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On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.


And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels’ trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.


Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he’s much too busy,
Repeats while he binds his tomatoes:
There will be no other end of the world,
There will be no other end of the world.
 Dec 2013 Alex Silva
Thomas Hardy
How do you know that the pilgrim track
Along the belting zodiac
Swept by the sun in his seeming rounds
Is traced by now to the Fishes’ bounds
And into the Ram, when weeks of cloud
Have wrapt the sky in a clammy shroud,
And never as yet a tinct of spring
Has shown in the Earth’s apparelling;
O vespering bird, how do you know,
How do you know?

How do you know, deep underground,
Hid in your bed from sight and sound,
Without a turn in temperature,
With weather life can scarce endure,
That light has won a fraction’s strength,
And day put on some moments’ length,
Whereof in merest rote will come,
Weeks hence, mild airs that do not numb;
O crocus root, how do you know,
How do you know?
There, she is there. She moves in the cold September morning
it's hours yet till dawn but she knows neither light nor dark
nor scarcely where she is. A light, a door, stone steps. She walks

straight up them, eyes ahead; her body rigid as she jerks
forward towards the door, the handle, and suddenly the man
behind the desk. He looks up, his breath stops

he sees her tragic bright eyes, he sees the blood, and
how she holds those small white-knuckled hands; he watches
her terrible face. He knows without asking, but he asks.

They are locked already into an unspeakable knowledge,
only yesterday she was here, distraught and pleading,
it was his chance for brilliance — or at least for goodness —

and he missed it. He has become her jailer now, who
could have been her saviour. He wholly understands,
and it is too late. No one else will ever come to him and say

'Help me, take me, please, before I do this thing . . .'
He will be haunted now for ever by his trial, deceptive
as it was, and he found wanting. No one will accuse him

and he can never be forgiven. His uniform rustles slightly
as he rises, his single offer a cup of institution coffee,
potion for the ******. 'Your jacket's all ******, take it off.'

Oh cry for the breaking day, the sleeping pillows shocked
by phone calls, messages, alarms, weep now and every morning
for the Janus faces, back to back, of guilt and innocence.
“Nikki was, not Nikki is, Nikki loved, not Nikki loves”
came with protests, cries and noise
but how much grammar can you expect
from little girls and boys?
Who gets to illuminate
to kids of two and five and four
that death requires past participles
and sister is no more?

Well that was the longest August ever has been,
like too many hours made up each day.
The songbirds quit their singing
and the kids forgot to play.
Sluggish minutes oozed on by
in the heat like sticky tar
while her heart and hands and mind
passed to were from are.

But we’ll still wind that watch just to let it stop
at five o’clock in the afternoon,
because that tender, spiteful hour
will always come too soon.
Time will stop each time it does,
just like it did that day
when she wore her mother’s watch
and time took her away.

When did she move from is to was?
Was it that August day
when all we could do was pray and hope
and cry and hope and pray?
Since when did cold verbs bind a life,
active and passive combined,
and when did she trade present for past
and leave alive behind?

Justin understood it best,
I say in his defense;
he was the one who had it right
when he spoke in the wrong tense—
She didn’t go from is to was,
She went from did to does.
What Nikki was is sick.
What Nikki is is better.
   Remembered.
  
   Eternal.
 Dec 2013 Alex Silva
Liz Delgado
The pencil scraping along the paper, forming a masterpiece taken straight from the mind and the nerves along my spine was a lullaby.
And so I drew a gorgeous, full moon and shaded its craters,
I drew furious ocean waves because my Science teacher told me there was a relationship between the moon and the ocean.
It was so intriguing to know the closer the moon, the more revolting and furious the waves.
But my Art teacher also told me that art is a form expression.
I was expressing my feelings, explaining our situation, and my brain and hand agreed to compare us to the moon and the ocean because that's what we were.
You were always so beautiful yet distant; watched and loved by everyone, but explored by few.
I was always so revolting and mysterious, no one willing or able to reach the depths and hollows of me; better maps of the surface of Mars than my vast ocean floor.
We were so distant and different yet I needed you to be.
You were always waking up every emotion I thought I had been drained of; turned my lowest tides to crashing, fierce waves; always dependent of your full or new state.
You are my moon and I am your ocean; so different yet it feels so right.
The ocean wasn't so realistic until I felt salty tears of it run down my cheeks,
there was no more silence.
I was at low tide, and I needed my moon.
Poet do you recall when during days long done                      
Once when very young
You placed my scented kerchief beside
The small cross I always carried
On the wind we heard the clank of marching men
And the Tinkling of Bells
To my touch your armor was hot
Dust rose in great clouds and could be seen for miles
Unlike others your horse, fat from spring grass
Pranced and chaffed at the bit
So eager to leave, like you my Noble One
I rose to the promise of a kiss
But her lips were assaulted by your sweat and tears
You were violent
and that kiss
broke the strings and voice of my song
Now I no longer sing  
The Crusades are over the round table is empty   Women only sometimes dream of Gallant men                              
Weaving their fantasies through their poems and books
Funny thing though, the quest is very much alive and true
Recognized, known only to a few
And when meeting sometimes during that short passing
You can still hear Poet
The Tinkling of Bells
Enchantress speak to me and I will listen
Spin for me those golden words, so long departed, dark ages past
When truth was lost and light stopped burning
When reality was the sword and true love didn't matter
Birds were the only thing left singing and Camelot someones crazy dreaming
Stone tears, tolling of bells ringing in my ears
Left alone so many years and yet the vision
Is not lost nor the tears
What Cost?
Enchantress my heart was true what did I do?
Fingers falling on the frozen ground
His hair blood red, the face a frown, yet he's still allowed to see
He saw a door the light was shining as he sighed
As he moved alive into his dying
Deeds long spent flashed before his eyes of a lady in waiting
His lady of golden locks and of perfumed kerchief
His poet, spinner of words and song
Thoughts of two hearts beating yet as one
So far away he could not come
In a golden haze with divine grace the Goddess allows to see
To know at last a vision, no mercy, no innocent victim
A ribbon of moonlight covered the trees
He knelt by her alter
a knight on his knees
Pedals of roses crushed all around he remembers,  a promise broken
Of how he'd lost hope
A knowingness of what his life was and could have been
Again I remind you that truth had died, the Goddess she rested deep in slumber
Waiting the circle to complete
The knight knew then the Mothers name was nursed at her breast
And yet with no remorse betrayed her to follow the Quest
From his sword blood flowed in self righteous rage
And throughout all the land he cried, "the goddess is dead she died !"
Then as the vision fades with a jolt of pain so complete
He realises his true love, his  lady in waiting has died
Back on the frozen ground snow began to fall
He remembers how he'd hidden a locket deep in his pocket
Inside a trendle of golden hair plus an emrald so green
From the Isle of his dreams and the young maiden he'd left there

Still alive, alive with his dying to the goddess he screams
The locket still clenched tight in his hand
Now I know its heresy that men live only one life
One god one Christ guilt rides high a burden carried so long
Past all around, everyone can share, sin not someone else s duty to take away
Its our own responsibility, no innocence in the game we play
we write our own script
Earth a school house testing ground, We're actors in a play
Poet do you recall when during days long done
once when very young
Love is an open door listen to the whispering s of women
like we did before
The day the Goddess went to sleep all men died,
forgot how to embrace the Mother
Avalon lives I'll give you a clue there's nothing to do
,  you hold the key
It takes courage to be what you are. We've come so far, so many lifetimes
Traveling around passing each other on the wheel
Listen oh listen, can you hear the Tinkling of Bells

So my sweet Avalon
you who have the power to awaken in your dreams
Sing a new song you say
A tale not told, let the path create itself be bold
Now in this new day new age hearts are beginning to open
Twin Flames  together
Standing in their places of power
letting love in so it may flower
Following their own footsteps
not afraid of the fire
As a rule great power comes with dependence on each others fuel
Each receives a part of the other, that's
the golden rule
If you make Avalon your quest
I'll give you a clue
The magic of imagination is the surest tool
Use it wisely remember
that for every one who knocks the door will not open
Only Twin Flames hold the key
Love in it's purest form, the Token





www.thetinklingofbells.com
I don't care about your age
or the fact you earn a higher wage
I love you because

Because when I see you I like how I feel
I love you because when I'm with you everything is real

I love your blond hair
and how much you love and care
I love your smile and your big hazel eyes
I love you because you're wise

I love you because you are smart
I love you because you remind me of art
so beautiful, the world must see
I love you because for some reason you love me

I love everything about you
and I'm happy you love me too

X
Thank you to everyone who as liked and viewed this poem. Thank you

Thank you for reading and I hope you enjoyed it, if you have any questions please ask them and I will try to answer them a.s.a.p.


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