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 May 2020 Ira Desmond
Zeyu
I.
Her blade was quenched in limestone brine
Its sable haft laced with golden thread.
Atop the palace walls, she treads lightly
In her robe woven thin as cicada's wing

II.
When I saw his children past the silken screen
again-- from atop the cedar crossbeam--perhaps
I should lightly retreat but I lingered still:
until he saw silver ribbons that tied my hair
He (I had thought) unlike those lives I severed  
can live to tomorrow (but our gaze had locked!)

III.
A swing, a flash, an unfelt wound-- she moves
with Gansui's fury, and Chunjun's spirit
And softly these shattered visages laid to
a dreamless rest upon her gracious touch.
This poem is largely inspired by the story of a female assassin, Nie Yinniang, in the Tang Dynasty short story collection Chuanqi (The Legends); Her independence and desire for freedom are unparalleled in the story. Yinniang was a truly amazing character in the fiction at the time.

Gansui and Chunjun are two legendary swords said to be owned by the King of Yue, who reigned around the late 5th century B.C.E.
 Apr 2019 Ira Desmond
Emma P
Sun
 Apr 2019 Ira Desmond
Emma P
Sun
When I say
that you are my Sun,
I don’t mean that you are
Luminous,
Brilliant,
Gilded,
Beautiful,
Bold,
Warm,
Or even the center of my universe.
I simply mean that
I cannot look at you
Without hurting
 Jan 2018 Ira Desmond
Leeann
summer
 Jan 2018 Ira Desmond
Leeann
dull treacle melting against the pavement
cicadas hissing in the heat
an occasional breeze is a ragtag flag
fluttering before going still

syrup sitting warm and heavy on your tongue
soda fizzing flat and falling sharp
a sour note to end
a miserable heat to begin the day

hot humidity pressing down
wind humming in protest
sweat dripping slick and tacky
eyes slipping slowly closed

until
the heat
ends
I remember writing this while waiting for a bus.
It was very hot.
Curtains are drawn, the days shorten.

Outside;
                 the leaves fall,
                                              it's autumn.

Soon I will descend,
nearer to the end.

In the ground, I will be forgotten.
Down here, it is dark and damp,
Like a Concentration camp.
No more desire to discover,
as darkness has declared every colour.

My duration is close to descend,
No desistance from this decline.
The decision to disembark,
Means no more bloodline.

Don't delay my departure...

I can't see...
It's getting darker.
pale herons huddle
along a bank of grasses
like whitecaps, abandoned

November in the wetland


c. Roberta Compton Rainwater 2014
 May 2017 Ira Desmond
May Asher
Teach me how to separate myself from myself
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