Submit your work, meet writers and drop the ads. Become a member
 
The train is a mechanical snake,
its hiss occasionally scrawled
above the grating of its own

movement as it cuts through
the smear of graffiti and concrete
and waste and dry bracken.

A single voice, “she was the
third fastest girl at the gala,
yeah she was really pleased”,

the voice enveloped by the
drone once again. The train
entering the tunnel.

The Financial Times lies on
the plastic table, the pages loose
from bored ******* bears the

headline: sacrifices required for ambitious goal.
Eyes trace the same paragraph over

and over, drawing nothing from
the coldness of the type script.
I think about conversation but my

tongue lulls in my mouth, dry,
and my mind wanders between
small talk and meagre pleasantries.

I stare at the man across from me for
what seems like minutes, knowing that
he knows I watch him, analyse him,

but there is no fight or pretence, only the
tired apathy and reluctance I know.
his arms cross. His eyes close with half sleep.
from Inertia: A Poetry Film Sequence and other Selected Poems
It’s been twenty one months
And the last kiss I had
Was hasty and cruel
And sour with the taste of lip gloss,
And it was impatient and open eyed.
That was the last time I saw her,
Walking away from the station.
from Inertia: A Poetry Film Sequence and other Selected Poems

— The End —