtains drawn,
While the suburbs
Are all bathed in sun.
                                                                    
No more winter time lows,
Only joy now because
We can shake off the blues,
Love, there's no time to lose.
                                                                    
We can go for a cruise
Down the Thames
Or down the Ouse,
Or just snooze under summer's sun,
                                                                    
Find a village green,
Watch some cricket,
Take some tea, as you please,
Summer's made for fun.
                                                                    
Get some sweet summer air,
Feel the breeze in your hair,
Forget that sad old affair,
He's not worth all the tears.
                                                                    
Babe, where's your smile,
Don't be a melancholy child,
Can't you see
That the summer's come?
See That the Summer’s Come was adapted from a song, part of a series of songs, some new, some reworkings of ancient tunes, recorded in 2003.
Aug 2015 · 1.2k
Toilers of the Sea
Carl Halling Aug 2015
Come away with me
To toil upon the sea,
Come away and see
How sweet sea life can be,
I'll sing Bonnie Dundee
Off the coast of
Old Guernsey, you and me
As toilers of the sea, as toilers of the sea.
                                                                    
Help me put that wrecked
Romance away from me,
Help me understand
How it was lost at sea,
It wasn't destined to be,
She belonged to another not me,
What’ll be will be,
For toilers of the sea, for toilers of the sea.
                                                                    
I can stand it if you're
There with me,
For the solitary life at sea
Is enough to make you
Sea crazy,
With the whales
And gulls for company,
For toilers of the sea, for toilers of the sea.
                                                                    
We can ponder on
The ocean's mysteries,
I'll unveil a few of
My old sea stories,
You'll see how kind a tar can be,
I promise you'll be safe with me,
When we're out at sea
As toilers of the sea, as toilers of the sea.
"Toilers of the Sea" initially existed as a song, written in 2003, and has changed little since having done so, although the third verse was originally a - shorter - middle 8.
Carl Halling Aug 2015
I seldom indulge in letter writing
Because I consider it
To be a cold and illusory
Means of communication.
I will only send someone a letter
If I'm certain it's going to serve
A definite functional purpose,
Such as that which I'm
Scrupulously concocting at present
Indisputably does.
It's not that I incline
Towards excessive premeditation;
Its rather that I have to subject
My thoughts and emotions
To quasi-military discipline,
As pandemonium is the sole alternative.
I'm the compensatory man par excellence.
                                                              
Deliberation, in my case,
Is a means to an end,
But scarcely by any means,
An end in itself.
This letter possesses not one,
But two, designs.
On one hand, its aim is edification.
Besides that, I plan to include it
In the literary project upon which
I'm presently engaged,
With your permission of course.
Contrary to what you have suspected
In the past,
I never intend to trivialise intimacy
By distilling it into art.
On the contrary, I seek
To apotheosise the same.
                                                              
You see...I lack the necessary
Emotional vitality to do justice
To people and events
That are precious to me;
I am forced, therefore,
To at a later date call
On emotive reserves
Contained within my unconscious
In order to transform
The aforesaid into literary monuments.
You once said that my feelings
Had been interred under six feet
Of lifeless abstractions;
As true as this might be,
The abstractions in question
Come from without
Rather than within me:
                                                              
My youthful spontaneity
Many mistrustfully identified
With self-satisfied inconsiderateness
(A standard case of fallacious reasoning),
And I was consequently
The frequent victim
Of somewhat draconic cerebrations.
I tremble now
In the face of hyperconsciousness.
I've manufactured a mentality,
Riddled with deliberation,
Cankerous with irony;
Still, in its fragility,
Not to say, artificiality,
It can, with supreme facility,
Be wrenched aside to expose
The touch-paper tenderness within.
                                                              
With characteristic extremism,
I've taken ratiocination
To its very limits,
But I've acquainted myself with,
Nay, embraced my antagonist
Only in order to more effectively throttle him.
Being a survivor of the protracted passage
Through the morass of nihilism,
Found deep within
"the hell of my inner being,"
I am more than qualified to say this:
There is no way out
Of the prison of ceaseless sophistry.
There are many things I have left to say,
But I shall only have begun to exist in earnest
When these are far behind me,
In fact, so far as to be all but imperceptible.
                                                              
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was ****** upon me.
Everything I ever dreaded being, I've become
Everything I ever desired to be, I've become.
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was ****** upon me.  
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I'm the compensatory man par excellence.
"The Compensatory Man Par Excellence" possessed some kind of autobiographical novel written around 1987, and whose ultimate fate was, so I recall, to be destroyed with only a handful of scraps remaining, as its starting point.
Aug 2015 · 1.7k
All the Rivers of Tears
Carl Halling Aug 2015
I feel at one with sweethearts
Through the years,
With the wartime lovers
Who went overseas,
All the shattered hearts,
All the rivers of tears,
I feel them all.

Verses of love,
Lovers who must part,
Portraits of love
Worn so very close to the heart,
All the lovers lost,
Loves that never even start,
I feel them all.
"All the Rivers of Tears" was originally part of the coda of a song written in ca. 1999.
Carl Halling Aug 2015
Dear, I haven't been in touch
For a long time.
Sorry.
The last time I saw you
Was in St. Christopher's Place.
It was a lovely evening...
When I knocked that chair over.
I am sorry.
Since then,
I've had not a few accidents
Of that kind.
                                                              
Just three days ago,
I slipped out in a garden
At a friend's house...
And keeled over, not once,
Not twice, but three times,
Like a log...clonking my nut
So violently that people heard me
In the sitting room.
What's more,
I can't remember a single sentence
Spoken all evening. The problem is...
"Incident in St. Christopher’s Place" is also known as "A Letter Unsent", because it was based precisely on that, a letter, written to a close friend, almost certainly in the early 1990s, but never sent.
Aug 2015 · 731
Left Me Once Again
Carl Halling Aug 2015
Love, you've left me once again,
Gone to catch an early plane,
Where you gonna fly this time,
In search of the perfect clime?

I am the one you leave behind,
Worried out of my tiny mind,
I was the one who saw you through,
I need your care and loving too.

Love, you've left the happy home,
You've pledged your solemn word you'll phone,
But I would rather you were here,
You've no conception of my fear.

Halfway across a crazy world,
Is no place for such an unknowing child,
If only you could see me cry,
Then maybe you'd stop to wonder why.
"Left Me Once Again" was written as a song in 2003, but never recorded, having been inspired by the true life adventures of a beautiful young English backpacker of the mid 2000s.
Aug 2015 · 484
Under Blue Berkshire Skies
Carl Halling Aug 2015
Stevie, we were free,
Stevie, you and me,
On that golden day,
Was it '68?
The decade's last few days,
The whole wild world was crazed,
But where we were was peace,
For you and me at least.
                                                                    
If I stop for a moment,
I dream groves and country paths,
Green's Albatross is playing
In this our past,
Whole empires were falling,
The old ways were fading fast,
Things never last,
But you and I found peace at last.

We weren't friends for long,
Things began so strong,
We were far from home,
Together less alone,
We drifted far apart,
We grew up oh so fast,
We had so far to fall,
Four years took their toll.
                                                                    
We walked and talked
For many hours,
Safe under blue Berkshire skies.
"Under Blue Berkshire Skies", also known as "Stevie B and Me" was originally written as a song in praise of a friendship enjoyed several decades before.
Carl Halling Aug 2015
And so the party...Zoë
Called me...I listened
To her problems;
References
To my innocent face.
Linda said:
"Sally seems elusive
But is in fact,
Accessible;
You're the opposite -
You give to everyone
But are incapable
Of giving in particular."

Madeleine was comparing me
To June Miller;
Descriptions by Nin:
"She does not dare
To be herself..."
Everything I'd always
Wanted to be, I now am.
"...She lives
On the reflections
Of herself in the eyes
Of others...
There is no June
To grasp and know."

I kept getting up to dance
Sally said: "I'm afraid;
You're inscrutable;
You're not just
Blasé
Are you?"
I spoke
Of the spells of calm,
And the hysterical
Reactions,
Psychic exhaustion,
Then anxious elation.
"I Spoke of the Spells of Calm", also known as "Gallant Festivities" was based on a series of informal diary notes dating from 1981 to '83.
Aug 2015 · 770
Your Beautiful Lethal Life
Carl Halling Aug 2015
Shooting star
With a quicksilver mind,
You deserve to go so far,
Can't someone stop you
Before you ruin your soul
With irreversible harm?
                                                                    
Drinking all day,  
Every single day,
Out of your head on *****,
Is this the life,  
Is this the way,
A gifted child should choose?
                                                                    
Your beautiful lethal life
My friend,
Has sent you around the bend,
Your foolish defiant
Decadent dance
Could soon be at an end.
                                                                    
But you don't care
Do you, shooting star?
As you drift in your blissful dream.
"Your Beautiful Lethal Life" was partly inspired by lyrics freshly written for the song a friend, who’d already written his own, around 1992.
Aug 2015 · 3.2k
Some Sad Dark Secret
Carl Halling Aug 2015
"Temper your enthusiasm,"
She said,
"The extremes of your reactions;
You should have
A more conventional frame
On which to hang
Your unconventionality."
"Don't push people,"
She said,
"You make yourself vulnerable."

She told me not to rhapsodise,
That it would be difficult,
Impossible, perhaps,
For me to harness my dynamism.
The tone of my work,
She said,
Is often a little dubious.
She said
She thought
That there was something wrong.

That I'm hiding
Some sad
Dark secret from the world.
"Temper your enthusiasm,"
She said,
"The extremes of your reactions;
You should have
A more conventional frame
On which to hang
Your unconventionality."
Some Sad Dark Secret was inspired by words once spoken to me by a former tutor and mentor of mine at university in London in around 1982 or '83, as well as my own reflections on them from the same era.
Next page