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shelleyzw
shelleyzw
- 2 Chronicles 29:5 We’ve become more concerned with the tattoos on the temple than the people rotting under its beams, who sit beneath a stained-glass microscope, craving nature and quick-fix saviors, prayers humming against the walls in the absence of truth. We sluice ourselves with greed and strip the faith down to a code: some words of hate and violent virtue trimming the ancient slates, pasted over the commands to love one another. Only those who have gotten it all right can read this new law. And the rest sit in darkness, having blinded themselves by too closely inspecting the brightest redemption filth we could speak into existence.
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Jul 2, 2014
Jul 2, 2014 at 3:55 PM UTC
"Carry out the filth from the Holy Place"
I stare out the double-paned window of seat 9F, overlooking this dollhouse world. Some things below us are only noticeable through a ginger-ale-laced dream perspective. My eyes trace the geometry of the boulevards and buildings and baseball diamonds that appear to have been drawn from above. The motherboard cities, with ports and control panels that never dim, cast orders to faceless men. Parks and forests speckle the firework sprawl with inky patches of greenery where electricity dies and minds and feet can wander. I see squid-armed lakes and coral trees, schools of cars in an asphalt sea, full of people who forget that anyone else exists. The world seems so beautiful and movable, like blocks waiting to be knocked down, rearranged, rebuilt. But then: rooftop angles, sidewalk divisions. Buildings rise and the tarmac appears. Wings shudder and wheels strike asphalt– a collision you can never fully brace yourself for– jarring me back inside my own head. And I look over to the woman beside me, only to find her still sleep-drooling on a half-read SkyMall.
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Jul 2, 2014
Jul 2, 2014 at 3:52 PM UTC
Red Eye from San Francisco
You were the only grandmother I knew who kept her hair long: grey-white and slicked back in a tight knot against your skull with one black streak above your ear. During your last visit the bun broke loose, mane toppling down your spine. My seven-year-old self peeked behind you, expecting to see spiders creeping out of the hoary webbing, awaiting your command to crawl into the tv set my pillowcase the toilet bowl, hatching spider babies until their army seized the whole house and drove me out. But instead, it was your legs walking toward me, your fingers clawing up my arm, your lipstick-smudged mouth invading, fogging my glasses, whisper-growling: *Don’t look at me like that! You’re lucky your mother’s upstairs or I’d put the paddle on ya.* I think I would have preferred the spiders. Later, you took your cigarettes outside and sat beneath the window. Smoke drifted up the pane, and I imagined you stirring it forth from a gurgling cauldron that sparked and seethed– its smoky potion scent of cobra venom and boiled hearts lingering in your witch’s locks.
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Jul 2, 2014
Jul 2, 2014 at 3:51 PM UTC
Witch's Locks
You make my heart feel like a sunfish– hungry, propulsive as it chases a worm it doesn’t realize is already dead.
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Jul 2, 2014
Jul 2, 2014 at 3:50 PM UTC
Blue Gills
I am fetal curled, alone in this too-big bed, my mind wandering into the museum of that morning: The sunrise peeked through the blinds light hop-scotching across the freckles on your shoulder blades and I wanted you to wake up but didn’t want to wake you hoped the bouncing beams would warm you to life You slept soundly so I just lied there, memorizing the pattern of your beard the shape of your ear the curve of your lips And now on this morning I stare out my window, knowing you are some five thousand miles away but we still sleep beneath the same blanket of sky
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Jul 2, 2014
Jul 2, 2014 at 3:49 PM UTC
Untitled
Facebook tells me you have someone new or really, not-so-new, as the dates on these photos reveal that she was around long before I even tied my shoes to leave. Meanwhile, yours were fully laced, giving me the runaround, and I see she was at your marathon on Sunday, standing in the morning cold for 3 hours just to watch your chicken legs shuffle across a finish line. I’m sure she kept plenty warm though, wearing those fingerless gloves she knits and sells on Etsy, overpriced, with buttons that don’t attach to anything while you’re attached to her. A quick Google returns her MySpace page, updated about two years too recently, and a YouTube video of a song she wrote– two oscillating chords, her voice trilling something about little birds. The two of you are building tent forts held up by Christmas lights and making s’mores in the living room fireplace and she comments “if that’s not love...” Trust me, sweetie– it’s not.
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Jul 2, 2014
Jul 2, 2014 at 3:43 PM UTC
Mobile Uploads Tell All
We parked at the service route junction just beyond midnight, headlights cut, pretending we didn’t notice the clock approaching curfew on my last night in town. Through the sunroof, the stars looked like a dull reflection of the tree-framed skyline. We stared out in silence, our January breath clouding the windshield. You were the first to move: your hand smacked the radio to silence Third Eye Blind’s “How’s It Going to Be,” but it was too late. The strumming autoharp and refrains of “you don’t know me anymore” had already filled the car with longing for a love we hadn’t lost yet.
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Jul 2, 2014
Jul 2, 2014 at 3:43 PM UTC
Dix Hill
Lua was a woman of few words and fewer teeth. She awoke to a scraping sound and hushed snickers: two boys in ball caps sliding the coins that collected on her bench each night into their pockets, trying not to wake Loony Lua. Her right eye peeked open and the boys scrambled, sending nearby pigeons into flight. She never chased the kids, didn’t mind the quarters lost so much as the nickname. She braced her wind-thin frame against her cart that always pulled left, and plugged her headphones into her prized AM/FM radio– missing its batteries for years, but that never stopped the music for her. The street filled with umbrellas as Lua made her way through town. Paul McCartney’s voice drew her to a stop outside a restaurant. She peeked inside: “What station you got playin out on the patio?” The hostess’ perma-smile wavered as she pointed to a jeering Customers Only next to the door. “C’mon miss, I just wanna listen on my radio.” The woman sighed, walked behind the bar to read the station. Lua turned a **** with her thumb, adjusting for static, and returned through the drizzle to her bench in Sheridan Park. She tilted her head back and inhaled deeply, thinking how that rush of rainy salt air made her feel like a fish– breathing in the ocean without worry of drowning. Lua turned the volume up, and watched the clouds sway with the music, humming to herself it’s gonna be a great day, ooh.
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Jul 2, 2014
Jul 2, 2014 at 3:41 PM UTC
Sheridan Park, Waikiki
record needle wobbles catches follows the tune of the groove etched with static blues and trumpet flares I follow the needle back to the year of my grandmother’s birth to that Harlem brothel where Lady Day first heard Louis two decades laced with strings and smoky croon before Pops became her sweet hunk o’ trash– fragile might in the turning of two voices and when her voice finally drowned in the drink the swindling and the drugs left her bank account boasting of a mere seventy cents which is little less than this record cost– second third maybe tenth-hand overly-heard and love-scratched crazy they may call me but I just can’t spend my mornings alone
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Jul 2, 2014
Jul 2, 2014 at 3:40 PM UTC
Breakfast with Billie
He perches on his black-crate bandstand, stationed between the payphone and postbox. The view from his seat never varies: a restless audience of briefcases and knees. He closes his eyes, concentrating on breath becoming buzz becoming blare, and he pictures his notes glossing Manhattan’s thunder-colored walls. Each tone fills the pavement, square by square until the sidewalk is a harlequin filmstrip, colored by notes coaxed from his brass mouth. Passersby withhold their gaze, because giving a nod obliges giving a dollar, and no one is inclined to employ this trumpeter. But he pays no mind; his own eyes secured until song’s end. As long as his fingers are jumping, he doesn’t have to be Gerard Wall– who lost his wife to cancer and mind to the War; he can be Louis, Miles, or Pinetop Smith. When he looks up once again, sun and spirit have faded, and he watches the evening embers drift out of his horn.
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Jul 2, 2014
Jul 2, 2014 at 3:39 PM UTC
The 14th Street Trumpeter