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westley-barnes
Irish PHD Candidate, literature fiend, irreverent Irish Misanthrope looking for moments of grace in a contradictory world. A little too novice to pertain to any further escapades in the pursuit of glory or amiable station. Generous tipper.
& this is it in the Gargoyle’s smile like a treasured curse in the way the clouds sink behind the sun like you’re watching time reverse This summer’s twist is in the way it hurts recalling details of those memories that seem so small but provide the furniture for keeping faith, for seeking grace for addressing the darker things in the picture that no one can explain it's in the pivot of the dancers in the portrait that hangs in the museum in the ever increasing distance it's the stuff that still feels near I will wear shades in damask to ward off certainties and Death.
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Nov 4, 2025
Nov 4, 2025 at 10:08 AM UTC
Vacation Poetry
Reflect in the morning and wait patiently for sin; Do not rush because of those who venture this way, Because of the "Man" carrying out his whitey schemes. Desist from ranting and circumvent bad energy; Fear not; it leads only to further confusion. We are trained to accept and implore the mediocre for the sake of forming simplistic narratives concerning a world we cannot understand.
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Oct 2, 2025
Oct 2, 2025 at 10:41 AM UTC
Psalm 07:58
On the day before the UK is finally left to go **** itself I watch a politely forced interview in my British front room David Cameron is looking like he's just come after dropping a bomb of Molly The only kind of bomb he'll ever be allowed drop again what And I start almost to feel bad for him The way I've felt bad about all the other poor ******* who get a whoosh too quickly And start rambling all sensitive and vulnerable and so ****** sincere But then I remember I shouldn't feel sorry for him at all Because when you **** it and it's your idea you're supposed to stay home and try not talk to anyone you know Not talk to the BBC about how you're still surprised you ****** it But you respect those you took advantage of your naievity and schoolboy ambition His eyes are like what you see staring one-eyed into a half empty bottle of stout, lads Wrecked The EU have been like the kindest hotel managers Who are trying to allow some deviant family who've wrecked their best rooms Away to to the police with some last shred of human dignity Because they know they are killing their children There's a song that mentions a man standing waiting for a train On a particularly English rainy summer day By a minor band with good players That would get my mother excited If it was played on the golden oldies radio slot It would even get my mother excited when she heard Even it was arguably "depressing" Because it reminded her of being young and disillusioned And it sounded cutting edge and new It was the sound of the future then In the nationalist wasteland of early 1981 And the double tracked vocals sang "We Fade to Grey" I write this, not wandering into the cinder zone of Hiroshima But just sitting half-prostrate on the sofa of my tastefully European inspired British front room Not as a warning to the world, but as a half-arsed lament for a world out of warnings.
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Jan 31, 2020
Jan 31, 2020 at 3:06 PM UTC
Fade
On the day before the UK is finally left to go **** itself I watch a politely forced interview in my British front room David Cameron is looking like he's just come after dropping a bomb of Molly The only kind of bomb he'll ever be allowed drop again what And I start almost to feel bad for him The way I've felt bad about all the other poor ******* who get a whoosh too quickly And start rambling all sensitive and vulnerable and so ****** sincere But then I remember I shouldn't feel sorry for him at all Because when you **** it and it's your idea you're supposed to stay home and try not talk to anyone you know Not talk to the BBC about how you're still surprised you ****** it But you respect those you took advantage of your naievity and schoolboy ambition His eyes are like what you see staring one-eyed into a half empty bottle of stout, lads Wrecked The EU have been like the kindest hotel managers Who are trying to allow some deviant family who've wrecked their best rooms Away to to the police with some last shred of human dignity Because they know they are killing their children There's a song that mentions a man standing waiting for a train On a particularly English rainy summer day By a minor band with good players That would get my mother excited If it was played on the golden oldies radio slot It would even get my mother excited when she heard Even it was arguably "depressing" Because it reminded her of being young and disillusioned And it sounded cutting edge and new It was the sound of the future then In the nationalist wasteland of early 1981 And the double tracked vocals sang "We Fade to Grey" I write this, not wandering into the cinder zone of Hiroshima But just sitting half-prostrate on the sofa of my tastefully European inspired British front room Not as a warning to the world, but as a half-arsed lament for a world out of warnings.
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You appeared to me during the mind's violence That presents itself as the diving board of sleep in witching hours More a hologram outside the boundaries of life's time than any dream First an oversized playing card Dappled in dripping black ink Showing a landscape of Auschwitz, or Perhaps, in another interpretation, A spillage of flavoured stout Then diluting, white light through the macabre, unmistakably into you With those analysing , innocent eyes And that lopsided smirk Standing as if to guard yourself against the approaches of some other beyond me While fixing back your gaze to say you find me here, aligned, knowing, persevering with you and the image distorted a strange throb of silence shrieked through your body, dream-plunging severely alert to the oracle assuming your intrusion and the spokes in my head an accelerated Fluth Fluth Fluth Fluth Even in mid-dreaming I dreaded for you Expected you dead or in unstable danger What else could this mean? Some obvious code communication relatable to the Gothic novels you wrote about? Sensitive as you were, now their subterfuge a warning collision provoking a Countess of undistracted night, A sage of burning, mottled thought Hair ravaged black where before its black spoke of a sylvan birthright Now gorged, destabalized somewhere in memory I can't know why I half dream a scene like this, but it has happened somewhere else II In a different bedroom. Possibly overmedicated. My 15 year-old self, thinking I should try attempt writing in the voices of the dead. Then later, when finally to succumbing to the yellowing fog of a dream I appeared to see two girls, roughly my age if not a little older Seated backlit on a black couch different to the one in that room One's hair streaked blond & the other Auburn, I think, both in tights & skirts darkened as their leather seats And the blond was saying "he thinks he can hear us now. He must think he's brave." Before I was ripped into a deeper haze, the image evaporating, but this one's fade more of a silent sSuuUuSHhh... As if they needed me to be quiet. ... I'm not sure why I have been placed in the midst of these disappeared & disappearing women Taken to drowning or crude burial or just forgetfulness distance perhaps the key distinction. Years, eras. Sometimes it's the work that finds you, rather than you finding the work. I extrapolate, not lightly. I bore into what was thought dust. Glass filaments, old rumours mistaken on the wind, burnt tables discounted elements. These are what I seek, after being intruded in dreams. The perfume smell embedded in a boxed up scarf, motive.
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Oct 29, 2019
Oct 29, 2019 at 6:28 PM UTC
Night Callers
You appeared to me during the mind's violence That presents itself as the diving board of sleep in witching hours More a hologram outside the boundaries of life's time than any dream First an oversized playing card Dappled in dripping black ink Showing a landscape of Auschwitz, or Perhaps, in another interpretation, A spillage of flavoured stout Then diluting, white light through the macabre, unmistakably into you With those analysing , innocent eyes And that lopsided smirk Standing as if to guard yourself against the approaches of some other beyond me While fixing back your gaze to say you find me here, aligned, knowing, persevering with you and the image distorted a strange throb of silence shrieked through your body, dream-plunging severely alert to the oracle assuming your intrusion and the spokes in my head an accelerated Fluth Fluth Fluth Fluth Even in mid-dreaming I dreaded for you Expected you dead or in unstable danger What else could this mean? Some obvious code communication relatable to the Gothic novels you wrote about? Sensitive as you were, now their subterfuge a warning collision provoking a Countess of undistracted night, A sage of burning, mottled thought Hair ravaged black where before its black spoke of a sylvan birthright Now gorged, destabalized somewhere in memory I can't know why I half dream a scene like this, but it has happened somewhere else II In a different bedroom. Possibly overmedicated. My 15 year-old self, thinking I should try attempt writing in the voices of the dead. Then later, when finally to succumbing to the yellowing fog of a dream I appeared to see two girls, roughly my age if not a little older Seated backlit on a black couch different to the one in that room One's hair streaked blond & the other Auburn, I think, both in tights & skirts darkened as their leather seats And the blond was saying "he thinks he can hear us now. He must think he's brave." Before I was ripped into a deeper haze, the image evaporating, but this one's fade more of a silent sSuuUuSHhh... As if they needed me to be quiet. ... I'm not sure why I have been placed in the midst of these disappeared & disappearing women Taken to drowning or crude burial or just forgetfulness distance perhaps the key distinction. Years, eras. Sometimes it's the work that finds you, rather than you finding the work. I extrapolate, not lightly. I bore into what was thought dust. Glass filaments, old rumours mistaken on the wind, burnt tables discounted elements. These are what I seek, after being intruded in dreams. The perfume smell embedded in a boxed up scarf, motive.
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52
A spectacular butterfly splendid in its monochrome, leopard-print reflecting armour flies unto the lavender branches recently budded in my garden Fancying myself a faithful reader of Nabokov and drawn to anecdotes of self-glorification I thought I should become a Lepidopterist and catalogue its striking corpse beginning what could become a masterful collection Me, the quarter-tanned Irish bopping all in tennis whites with mock-radioactive web of butterfly doom among the wooden yard dividers But where should I keep it? this hype-building collection of one amongst my dust-collecting books my backdated journals and flaccid-worn glossy magazines my "value-appreciating" vinyl records the more prettily curated and precision-hung images that curate my partner's collections? No, it is not for me to stop it succumbing to dust, to allow it turn into something beautiful again if a tragic kind of beauty amongst the dirt, for something becomes more wonderful when it's beauty is not forced on show but produces itself through more layered, yet uncomplicated means returned back out of the dust, without any of our artificial light recording again it's eventual demise
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Jun 28, 2019
Jun 28, 2019 at 4:05 PM UTC
Lessons From Any Art
Her baby was buried in a grave alongside 827 other babies. Who knew no mothers. Her mother thought it best to let the nuns help her sell the child to the Americans. The babies would have had names like Dermot, Aoife, Sandra and Sean "Would have" isn’t an awfully good thing to think about. It was a typically miserable November Sunday When they brought her over there after that last mass. Unrelated to this, there is a launderette named the Magdalene in the city I live in, which is nowhere near Tipperary but in the East of England. In fairness, it is located on Magdalen Street, without the second “e”, A once rough and tumble but now an up and coming kind of place, where among the students and young professionals getting their whites cleaned the only ones likely to take offense at this are students of history or the named émigré children of Irish parents. I’ve been told it’s now a chain of launderettes, but I imagine the owners have enough on their mind without constantly Googling their services. When they let her out of the home for troubled girls, it was the warmest July she’d ever seen. Some days the baby’s name is Michael, others it’s Matthew, recently, it’s been Corey, Ryan, even Sean. But she never wishes that it would have been a girl.
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Apr 19, 2019
Apr 19, 2019 at 12:53 PM UTC
The Sorrow
In Waterstones Sighing at the bestsellers opaque at the corner of my right eye two ladies late in life are centre stage amid the table paperbacks. “Are you following me?” the taller bellows brimmed headscarf towering over her NHS bespectacled sister of afternoons and shopping mornings continuing a conversation that has obviously followed them their entire friendship seeming the matriarch of the pair, she is circumspect in her contrariness. Whatever entitles her to this Guardianship of self-importance Her being a lighthouse rising above the mists condensing off beaten shards of rock is subdued by her companions’ pithy response “no-you know I have no interest in Autobiographies.”
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Jan 9, 2019
Jan 9, 2019 at 7:18 AM UTC
Acting Up
Your soul, which loves my own, Is woven with it into an old Tibetan rug. Strand by strand, these enamored colours, Stars, that courted each other across heaven's length. Our feet are resting on this treasure Stitches numbering in the thousands. Sweet desert son on your musk plant throne, How long has your mouth kissed my own and cheek to cheek has time in colour woven us? -Else Lasker-Schüler (Translation : Westley Barnes, 2018)
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Dec 16, 2018
Dec 16, 2018 at 5:55 PM UTC
An Old Tibetan Rug (Translation)
The happy shouts from the playground display the jumps and twists that brought them by sun that steals the chill away This unexpected autumn. The trees that give their leaves away to the breeze that walks between them Their boughs are hung majestically grant hopes as gifts to dream with. The river’s flow, The dangling rose The barking dog’s bright welcome A moment’s pause, to photograph these scenes should memory forget them. Such worry thoughts face as evening strays, on mistakes past and unproven What paradox, then, to bring mind at ease watching the late sky fires of autumn.
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Oct 4, 2018
Oct 4, 2018 at 10:31 AM UTC
Unexpected Autumn
Roth was a great lover of music Old-timely big band show times that evoked memories in living rooms across white America Provoking melancholia for what was assumed lost. He was a master of writing technicalities Knew the stitchings in a pair of men's brown leather driving gloves Like they were poetic metre Knew the nervy velocity attended to the beating of a heart through a stethoscope . He wrote more novels that can be read in most lifetimes As he had five different versions of himself to think through. He wrote half a novel in the voice of an actual ex- lover He was not particularly good at writing women. He was unsurprisingly/surprisingly good at writing about the realities of race.   He often cared little for reality but could tautly pierce at the authenticity to be found in "social realism." He wrote standing up Cried that novel was dead when really he was dying He was both acutely aware and ignorant of this He will be buried outside of Newark, presumably. His career trajectory is unique in American letters in that it crystallized the vogue for American letters, ****** up the body, peaked and troughs with death, surveyed the end of American Innocence over four decades and closed at a summer camp. His themes, in that order : Heartache, *** Motherlove, Therapy, Body Horror, Satire, Egomania, , father hunger, Death, the state of the nation, regret, race, life inside the academy,fascist media darlings, liberal terrorists destroying their family narratives,Death again, old *** absolute suicide in words, adolescence.
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May 27, 2018
May 27, 2018 at 7:45 AM UTC
Roth Rests
Roth was a great lover of music Old-timely big band show times that evoked memories in living rooms across white America Provoking melancholia for what was assumed lost. He was a master of writing technicalities Knew the stitchings in a pair of men's brown leather driving gloves Like they were poetic metre Knew the nervy velocity attended to the beating of a heart through a stethoscope . He wrote more novels that can be read in most lifetimes As he had five different versions of himself to think through. He wrote half a novel in the voice of an actual ex- lover He was not particularly good at writing women. He was unsurprisingly/surprisingly good at writing about the realities of race.   He often cared little for reality but could tautly pierce at the authenticity to be found in "social realism." He wrote standing up Cried that novel was dead when really he was dying He was both acutely aware and ignorant of this He will be buried outside of Newark, presumably. His career trajectory is unique in American letters in that it crystallized the vogue for American letters, ****** up the body, peaked and troughs with death, surveyed the end of American Innocence over four decades and closed at a summer camp. His themes, in that order : Heartache, *** Motherlove, Therapy, Body Horror, Satire, Egomania, , father hunger, Death, the state of the nation, regret, race, life inside the academy,fascist media darlings, liberal terrorists destroying their family narratives,Death again, old *** absolute suicide in words, adolescence.
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