We used to sit in your parent's basement
with your two dogs on their little beds
in the corner by the old desktop computer,
wooden hand-me-down grandmother cabinetry,
lace doilies underneath all the candles
on the coffee table. I made you turn out the lights.
We would sit there and pretend
that we could find something better to do
than kiss between commercials
or talk about all the things we used
to dream about in high school, how I
got mine and how yours were like
the back bumper of a car that got left
out in the rain too long-- a little rusty.

Your kissing was a little rusty,
but I let it go because you didn't make fun
of me ordering a double grilled cheese
on our first date. You also didn't judge
when I got drips on my dress
from my ice cream cone. I can still
remember the way you'd yell at me
for stopping too far out at intersections,
laughing how I was gonna get us killed
one day, but I think
you just really loved to hear me sing
over you. I think you really loved

me, and here I was playing teeter
totter on curbs in little jean shorts
with a guy who gave me a slice
of leftover pizza. Here I was, burning
down your own ambitions because
they didn't seem as glittery as my own,
because you didn't quite match all the sketches,
all the plans I had on my map. Because
if we were to draw straws I always thought
you would come up a little short.
I think you really loved me and I left you
like a penny in between that couch
we used to sit on.

We ate chicken sandwiches, mine
no bun, at a table with an 80's
geometric design on top of two silver
metal legs with our legs
intertwined. I tried
to draw a comic on the wrapper,
but you kept making me laugh
by reenacting the conversation
we had with the lady at the register
who gave us the wrong change,
but using a baby's voice instead.
The boy mopping the floors wished
desperately that we would leave, but
you looked so cute with ketchup
on your lip and I really, really
didn't want you to drop me off.
There was an Adele song
on the radio that we've heard for the second
time, but you sound more like
a forgotten track to a John Hughes film--
a little heavy, a little messed up, a whammy
bar progression with blonde hair
who wore jeans and had a really cool car.
I'd like to kiss you like Molly Ringwald
does Judd Nelson in that movie
we talked the whole way through as it played
on Netflix. I'd like to wear you
like a bad haircut; something no one else
understands but I pull off effortlessly.
You feel effortless to me. So refill
my take-out cup with five different sodas,
make a scene as we leave the restaurant,
my hand laced up in yours, and let me drink
you in as I pretend we aren't driving
back home just yet.

You dipped into me like a pool
you hadn't swam in all summer, a hole
in the back of your mind you almost forgot
was still there. It was as if you predicted
the big splash, the droplets like crystals
I could see through to your heart, reading
your feelings like a bestseller on a lounge chair,
basking in the sun on the side. You broke
through my surface with your hands, those hands
that strip me down to just my tan
and hold my ribs like a steering wheel, driving
our bodies together as I kiss the chlorine
from your lips. I'd wrap you up in a towel
just to trace the ***** of it from hip to hip,
use that momentum to tell you
how much I love the way your smile looks
when you think my eyes are closed
as we lay on top of the sheets with a fan
circulating in the limited space we leave between
my baby sundress and your khaki shorts,
our bare feet playing with each others toes.
I like the way your hands feel in my hair,
pulling it down the line drawn on my back
with your knuckles, landing in the dimples
of my back like a raft, floating
on the feeling suspended in this moment
where I bite your lip and you sigh into another kiss.
I like how it doesn't get dark until eight,
how you make little circles around my hipbones,
the sound of your laugh as it bounces off my own,
smiling into another push as you pull
my heart over yours into the shade to cool.

Please don’t call me beautiful
when your hands are between my legs,
and god forbid you say it as a seg-way
between you’re so hot
and my caution, your response
you’re sure you don’t want to?
I’m pretty sure the way my body looks,
nineteen and stress-infused with an Oreo belly
isn’t really what you pictured beneath my blouse,
and I’m positive you didn’t listen
to the story about my dad and the bad prom dress
because you cared. It was just sentiment. You said it was beautiful,
but really you wanted me to believe the act
like a description in the Playbill
and ride that trust all the way until the curtain dropped.
Please don’t call me beautiful
when the word ******* is before it
or if we are ******* because making love
is for married couples and you don’t even want me
sticking around for the ****** sunrise that peers
underneath your shade every morning.

Tell me I’m beautiful when I’m crying—
crack me open and watch the colors bleed
like a painting that hasn’t dried. Admire
the light that peaks through the clear parts
like a windowpane, no blinds.
Tell me I’m beautiful when I’m laughing,
when I’m reading my favorite part of a book,
when I’m stuffing my face with peanut-butter
pretzel bites and I haven’t washed my sheets in weeks,
and I’ll know you can’t be lying
because I’ve listened to the waves your heart makes
when you’re sleeping and I’ve called your smile
to the surface many times when you’ve tried
to deflect it back inside. You’ll know that
and you’ll know I’m beautiful.  
Call me beautiful
when you’re not even trying.
Call me beautiful when you’re by yourself
and the smell of my hair is still on your pillow,
or the memory of how dumb I sounded
singing my favorite song breaks your heart back
to the best little pieces.

I’ve got Nike shoe-boxes filled
with newspaper confetti basketball highlights,
a Lucky Charms cereal prize, a hair clip
from the Homecoming dance, picture after picture
of little month-long memories. I’ve got a dozen
temporary candy box boyfriends
who faded just as quickly as they sparked. I’ll reopen
them occasionally, remind myself why my middle school mind
found it so important to save stale Valentine’s Day lollipops
and balance that with the tender, childish idea
that baby love is the realest love and maybe one day
all those text message breakups would come back to me.
I sort
through each dent my heart has suffered that I stowed away
in compartments, but you,
who’ve seen me through the longest,
have no place under my bed. I’ve got nothing
visible to hold of you because truth be told
you’re only my friend if the lights are out and the door is shut.
I have no pop song sweatshirt that still smells like you,
no cliché letters I’ve soaked with tears, no movie tickets,
no dinner matches or menus or pictures that I could cut
if I hated you enough.
I’d have to collect your sweat in a vile and brew it
into a perfume just so the smell could give me something
disgusting enough to feel when I remember you.
If only I could capture my nightmares, remake the images,
mold your body out of actual clay and light you up
without having to kiss your pelvis. We’ve made a mess of this.
You’re just a flame I forgot to blow out.
You're just a name I left hanging on my mouth.

You are my personal taste of sorbet, sun-tan lotion, botched
slices of the sun that sit on my tongue like pills
before I swallow. I hate necessity, and crave your entity
in ice cream scoop sizes. I want to pull the batteries out of your back,
**** the juice onto my palette and spit it back into your eyes
so maybe you can feel the sting you left me with when you pushed
my heart off the side of the bed while pulling your pelvis closer to my head.
I hate when we’re cooking and you slide ice cubes down my shirt,
but did you know that’s the only time I ever felt anything
from you that wasn’t warm and bitter and bruised? I think
that sometimes your nightmares even scare me.
I can feel them when you sleep,
your arm flinching beneath my neck, how you curl
your toes against my calves and grind your teeth like you’re trying to fit
your square memories into the oval-shaped hole of my spine.
I get that that’s why you’re a little crooked, but you used me
to straighten yourself like the post a tomato plant wraps its stem around.
You took all the nutrients from my center and fed yourself.
You are the palm tree in my snow globe, but no matter
many times I shake you
the snow still falls on my shoulders.