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simon-leake
simon-leake
Simon Leake's poems and texts have been displayed in exhibitions in the UK and Germany and published in many journals including Aesthetica and The Delinquent. Examples of his projects can be found here: http://simonleake.wordpress.com/.
Sky: a repository of adjectives ―land's fast mirror ―stripped of uniform ―thought to body. Greece: a repository of alternatives ―Civilisation’s fast mirror ―never fully constituted ―thought to Europe’s body. And all this water between us ―greasing the dialogue ―speeding up the dissolution ―co-operating. Isn’t it always cooperative? After all, the trickster is nothing without prey; the entrepreneur nothing without an audience.
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Dec 30, 2017
Dec 30, 2017 at 10:44 AM UTC
Europe after the Reign
This all started as a song, a song that built identities then laws and empires, fuelled by material wealth, upheld by vague data. Wherein the song was lost and here we stand on the crest of sound wave, a vertiginous slope before us beyond which are better words than the unfortunate love. Given pressure and time we find the impression of a memory that has its end in a song.
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Sep 3, 2017
Sep 3, 2017 at 8:06 AM UTC
Song
Still rolling With innocence The times can **** Your unborn heritage Paper years Still gather The duty stopped Before it's paid
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Aug 22, 2017
Aug 22, 2017 at 1:50 PM UTC
21 August 2017
What I have is a pitch angled at nothing and I envy the limber crowd of bees, and I envy the spider’s easy meal. The low hum of a wash cycle competes with, then dislodges my dirge, gradually builds a golden, natural looking wan expression. Diffident? Go out and meander content to accept the indifference of meaning. This walk is not a protest. This work was only ever play. Suitable for all skin types our explanations can’t help themselves, run like British accents on trade and explain away any need for help. Non-streaking conceits you know best how much you are worth.
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Oct 23, 2016
Oct 23, 2016 at 9:02 AM UTC
Albion Din
we use a cheap language full of facts spools feeding nightmares in our grisaille history painting a flat canvas every thing reduced the door said open and you opened it so much of what we are is not about how well we do it but how badly we want it the promised future never came quick enough and we are left asking… the phone wants constant interaction the builders drill, drive the caterpillar squeals the kids on the trampoline howl the dog whimpers like Miles Davis on his horn a more authentic expression than the smooth pop jingles from a lost youth zero — expression from nothing — the background radiation — the song of yes — I am — I want — all this noise against the sense of lack now we know why exhale follows inhale and all things seek to return to their natural gravity — observations will be made by the still articulate of the tiny ecosystem of a forgotten pond the silence after this will be immaculate
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Aug 24, 2016
Aug 24, 2016 at 12:38 PM UTC
Stunned
The rain gives way to blossoms and blossoms give way to snow that never drifts but scatters. In this way now the weather intervenes; the legacy of a child’s breath upon a popsicle. With only one hand on the steering wheel we still find it hard to let go our designs; a glance in the mirror of a mirage, of carnage? The territory swallows us all the same, only the precision of the map is at stake: how well the landscape bends to the road. To be lost in this world and not afraid is a skill we have yet to remember; to master life in the ruin of life: life dissembling in the rings of the ash tree. What looks like rot is just the caterpillar giving way to the nascent butterfly but not like your smile gives way, breaks, before the latest tyrant.
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Jun 19, 2016
Jun 19, 2016 at 8:59 AM UTC
Divine Comedy?
1. The light that agitates the equator bounds across your southern frontier, and being higher in the wage scale enables trips there to be easier than the odysseys of those passing away in the opposite direction. Where once bandaged soles went now many machines tie the stitches between the divides where once again bandaged souls will traverse. 2. Our footprint will be larger than life and beat the earth to an abstract plain. Where once many names were needed, our editorial, read as obituary, will need few. It’s a recursive gesture to prune in order to grow but who’s hand truly closes the symphony? Here I find legumes, tubers, a display of sage and a cold comfort in my palm. The perfect chicane of the fern’s stem, tributaries unfurled, reflects in the plastic bucket.
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Feb 29, 2016
Feb 29, 2016 at 4:37 PM UTC
Redundancy
So many relationships like bad business partnerships: green bottles falling from walls; messages stuck in bottles rotating in great gyres; swallows never at home North or South. (Anti-Confessional? — It’s a fashionable trend just now and yet what is it not to confess, when we claim authorship?) Suburbia’s flat evenness suffocates (but I’ve repeated this so many times and I’m still here!). We need to find the cracks in which to grow, in which to place, our errant thoughts like rude whispers in a darkened room, and nobody about to hear you anyway! We express ourselves well in silence but me, I gyrate, not quite on one side or the other, a kind of even fullness, or, that’s what I like to think, let’s get this straight: I’m an uncouth wind against plains that offer no obstacles. Better to wear me that way — it saves the snap under pressure.
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Dec 6, 2015
Dec 6, 2015 at 5:36 PM UTC
Flat Evenness
Seven lyre birds sang each in turn a tune doing their tonal best to hone the reproductive skills akin to a master in the art of Japanese calligraphy but all failed distracted by the majesty of a high-definition sunset on playback in perpetuity.
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Nov 3, 2015
Nov 3, 2015 at 2:24 PM UTC
The Industry
the foxgloves explode in infinite slow motion [silently] from them also we can learn the soft crash and save ourselves from the genius suicide: the brief fame of a supernova … intermittent rain keeps the land fecund, a deluge cleanses to the bedrock, rain in perpetuity is impossible and we think we can control this but we live at one speed, and measure in standard units: our language is insufficient to give a precise reflection … to assume our laws are true beyond appeal puts into question our democratic process we forget the necessity of conversation the original Greek ideal of the agora; to meet friends and argue is the point, is it not, of life, of all this noise, after all, what use is silence? … our luxury of having the exercise of our conscience is subsidised by the suffering of a multitude other ..and yet when we all speak with one language / currency / voice there is no poetry anymore no rhyme, no metre, no form in this Heaven only, [on Earth], we are united
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Jul 26, 2015
Jul 26, 2015 at 12:25 PM UTC
"What Heaven will see us reunited?"