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ssilvs
ssilvs
18/F/yzil full of spite and diet coke
i am running out of new forms of consumption of new ways to **** myself i am slowly draining the pus from a wound i am washing myself off my/ self and pulling nothing out of thin air and the ocean turns and looks at me and i look at it and it asks me what i’m doing here and i try to look at my/ self but i cant i cant my eyes are messy runny egg blobs like the girl with the bomb i am the girl with the bomb i am the bomb i am the **** im madonna and the ***** and im locking myself back in the tower. the tower is burning and crashing and suddenly, the waves. i still havent answered the oceans question, its getting impatient, i am eating breakfast—eggs—and the shore erodes away until i am standing on nothing, the ocean beating mercilessly away at me—it does not tire like i do. it does not tire like i do. i can’t look the ocean in the eyes. i want to bottle it up and swallow it, salty brine and all, and maybe then i’ll finally know just what it wants me to be i will look at me through the ocean’s eyes and know my place but the ocean shies away from my hand and shies away from my hand and shies away from my hand until my hand is nothing and nobody
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Jan 27, 2021
Jan 27, 2021 at 11:43 PM UTC
and the ocean
i had a dream once where everyone died and no one believed me. i spent ten nights trying to convince a town of ghosts of their death. i spent eleven trying to forget. it goes like this: i can’t prove to you that this happened, but it did — your body through the windshield, your hands empty and cold, your face marred by sweat, hair out of place. i’m in the passenger seat. every car stops and turns inside out. i get out of the car and you get out of the car and say ‘at least no one got hurt‘ but i’m looking at you and i’m looking at your body as two separate wholes. both are cold, but only one lies still and rots. my face is wet. it’s raining, i think, and a butterfly lands on the broken glass without landing and dissolves itself into the rain. you lead me away from the accident, to the side of the road, and walk me home. my parents’ bodies are sitting on the front lawn, skinned and cleaned, but you don’t see them. my parents greet us and walk up the steps to my door. their bodies still sit, and say nothing. there is no longer a glory in the perverse. i wet my hands without cleaning.
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Mar 6, 2020
Mar 6, 2020 at 1:23 AM UTC
glory in the perverse
devour the garden and the sunshine and the rain, too, with open-armed and tight- jawed glory. my mirror is cracked more each time i look into it; my mirror is slithering, silver liquid pouring down my throat, thorny bird of paradise curled across my shoulders. your shoes don’t fit me right. your scene isn’t mine and i don’t have a scene anymore and sometimes i regret it. is the self-assured smugness worth its weight in gold? am i better now that i’ve stripped myself of bracelets and ink and leather? or i have i sacrificed the essential for the sake of your comfort, for you and your dignity, for the neighbors and their mouths? my mouth is inverted and my smile is crooked and my teeth aren’t quite together, but i’m tired of straightening myself out for you.
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Feb 28, 2020
Feb 28, 2020 at 12:01 PM UTC
addressing charybdis
and the river unfurls like a heart attack at work, his body a bomb captured on camera. We are watching him from the banks waiting to see the unraveling, waiting to see if anything happens, waiting for the smell of fresh blood on the sand, for the ocean cold longing to spill out and over as he tears his body in half. confetti falls from the sky and onto my tongue, glimmering wet, the ground is craterous where the paper falls and the trees shiver away their leaves. water spills down the canopies like something half holy, his body shaking and seizing on the ground, the river winding around his form like a snake. is constriction freedom or oppression or are we just waiting for another storm to pass? i am watching the tornado **** my house up from underneath an underpass. i am ******** bricks and it is a very dark morning and i can still see the stars in the sky like tiny pinpricks of light spilling through a velvet curtain. have you sat in spilled milk yet or licked up the shine from the floorboards? there is something pulsing under mine, under my pillow. there is something whispering his name in my ear i do not want to think of his body in repose i do not want to wonder on the motions of rot. i have a snake tattooed on my arm it is eating its own tail it is removing its mouth from its *** and slithering up to my throat: a shiny new necklace made of emerald to flaunt. my therapist asks me if i have anything to say and i say nothing at all and curl tighter around myself like a duck-patterned blanket and the man on the riverbank retreats from the waters and sits up right and carries his blood back into himself, him and the river two whole circular separates.
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Feb 26, 2020
Feb 26, 2020 at 8:47 AM UTC
the river unfurls
and the river unfurls like a heart attack at work, his body a bomb captured on camera. We are watching him from the banks waiting to see the unraveling, waiting to see if anything happens, waiting for the smell of fresh blood on the sand, for the ocean cold longing to spill out and over as he tears his body in half. confetti falls from the sky and onto my tongue, glimmering wet, the ground is craterous where the paper falls and the trees shiver away their leaves. water spills down the canopies like something half holy, his body shaking and seizing on the ground, the river winding around his form like a snake. is constriction freedom or oppression or are we just waiting for another storm to pass? i am watching the tornado **** my house up from underneath an underpass. i am ******** bricks and it is a very dark morning and i can still see the stars in the sky like tiny pinpricks of light spilling through a velvet curtain. have you sat in spilled milk yet or licked up the shine from the floorboards? there is something pulsing under mine, under my pillow. there is something whispering his name in my ear i do not want to think of his body in repose i do not want to wonder on the motions of rot. i have a snake tattooed on my arm it is eating its own tail it is removing its mouth from its *** and slithering up to my throat: a shiny new necklace made of emerald to flaunt. my therapist asks me if i have anything to say and i say nothing at all and curl tighter around myself like a duck-patterned blanket and the man on the riverbank retreats from the waters and sits up right and carries his blood back into himself, him and the river two whole circular separates.
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Every morning the birds taste morning light and soliloquize it like it’s their job. The robin’s eggs are blue but his body is red like strawberry jam, your favorite because it tastes like June and June is for forgiveness. I must confess, I have never known your friend in a form other than from your mouth. You thought anything, anything could be forgiven: blood on the cleaver, mercury in the tea, our lungs in our hands, a heartbeat gone wrong: silent is the night and silent is the wind and silent is the hand that takes. There are other words I could say. Softer, perhaps. “Darling, forgive me for  breaking our wedding china. I’m sorry I left for so long.” Sorry I didn’t say that. Sorry for making you believe I ever meant it. If there’s a limit to desire, I have yet to find it. Our love is dead but propelled onwards without rhythm or reason. In another universe, I am somehow kinder, somehow better. It’s not hard to be. To be better is to know the taste of honey and still say no, to get back in the car and drive away, to buy chocolates on Valentine’s day and pretend they’re for anything other than an apology. Sorry I said what I said on that night, but I meant it. I’ve never meant anything before then and I won’t take it back. I can’t make this any easier for you, but I can ball a melon and serve it with toast for breakfast if you’d like. Somewhere, the robin swoops over the open coffin, over the unfilled grave, and sings.
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Jan 17, 2019
Jan 17, 2019 at 11:32 PM UTC
the robin’s job
His name brings new meaning to living in the perfect blackness of a                                      sleepless night, to living in the dusk and the       squalor of a tired desert town         vacated by devils and angels alike. His body is bathed in pink light, bathed in bath water, bathed in marble dust and mildew:                         you love him. You love him because you know nothing else,           know no other way to do or to be than to be with him, at his side,    at his feet,       wherever, whenever. He is yours in the way that nothing is or ever will be and,             by god, do you love him like the birds love the sky,             like the gods love tragedy, like the trees love their roots.          Without pride or falsities, you bask under the golden light of the sun at noon, all encompassing and     burning in the way of your shared home. There are no new sensations—you've been party to them all—          but you have no desire for change. This is it,                            and you are happy. His name is on your tongue, always, like the rivers of blood that run through your body, like the warmth of the rocky cliffs, like the taste for disaster that swells in your chest when the air is too still. You crave action, movement, and he is a forest fire at play, endless and aching. He burns in a familiar way. The water of the creek runs red with your cheek, gunmetal touches your tongue and for a moment you are in           another life: you are underground, caked in calcium and butyl, letting wave after wave of shock make its way over you. It’s over now and you have him, he’s yours. He’s yours. You carry his name on your heel, in the center of your shadow, at the bottom of the well in your heart’s heart. You know nothing other than him. You don’t want to.
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Nov 9, 2018
Nov 9, 2018 at 9:22 AM UTC
patroclus reconsiders
His name brings new meaning to living in the perfect blackness of a                                      sleepless night, to living in the dusk and the       squalor of a tired desert town         vacated by devils and angels alike. His body is bathed in pink light, bathed in bath water, bathed in marble dust and mildew:                         you love him. You love him because you know nothing else,           know no other way to do or to be than to be with him, at his side,    at his feet,       wherever, whenever. He is yours in the way that nothing is or ever will be and,             by god, do you love him like the birds love the sky,             like the gods love tragedy, like the trees love their roots.          Without pride or falsities, you bask under the golden light of the sun at noon, all encompassing and     burning in the way of your shared home. There are no new sensations—you've been party to them all—          but you have no desire for change. This is it,                            and you are happy. His name is on your tongue, always, like the rivers of blood that run through your body, like the warmth of the rocky cliffs, like the taste for disaster that swells in your chest when the air is too still. You crave action, movement, and he is a forest fire at play, endless and aching. He burns in a familiar way. The water of the creek runs red with your cheek, gunmetal touches your tongue and for a moment you are in           another life: you are underground, caked in calcium and butyl, letting wave after wave of shock make its way over you. It’s over now and you have him, he’s yours. He’s yours. You carry his name on your heel, in the center of your shadow, at the bottom of the well in your heart’s heart. You know nothing other than him. You don’t want to.
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I was born in the cold of the waters, shivering and crying in the embrace of an armless mother, wrapping around me too tight, too warm, too hard, too much. Everything was too much and I was drowning in it. I was born drowning. There was blood on my body then, and in my mouth, on my teeth and tongue, when you hit me yesterday. When you said it would never be enough. But no price is too much, not for you. I would pay anything, anything to be by your side, to feel your flames licking my heart. I am full of cinders and cherry blossoms, trees born from nothing and dying from nothing, painted purple by a battlefield blessing, plum kisses on hands and wrists and forehead, salt in the air, in your tears, from the sea on my skin, always. Write me a hymnal for all the things we must forget, a rhyme for all to be stolen, for each barbed wire and rust sunset painted on my skin in the desert’s forgiveness.   Because it will forgive me, in the end. It always does. And when my body rises, darkly, from a sand and calcite tomb, be ready: for the ocean always reclaims what it has given, and even its gifts bear a price.
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Sep 16, 2018
Sep 16, 2018 at 3:51 PM UTC
Paralian
My neck is open and my hands are gone. No, sweetheart, I don't where or when they’ll be back. They’re just                  gone. My skin is dissolving. It’s melting off; I'm only marrow and sinew                          and muscle, bubbling and festering, and I                can’t reach around the sun to get to You.         I can’t. I can’t, it’s too far, it’s too hard,                   and you know I would give you my life-blood if I could but I can’t. Because the sun is too wide around and I don't have the hands,                      don’t have any hands, to reach inside, Schluff off flesh, sickly as it is, and rip out what you need,                                            whatever you need: I would. I would give it you without hesitation, without penance, without                                           mercy. If you want me ruthless and bloodied, then I           will carve your name into my heart-skin and whisper it on the wind. You are on the moon and gravity is a shackle: tell the stars I want to come home. Tell the stars I have                       vultures pecking at my liver and there is a girl,                 singing, behind the rock, behind my eyes,                              just out of reach. Is it you, sweetheart? Are you my golden sunshine girl, singing softly where I can’t see you?                  I just want to see you. I just want my hands back and my skin back and these bones shoved back into place, ripped out, ripped off, whatever.                 Whatever you have to do, I’m game. Is it cold up there?       Is there room for me, still? I built a ladder from my failures and called it Perseverance.      Call it a royal flush, call the doctor, call my lawyers and my mothers, but this room is a closet and the closet is empty. All the clothes are on the floor. All the clothes are on my body but I am still so, so cold.                       I think the sun and I are feuding. I think he cursed me. I broke a rib trying to reach, reach around him and when I felt it snap, I                    just took it out with teeth and spite and placed it on a pedestal in his altar. Placed it in a               museum, and called it Discovery. And then I left. I’m leaving, sweetheart. Tell the stars I’m coming home.
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Sep 3, 2018
Sep 3, 2018 at 12:02 AM UTC
Stars
My neck is open and my hands are gone. No, sweetheart, I don't where or when they’ll be back. They’re just                  gone. My skin is dissolving. It’s melting off; I'm only marrow and sinew                          and muscle, bubbling and festering, and I                can’t reach around the sun to get to You.         I can’t. I can’t, it’s too far, it’s too hard,                   and you know I would give you my life-blood if I could but I can’t. Because the sun is too wide around and I don't have the hands,                      don’t have any hands, to reach inside, Schluff off flesh, sickly as it is, and rip out what you need,                                            whatever you need: I would. I would give it you without hesitation, without penance, without                                           mercy. If you want me ruthless and bloodied, then I           will carve your name into my heart-skin and whisper it on the wind. You are on the moon and gravity is a shackle: tell the stars I want to come home. Tell the stars I have                       vultures pecking at my liver and there is a girl,                 singing, behind the rock, behind my eyes,                              just out of reach. Is it you, sweetheart? Are you my golden sunshine girl, singing softly where I can’t see you?                  I just want to see you. I just want my hands back and my skin back and these bones shoved back into place, ripped out, ripped off, whatever.                 Whatever you have to do, I’m game. Is it cold up there?       Is there room for me, still? I built a ladder from my failures and called it Perseverance.      Call it a royal flush, call the doctor, call my lawyers and my mothers, but this room is a closet and the closet is empty. All the clothes are on the floor. All the clothes are on my body but I am still so, so cold.                       I think the sun and I are feuding. I think he cursed me. I broke a rib trying to reach, reach around him and when I felt it snap, I                    just took it out with teeth and spite and placed it on a pedestal in his altar. Placed it in a               museum, and called it Discovery. And then I left. I’m leaving, sweetheart. Tell the stars I’m coming home.
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I got in my car and drove west,                                         police song playing on the radio and sirens, wailing, on my left, only to stop my car five feet in front of a dead cow,                     gutted and rotten, bones pecked clean and free by that which I ran from. The air around it was dead, heavy on my tongue like fresh rainfall, and I was twelve years old, in a bathtub,                  trying to figure out                                          how to die. But then lightning struck and                                              my power went out and               the cow caught fire. And then I caught fire. I couldn’t answer his questions because there was still ash in my throat and I was still choking. I was choking. He offered me a glass of water but                                              that only made mud pour       over my tongue and through my lungs,             clogged pores and sinuses. So now I was drowning in tar and                                         a hand brushed mine, so I grabbed it.                       I couldn’t tell which way was up. I got pulled deeper. I died in the lake but they still asked me questions. I died in that lake and got stopped when I tried to leave.
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Aug 16, 2018
Aug 16, 2018 at 9:58 PM UTC
Police Song
I got in my car and drove west,                                         police song playing on the radio and sirens, wailing, on my left, only to stop my car five feet in front of a dead cow,                     gutted and rotten, bones pecked clean and free by that which I ran from. The air around it was dead, heavy on my tongue like fresh rainfall, and I was twelve years old, in a bathtub,                  trying to figure out                                          how to die. But then lightning struck and                                              my power went out and               the cow caught fire. And then I caught fire. I couldn’t answer his questions because there was still ash in my throat and I was still choking. I was choking. He offered me a glass of water but                                              that only made mud pour       over my tongue and through my lungs,             clogged pores and sinuses. So now I was drowning in tar and                                         a hand brushed mine, so I grabbed it.                       I couldn’t tell which way was up. I got pulled deeper. I died in the lake but they still asked me questions. I died in that lake and got stopped when I tried to leave.
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The moon swallowed around a mouthful of bile and blood, sangria rising in its throat, orange knocking on its forehead and honeysuckles falling at its feet, and turned its back on its humble worshippers. I threw my bridal bouquet backwards into the ******* void and fell onto the shore, the sea chasing my heels angry at only having itself to fight and we laughed. We laughed and the world laughed back, the flowers and bees and dust settling where you left. Everywhere was where you left.                 You were gone                                      and the house was about to burn, burning, burnt so        I told my teacher my homework burnt and she gave me an F and I told her my heart was ash and she gave me an F and my throat filled with cinder and my lungs filled with copper. My lungs filled with copper, rotted away the gold and with the gold gone I began to                                                                shame myself, for I was imperfect. I was imperfect and I was                                        marble and I was copper and I couldn’t feel      my hands or my feet or anything, anymore. The moon left and it took away my lungs and my knuckles and left me bleeding in the     stairwell on my birthday, ruined. I was copper and kerosene and ruined, soiled, in its abandon. I lay fallow and my eyes had shutters and the clouds were                                 suddenly antediluvian in their loss and in their weight, heavy and         waiting for another chance to unite the sea with the earth and the earth with bile and the bile with holy water: the floods were coming.                     The water would pour, was pouring, poured and my gold-turned-copper rusted and I couldn’t move to chase after you and then you were gone.                                                                                                                                      I can’t blame you. I would leave too, if I could.                             But my joints froze over like the dead in the lake and you were gone so I had no reason to fight to free myself, or anyone else.                Before you left, I told you if this means anything then carve it on a cave wall and draw me in blood but you didn’t hear me because the door had already                                                shut. My whispers didn’t reach. I knocked from the inside, but you had locked it.               I knocked from the inside                                          but my wrist snapped                and then I snapped and then the world snapped back. I looked through            the window in the door and the bars     framed your shoulders like pillars of some ancient grecian coliseum, of some Shakespearean tragedy, or trees in a forest. Trees, the space between them,                                       and the earth beneath our feet, crumpling like origami and folding like cards.               The ground shattered and so did my heart, the trees fell and so did my hopes, the birds fled as the sky bled out, pink and purple and red, and they took my hands with them so        I couldn’t do anything. I had no hands,                                              how could I work? But someday the birds must land. And someday I will oil my joints, my rust will break. The moon will come home and the clouds will deplete. Someday my hands will attach onto my wrists backwards, and I will write you love letters backwards, and we will live, happily, backwards.
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Jul 24, 2018
Jul 24, 2018 at 9:01 PM UTC
Name
The moon swallowed around a mouthful of bile and blood, sangria rising in its throat, orange knocking on its forehead and honeysuckles falling at its feet, and turned its back on its humble worshippers. I threw my bridal bouquet backwards into the ******* void and fell onto the shore, the sea chasing my heels angry at only having itself to fight and we laughed. We laughed and the world laughed back, the flowers and bees and dust settling where you left. Everywhere was where you left.                 You were gone                                      and the house was about to burn, burning, burnt so        I told my teacher my homework burnt and she gave me an F and I told her my heart was ash and she gave me an F and my throat filled with cinder and my lungs filled with copper. My lungs filled with copper, rotted away the gold and with the gold gone I began to                                                                shame myself, for I was imperfect. I was imperfect and I was                                        marble and I was copper and I couldn’t feel      my hands or my feet or anything, anymore. The moon left and it took away my lungs and my knuckles and left me bleeding in the     stairwell on my birthday, ruined. I was copper and kerosene and ruined, soiled, in its abandon. I lay fallow and my eyes had shutters and the clouds were                                 suddenly antediluvian in their loss and in their weight, heavy and         waiting for another chance to unite the sea with the earth and the earth with bile and the bile with holy water: the floods were coming.                     The water would pour, was pouring, poured and my gold-turned-copper rusted and I couldn’t move to chase after you and then you were gone.                                                                                                                                      I can’t blame you. I would leave too, if I could.                             But my joints froze over like the dead in the lake and you were gone so I had no reason to fight to free myself, or anyone else.                Before you left, I told you if this means anything then carve it on a cave wall and draw me in blood but you didn’t hear me because the door had already                                                shut. My whispers didn’t reach. I knocked from the inside, but you had locked it.               I knocked from the inside                                          but my wrist snapped                and then I snapped and then the world snapped back. I looked through            the window in the door and the bars     framed your shoulders like pillars of some ancient grecian coliseum, of some Shakespearean tragedy, or trees in a forest. Trees, the space between them,                                       and the earth beneath our feet, crumpling like origami and folding like cards.               The ground shattered and so did my heart, the trees fell and so did my hopes, the birds fled as the sky bled out, pink and purple and red, and they took my hands with them so        I couldn’t do anything. I had no hands,                                              how could I work? But someday the birds must land. And someday I will oil my joints, my rust will break. The moon will come home and the clouds will deplete. Someday my hands will attach onto my wrists backwards, and I will write you love letters backwards, and we will live, happily, backwards.
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