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scott-murray
scott-murray
American I've always loved writing, mostly just because of the words. I love words, and think of them as malleable pieces of the world at our hands. What do you like to do with them?
it took days to leave that room again, after we tucked ourselves in; feet cold and perpetually sleepy eyed as I tend to be on my best days. left to my own devices, my hands search for flesh to feel comfortable so I carved into you like wet concrete, pieces of information encoded and left like detritus of a life lived in rooms that spun like tops when we closed our eyes. and as we slept on our sides, bodies fitting together, my fingers gripping your hip bone as if I could use it to bring myself back to reality if the dreams turned sour in the middle of the night; that is if i found the courage to sleep at all.
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Jul 13, 2011
Jul 13, 2011 at 7:53 PM UTC
rooms
I woke up in Atlantis with a young heart; full of panic and claustrophobia hurting for love and a way to breathe underwater. The rhymes I keep repeating in my head regulate my pulse. But, I'm waiting for someone to ask me to explain myself. Like Always. There's a marker in my hand, and it just keeps leaving my name in places. As if it has a mind of its own. Her eyes make me nervous in this light. I am not sure if I am safe.
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Jun 25, 2011
Jun 25, 2011 at 10:20 PM UTC
Atlantis
She sits behind 4 plates of glass watching the clouds and the colors separate in the sky; waiting with eyes big like harvest moons and a heartbeat stifled like gunshots from blocks away. 5 full thoughts from fragile she's obsessed with the concept of space and what too much of it can do to a person and I left my own philosophies on the subject, written in code across the back of her knuckles tapped out like biorhythms in perfect time. I've got strong hands built entirely of ink where I hold a strange heart and I'm learning to rewire my nature with hers so we can coexist on the same planes simultaneously; I watch her pinch the bridge of her nose and I'm cleaning and adjusting the pair of glasses that sit comfortably on mine, allowing me to see the spaces between our shared syllables and I'm synchronizing our watches to the pace that we fall into naturally breaths held like tongues and left in our lungs to be forgotten.
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Jun 20, 2011
Jun 20, 2011 at 8:35 PM UTC
Synchronized
I made a home for myself there on the beach at the end of the world breaking shafts of light across my knee as if they were wood or hearts or other things that you can use to start fires under a weak shelter made of open air and palm fronds strung together like sudden coincidences I spent moonlight carving art into the sand to be washed away like sins at high tide under a sky always the color of the sea below; reflected. walking the shore in slow concentric circles I built a map with no tools or paper, using the wrinkles and scars on my hands as homemade topography; proof of life.
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Jun 20, 2011
Jun 20, 2011 at 8:33 PM UTC
Proof I Was Here
Around the corner, carefully spread under the weight of an artificial skeleton partially collapsed like light bent in a glass; displaced. I spit static at her feet like a broken tv threat in the middle of a storm while times face spins and gives away pieces of itself, generously, hand over hand slowly becoming expended. We've become victimized by spacial distortion, left with no options. Standing as question marks with long shadows as dusk dies making gestures with mouths that build dust on bedsheets. I tell her that I love her like liferafts and that in the ocean of days she is keeping me afloat. The words break the ground into uneven sections, missing all fault lines and creating walls of syllables, tall like trees that flower and cut off all lines, leaving us momentarily incommunicado.
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Jun 20, 2011
Jun 20, 2011 at 8:32 PM UTC
Distorted