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spysgrandson
spysgrandson
American Yes, I am the grandson of a spy--being perilously curious is part of my DNA.
UPS, FEDEX, et al. ubiquitous in this 12th month manic motored, four wheeled, dropping their loads on stoops and porches under watchful eye of door cams, and eager Prime-aholics who give little thought to Bezos' bilious billions an Amazon addict am I as well cyber pampered, too indolent to wander the aisles of Macy's, Walmart wait...I see the brown behemoth slowing by my drive; I must not tarry in my armchair up, up, a package will arrive in milliseconds, surely grander than gold, frankincense, and myrrh!
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Dec 12, 2024
Dec 12, 2024 at 7:16 PM UTC
it's that time of year
tall prairie grasses wind whipped, without lament bison bones, now soul wedded with soil wagon wheel ruts petrified with time, tracks followed like words on the page no scent of the sojourners' saga remains for mongrel dogs that hunt or 21st century two legged creatures who cruise control across mouthless lands that once spoke of promise
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Nov 24, 2024
Nov 24, 2024 at 10:34 PM UTC
kansas--a two minute poem*
LET THERE BE LIGHT a fierce sun ****** vapors into a thunderous sky which wept sixty sextillion t­ears creating a riddled calibration: the river   time we came cells devouring cells metastasizing into li­fe first cruel crawlers then stealthy stalkers wicked walkers   and finally THE terrible talkers blasphemers bending time asking WHY it flows ? we are th­ey who have no shore on which to moor on the river, time
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Oct 24, 2024
Oct 24, 2024 at 6:11 PM UTC
the river all
what did he miss most? the whip of wind on his face the unbridled buck of life between his legs the scent of the saddle the lathered beast? the fast pass of the satchel to the next eager rider, the covenant he carried in the saddle bags; the one he made with the Almighty to keep him safe from the red devils? a new century dawned, two score years since the hot rides were quick made obsolete by the iron horse, the poles and lines that brought Morse's magic, ticking time electric what did he miss most? perhaps the deep, unperturbed sleep after the ride--slumber filled with liquid dreams, gifts bestowed by a condign contentment from his brutish labor **1901, in memory of the Pony Express, 1860-1861
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Oct 22, 2024
Oct 22, 2024 at 1:38 PM UTC
once a swift rider**
On the Nature of Writing—A Simple Rhyme I write for me, not for thee I write for me, in order to see the things to which I might otherwise be blind to rummage among ruins to see what I may find I write not to create mystery, nor to unravel history not to fill my pockets with gold or even have words for others to behold because I write for me when words scar a clean white page like some tiny creatures released from a cage I pause long enough to explore why I opened their door they were not asleep but only hiding and when I allowed their silent gliding I had to follow their puzzling trail like they led to some great holy grail And when I saw they did not end but they like I could only pretend I paused long enough to breathe and finally to conceive I write for me, and not for thee so even if I don’t understand the nature of this literary land the words still keep walking and my eyes keep stalking the path I take for me, but not for thee
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Oct 20, 2024
Oct 20, 2024 at 1:49 PM UTC
Why I write
I make tracks evidence someone was HERE until they disappear, with wind's sweep, or rain's moody fall in elements' absence, time alone will suffice, and not play nice, with my tracks fade to black they will, still, I'll stomp my feet, producing prints, eyes closed to their ephemeral reign
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Oct 15, 2024
Oct 15, 2024 at 9:30 PM UTC
footprints
Teresa climbs on the bus before the sun, if she has the fare to get there, where she makes the bread; she's been at this two of her nineteen years yet she has fears, they will come for her--green card or not; though they like her rolls she kneads the big ***** pulls, pinches, a sculpting of dough, a laying of trays, one after another then, from the Iglesias, they come, decked in their finery though she does not see she only hears the litany of language she can't comprehend, a clanging of trays, laughter the urging of the jefe to work faster, bake the bread; the communion wafers did not fill them now they are here, breaking fast, forgetting the words they just heard the songs they sang Teresa does not complain; she is glad to feed the worshipers, though they will never know her name nor will they stop for her in the pouring rain, the blistering sun Teresa never wavers next Sabbath will be the same: dawn, the dough, the oven it is the work--her hands which make the bread others break, the grace granted to serve holy, holy, holy...
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Oct 12, 2024
Oct 12, 2024 at 12:55 PM UTC
feeding the holier
I wanna have lunch with Poe, at Burger King, because I'm sure he would appreciate how ghoulish that King in their commercial is I don't want him to recite verse while we fill our medium cups with corn syrup nectar--a giant leap down from laudanum I do want to ask about the Cask of Amontillado and being walled in slowly, for eternity for to me that is creepier than all the crimson cream in the Masque of the Red Death I want to know if he likes the fries--will he dare to dip them in scarlet paste we call catsup mostly I want to know if he remembers the alley where he was found, not yet a legend, consumed by consumption and delirium in equal measure and if there were rodents privileged to hear his last whispered words--or even a gasp I am buying, Ed, so grab that Whopper with both bony paws and tell me terrible tales, evermore
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Oct 6, 2024
Oct 6, 2024 at 12:19 PM UTC
Dining with Edgar
fishing the river is for old men, solitary figures who saw their original sin and now see darkness closing in for old men, who watch the leaves pass on soft singing waters to them, it matters not if they make it to the black sea, tarry a while on a quiet bank, or sink into the silt for old men, who dream while awake whose eyes no longer flutter but squint in the sun’s naked white journey from shore to shore when their line becomes taut, they know now a slow dance will ensue, not a battle in a war they once felt compelled to fight--raging, raging against the night, for the fish and fisherman know, when the conversation ends, the line will again be loose, drifting on currents, bound for the certainty of uncertainty fishing the river is for old men I am haunted by waters ** I am haunted by waters is the last line from Norman Maclean's story, A River Runs Through It, and the movie of the same title.
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Oct 1, 2024
Oct 1, 2024 at 1:26 AM UTC
I am haunted by waters**
one in a hundred million swimmers reaches the egg, seeds fare only little better it seems, save one which landed in just the right warm cow droppings in my pasture, took root, fought its way through two wars, too many dread droughts to count, a fire that took a third my herd and a hired hand, the passing of my wife, and some numbered portion of my life under a harvest moon, black armed and brittle, it still stands, stardust reincarnated times infinity more than once I took axe to field, but its execution was always stayed now the tool's too heavy to swing; the blade blunted by time and this night, I can see the tree's shifting shadows on silver ground, receding silently in lunar light, preparing for a dawn it will greet, with or without me
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Sep 10, 2024
Sep 10, 2024 at 12:40 PM UTC
the mesquite that would not die