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  Jun 2018 Dev
-
**
I hope we are all
more than who we
thought we  are
Dev Jun 2018
Can you see me?
I’m here, standing
Right behind the lovely
Facade you love so much.

I’m screaming, sobbing
Pleading for you to see me,
And yet your gaze falls
Directly on my lying smile.

Why don’t you notice? All the signs are there.
My mask is cracked and open and bare
And I have to wonder if you really don’t care.

I just want you to notice
To find solace in your warm embrace
To find comfort in your words
To feel safe to be myself.

But the mask still stands,
And I sit here in agony
Crumpled, praying
For you to notice
Was gonna edit this a little, but I like the way it’s come out straight from my head.
  Jun 2018 Dev
Wk kortas
As he sat the trash can back down gingerly
He sighed Well, it’s a long story.
We were drinking beer in my backyard at four in the morning
On one of those sticky September nights
Where sleep was more rumor than reality,
And, as I noted the time on the clock for the umpteenth time,
I heard a song outside my window;
Not some drunken caterwauling of “Danny Boy”
As rendered by some stray tabby in a Dublin alley;
This was…singing, like you’d hear on a CD
Or, perhaps, Live From The Met,
And at first I thought some poor sot with an artistic streak
Had pulled off the main road to sleep it off,
But the singing was punctuated
With the clatter of can-lids and the occasional grunt,
Until I understood that baritone and trash barrel
Were part and parcel of the same man.  

As I handed him a second bottle,
He recounted how his lifelong dream of riches, glory,
And a glorious career on the world’s great stages
Came to a sudden halt after a Manhattan debut
(I sang my *** off that night, he recounted)
Was met with mild praise, the odd bit of outright scorn
And a healthy dose of apathy.  
I ‘spose, he said between sips, I could have done all right
Givin’ lessons, singin’ bit parts here and there.
You’re on the road a lot, but the money ain’t bad
,
But one day, just before an audition for a supporting role
In a regional production of Carmen
Up in Binghamton ******* New York,
He simply left the theatre, got into his car,
And drove some sixteen hours
Until he hit town here, and then he stayed.
But, I countered, why not go back?
The years of lessons and Julliard,
All for celebrating our refuse and squalor
With roadkill requiems, arias for rats?  
Well, some days it’s a hard way to make a living,
He said, stroking his chin thoughtfully,
But it does give me a venue to sing,
And, to date, I ain’t been panned by no **** cat
.
  Jun 2018 Dev
Austin Ryskamp
I have know where to spend my “non dollars” after it’s been cashed in for non sense
this new currency isn’t viable, nothing is buyable you have to see.
That I have trouble finding who to be
After the catastrophe......
I could
inspire from the cleansing fire of my own experience
Or I could sit in shame as the man who sat back and took the pain but did nothing.
I can
make a difference with the change I’ve received
I will
change my mind mid sentence, sentencing my sorrow to jail.
So my tomorrow is more then hail and storms
But tomorrow reforms my pain
I declare standing in the rain
The victim will no longer be me, I shout in victory.
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