Times New Roman reminds me of a time when I knew that romance was not dead because I got to hold it in my hand 
 
The curve of the characters reminds me of the uneven curve of your cupids bow

The claustrophobic clustering of vowels reminds me of the cringe worthy cling of your foggy glass  frames stuck to mine, failing sight feeding failed intimacy

The simplicity of each symbol reminds me of the systematic sufficiency with which you seduced me in so few words,
 the straightforward soliloquy with which you struck me and bereft me of my sanity.

The length of each letter reminds me of the longevity of our last embrace
Lanky limbs looped laterally to the length of my body for literal milliseconds

The overuse in overdue essays typed in early hours of the morning reminds me of the overuse of three words and the emptiness and lack of effort behind them, 

Submitting those three words for a good grade and a pat on the back, coming up short because professor and princess alike saw through the inability to do
With meaning,
That your words had no feeling.

The fact that though I've faced fancier fonts and fell for them fanatically, I always return to the first, reminds me that though a fair few have found more than friendship in my fragile forearms that the first is the forever 
and if at times the former 
then always the future

the finest font I've ever found is you

I am from too long grass
that left muted green stains on my knees
From rock gardens overrun with punny yellow snapdragons
which delivered into my care all sorts of fascinating creepy crawlers

I'm from ash grey two by fours
which were all together fun to climb on
but gave nasty splinter when they were mad

I'm from the woodchips and sand
that provided me an elaborate landscape
in which to house my boundless imagination

I'm from the tail of sulfur smoke
that burned white hot through the crisp October Sky
and propelled my rocket to high heaven
or so it seemed to my eger eyes

I am from Thursdays
from green and red rhubarb leaves
and dirt under every fingernail
I'm from hurling half-rotten tomatoes
at the fence accross the ally
and running haphazardly from angry neighbors

I'm from lasagna and jell-o
candels on Christmas eve
and the squirt bottle of water
my only defense against ants

I am from obscure old families
who came over like so many others
and played the ***** in the secret choir loft above the church
I'm from woodwinds and piano strings
and never a silent moment
From reading aloud and reading alone
and from those who did the reading

I'm from the future and the present and the past of a million different stories
And I've always been headed towards
Where I'm from.

autumn had been only imagined
lurking in small cracks between days,
paving heaved from fat roots underneath;
its arrival seemed improbable
in summer's heat

vernal green leaves grew only deeper
in generous sun,
promising some future harvest of fruit
far off distant, but sweet,
certainly, when it would come

cool, now, faded mornings break;
the pursuing season
sheds desires wizened,
of pages yellow-brown and finger-worn,
already memorized
as if being is cast aside in a child’s game
of loves me or loves me not,
youth’s clothing otherwise unneeded

they were, maybe, sins of greed
befallen all new living things
seeking moments owed but soon forgotten;
the scent of pink spring blossoms,
or how the peaches blushed in bunches
before we ate lustily from supple branches

how soon this winter comes
a tree’s hard woody bark will bare to needs,
extend dark arms, spindly, old
to splay against a field of gray
declaring stark existence to a callous sky
that stings with wind and cold